breakers sens serif Fonts Free Download

breakers sens serif Fonts Free Downloads

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Serifa
by:
Update : Mon, 12 Sep 2016 22:40:45 +0800Company : Size : 27.43 KbpsVersion : 003.001Trademark : Copyright 1990-1999 as an unpublished work by Bitstream Inc. All rights reserved. Confidential.

Free
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4.2K Sales
Last updated: 12 Sep 2016

OSerif
by: GGBotNet
Update : Wed, 17 Jul 2024 03:31:18 +0800Company : GGBotNetSize : 37.14 KbpsVersion : 0.50Trademark : Creative Commons Zero v1.0 Universal

Free
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8.8K Sales
Last updated: 17 Jul 2024

Unserif
by:
Update : Sun, 20 Dec 2015 06:37:39 +0800Company : Size : 46.55 KbpsVersion : Macromedia Fontographer 4.1.5 11/15/01Trademark : 2001 Foam Train fonts, Andrew Fuller, www.owlsoup.com/foamtrain

Free
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7.9K Sales
Last updated: 20 Dec 2015
PTSerif
by:
Update : Thu, 05 Mar 2020 00:06:34 +0800Company : Size : 4.4 KbpsVersion : 1.0Trademark :

Free
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8.7K Sales
Last updated: 05 Mar 2020
Q Serif
by: Peter Bilak
Update : Fri, 27 May 2022 03:30:19 +0800Company : Typotheque type foundrySize : 53.12 KbpsVersion : 1.000;hotconv 1.0.109;makeotfexe 2.5.65596Trademark : This is a commercial font protected under domestic and international trademark and copyright law. You have to buy a license from Typotheque.com to use it. You may not redistribute the font files to third parties or include them in software or websites without a written permission.

Free
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2.4K Sales
Last updated: 27 May 2022
Serifsy
by:
Update : Tue, 19 Sep 2023 21:20:07 +0800Company : Size : 29.16 KbpsVersion : 1 - Oct. '08Trademark : www.tracertong.com

Free
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4.2K Sales
Last updated: 19 Sep 2023
Sensei
by: Ezeqviel Ergo
Update : Tue, 16 Jan 2024 07:08:49 +0800Company : Size : 109.9 KbpsVersion : 1.000Trademark : Created by User's name with Font.My (http://font.my)

Free
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8.8K Sales
Last updated: 16 Jan 2024
TL Serif
by:
Update : Mon, 16 Nov 2015 08:05:45 +0800Company : Size : 40.08 KbpsVersion : 1.0 Sun Jan 08 19:15:04 1995Trademark : Generated by Fontographer 3.5. Copyright 1995 by TL-Type. All rights reserved.

Free
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2.1K Sales
Last updated: 16 Nov 2015
NeuSerif
by:
Update : Sun, 22 Nov 2015 09:21:52 +0800Company : Size : 26 KbpsVersion : 1.0 Sun Oct 10 00:23:28 1993Trademark : NeuSerif. Copyright 1991 Sterling Court Publishing. ProFont Series.

Free
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2.5K Sales
Last updated: 22 Nov 2015
NoSense
by: THOMAS CANALE
Update : Sun, 22 Nov 2015 15:23:23 +0800Company : THOMAS CANALESize : 51.46 KbpsVersion : Trademark : Setting type has been an occupation and a passion of mine over the last 30 years. After completing some schooling at Cooper School of Art in Downtown Cleveland I accepted a position at Peto's Type House. Back then, the Cleveland Press still set type with 'Hot' lead. I know, I know, this dates me, but the facts are the facts. PhotoType was in it's infancy with the Linotronic 5700 being top-of-the-line technology in Photo type setting. My job at Peto's was more modest, among other things, I was hired to set headline type on what was called a 'Typositor'. It was still photo type setting but for headlines only. Letters had to be set (exposed), one letter at a time. A single headline of lets say15 words or so could take an hour or two to completely finish for paste-up, that's right, I said paste-up. That should really date me!! By doing this day in and day out (for hours on end) I gained a close-up' appreciation for letterforms and spacing. Ernie Peto would also quiz me on identifying type by name. It was an interesting 18 months to say the least. There have been lasting effects on my appreciation of letterforms thanks to this experience. Over the years, there have been spin offs of wood type, Times Roman, Helvetica, etc. Seems to me like we are just going over the same ground over and over and over again. What interests me is not the 'sameness' in the letterforms or their 'invisibility' in the graphics world. Some fonts are used to be 'invisible'. What I mean by this is that they are merely a communication tool to deliver the authors' / writers' message. the artistry in the forms lies in their ability to stay invisible and be easy to read. But their 'uniqueness' and how that difference translates to the printed page. There are many ways of looking at letterforms. We can look at the beauty of the individual letters themselves. Commenting on the curves of a upper case 'A' or a lower case letterform. Or we can look at them as a 'unit' and how that translates within a block of written text. It is this uniqueness that I am looking for in the fonts I design. I do look at each individual letterform and revel in the beauty of the forms and lines. But I also want to create a Font that when written out will display some unusual and unexpected characteristics when in a large block of text. Look for different line weights and forms in my font glyphs. The idea here is to allow the printed page to display uniqueness in contrast.

Free
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2.9K Sales
Last updated: 22 Nov 2015