DJB JACKED UP KINDA LUV

Regular

1.00 May 22, 2009, initial release

Darcy Baldwin (djbfontography)

Typeface DJBFontography).2006-2008. All Rights Reserved

This font was created using FontCreator 5.6 from High-Logic.com

Xenois Soft

Medium

1.00

Monotype Imaging Inc.

Faulhaber, Erik

Xenois is a trademark of Monotype Imaging Inc. and may be registered in certain jurisdictions.

Copyright 2013 Monotype Imaging Inc. All rights reserved.

This font software is the property of Monotype GmbH, or one of its affiliated entities (Monotype) and its use by you is covered under the terms of a license agreement. You have obtained this font software either directly from Monotype or together with software distributed by one of the licensees of Monotype. This software is a valuable asset of Monotype. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited by the terms of the actual license agreement you have entered into with Monotype. You may not copy or distribute this software.If you have any questions concerning your rights you should review the license agreement you received with the software. You can learn more about Monotype by clicking here: www.monotype.com.

Pipo

Light

1.00

pyrs

Benot Bodhuin

Pipo is a trademark of Benot Bodhuin.

Published by Die Gestalten Verlag GmbH & Co. KG, 2011. Copyright (c) Benot Bodhuin, 2011. All rights reserved.

Published by Die Gestalten Verlag GmbH & Co. KG, 2011. Copyright (c) Benot Bodhuin, 2011. All rights reserved.

Die Gestalten Verlag (DGV) - Font Licence AgreementLicence ContentsBy purchasing fonts from Gestalten, the user is transferred the right to use a limited number of copies of the original font software.This Licence is non-exclusive and not transferable to third parties. The Single Licence allows the use on up to five (5) devices (such as computer, printer, digital typesetting machine or other machines generating characters for processing) that belong to the same person or company. The Multi-Licence increases the number of devices released for use up to a maximum of twenty (20). In order to further increase the number of devices in excess of this number, additional Multi-Licences have to be acquired. The Licences do not include the right of resale, sub-Licence and electronic transmission. The Licence does not include the right to modify, reformat orotherwise change the source-code of the font.Free FontsFonts placed at disposal free of charge for downloading may be used by the user on an unlimited number of devices in hispossession. Other Licence provisions shall not be affected. Commercial distribution or resale of Gestalten free fonts shall not be permitted.Embedding FontsEmbedding Gestalten fonts into electronic documents (such as PDF, Powerpoint, OpenDoc, PGML or others) is only permitted insofar as same is effected on computers owned by the licensee, and provided, further, that such said computers are registered with a valid license for the said, applicable fonts so embedded. In the event that data is passed on to third parties (e.g. to a service studio, printer, newsletter, or loaded up on an internet page or any such similar usage), then the font information shall, in each instance and prior to any such transfer of any such data to third parties, be converted into non-editable outlines.WarrantyAll Gestalten fonts have been tested on standard Mac OS X- and Windows XP- driven computer systems. Possibly some fonts do not include a complete letterset. In this context, please pay also attention to our limitation on liability.Limitation on LiabilityGestalten does not assume any liability for damage regardless of the type or extent of damage resulting from the use or the downloading of fonts by Licencee or a third party in so far as Gestalten can only be blamed for the negligent violation of obligations and/or the respective obligations of our vicarious agents and other persons employed by us in the performance of our obligations; unless Gestalten has infringed upon material obligations or rights so that the attainment of the purpose of the contract is jeopardized or the Licencee has suffered health damage. Towards entrepreneurs we shall be liable for foreseeable damage and damage typical to the business only; liability towards entrepreneurs for gross negligence of our vicarious agents and other persons employed by us in the performance of our obligations shall be excluded.ViolationViolations against this Licence by the Licencee shall automatically cause this Licence to be terminated. In such cases the relevant font and all products containing the font shall not be used, published, and/or distributed. All available copies of the font shall promptly be destroyed. Gestalten reserves the right to initiate civil and criminal proceedings for violations against the Licence. Please bear in mind that font-piracy is illegal and punishable!

MetalCrime

Regular

1.00 May 30, 2012, initial release

Xerographer Fonts

Max Infeld

Typeface (your company). 2012. All Rights Reserved

This font was created using FontCreator 6.0 from High-Logic.com

mailto:maxinfeld@gmail.com

LargeW01-X

Regular

1.00

Dino dos Santos _DSType

Dino dos Santos

Large-Extra is a trademark of Dino dos Santos _DSType.

Copyright (c) 2006 by Dino dos Santos _DSType. All rights reserved.

Copyright (c) 2006 by Dino dos Santos _DSType. All rights reserved.

EgonSansCondensedW01-LtIt

Regular

1.00

Ramiz Guseynov

Ramiz Guseynov

Egon Sans Cond Light Italic is a trademark of Ramiz Guseynov.

Copyright (c) 2011 by Ramiz Guseynov. All rights reserved.

Copyright (c) 2007 by . All rights reserved.

VerbW01-CmpXLtIt

Regular

1.1

Ryan Martinson

Ryan Martinson

VerbComp Extralight Italic is a trademark of Yellow Design Studio.

Copyright (c) 2013 by Yellow Design Studio. All rights reserved.

Copyright (c) 2013 by Yellow Design Studio. All rights reserved.

NoSense

NoSense

THOMAS CANALE

THOMAS CANALE

THOMAS CANALE, CANALE STUDIO, INC.

Setting type has been an occupation and a passion of mine over the last 30 years. After completing some schooling at Cooper School of Art in Downtown Cleveland I accepted a position at Peto's Type House. Back then, the Cleveland Press still set type with 'Hot' lead. I know, I know, this dates me, but the facts are the facts. PhotoType was in it's infancy with the Linotronic 5700 being top-of-the-line technology in Photo type setting. My job at Peto's was more modest, among other things, I was hired to set headline type on what was called a 'Typositor'. It was still photo type setting but for headlines only. Letters had to be set (exposed), one letter at a time. A single headline of lets say15 words or so could take an hour or two to completely finish for paste-up, that's right, I said paste-up. That should really date me!! By doing this day in and day out (for hours on end) I gained a close-up' appreciation for letterforms and spacing. Ernie Peto would also quiz me on identifying type by name. It was an interesting 18 months to say the least. There have been lasting effects on my appreciation of letterforms thanks to this experience. Over the years, there have been spin offs of wood type, Times Roman, Helvetica, etc. Seems to me like we are just going over the same ground over and over and over again. What interests me is not the 'sameness' in the letterforms or their 'invisibility' in the graphics world. Some fonts are used to be 'invisible'. What I mean by this is that they are merely a communication tool to deliver the authors' / writers' message. the artistry in the forms lies in their ability to stay invisible and be easy to read. But their 'uniqueness' and how that difference translates to the printed page. There are many ways of looking at letterforms. We can look at the beauty of the individual letters themselves. Commenting on the curves of a upper case 'A' or a lower case letterform. Or we can look at them as a 'unit' and how that translates within a block of written text. It is this uniqueness that I am looking for in the fonts I design. I do look at each individual letterform and revel in the beauty of the forms and lines. But I also want to create a Font that when written out will display some unusual and unexpected characteristics when in a large block of text. Look for different line weights and forms in my font glyphs. The idea here is to allow the printed page to display uniqueness in contrast.

PlatesNaperyW01-Regular

Regular

1.00

Mns Grebck

Mns Grebck

Plates Napery is a trademark of Mns Grebck.

Copyright (c) 2015 by Mns Grebck. All rights reserved.

http://www.aringtypeface.com

Please visit www.aringtypeface.com/plates-napery to get a commercial license.