Stempel Fonts Downloads

  • Stempel Garamond W04 Bold
    Stempel Garamond W04 Bold
    Packages

    Stempel Garamond

    Style

    Bold

    Version

    1.00

    Company

    Linotype GmbH

    Author

    D. Stempel AG

    Trademark

    Stempel Garamond is a trademark of Linotype GmbH and may be registered in certain jurisdictions.

    Copyright

    Copyright 1981 - 2011 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Stempel Garamond is a trademark of Linotype GmbH and may be registered in certain jurisdictions. This typeface is original artwork of D. Stempel AG. The design may be protected in certain jurisdictions.1988, 1993, 1995, 1998, 2002 Adobe Systems Incorporated. All rights reserved.

    Description

    Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the Garamond types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. Linotype has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability. First released by D. Stempel AG in 1925, Stempel Garamond was based on the Egenolff-Berner specimen of 1592 and was therefore a revival of the genuine Garamond types. It is one of the most famous Garamond interpretations, and since its introduction in 1925, it has been one of the most frequently used text fonts. Stempel Garamond has its own unique temperament, with a rhythm and sharpness that set it apart from other Garamonds. Stempel Garamond is available in several weights with small caps, Old style Figures, and Central European characters.

  • Stempel Garamond W04 Bd Italic
    Stempel Garamond W04 Bd Italic
    Packages

    Stempel Garamond

    Style

    Bold Italic

    Version

    1.00

    Company

    Linotype GmbH

    Author

    D. Stempel AG

    Trademark

    Stempel Garamond is a trademark of Linotype GmbH and may be registered in certain jurisdictions.

    Copyright

    Copyright 1981 - 2011 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Stempel Garamond is a trademark of Linotype GmbH and may be registered in certain jurisdictions. This typeface is original artwork of D. Stempel AG. The design may be protected in certain jurisdictions.1988, 1993, 1995, 1998, 2002 Adobe Systems Incorporated. All rights reserved.

    Description

    Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the Garamond types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. Linotype has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability. First released by D. Stempel AG in 1925, Stempel Garamond was based on the Egenolff-Berner specimen of 1592 and was therefore a revival of the genuine Garamond types. It is one of the most famous Garamond interpretations, and since its introduction in 1925, it has been one of the most frequently used text fonts. Stempel Garamond has its own unique temperament, with a rhythm and sharpness that set it apart from other Garamonds. Stempel Garamond is available in several weights with small caps, Old style Figures, and Central European characters.

  • Stempel Garamond W04 Italic
    Stempel Garamond W04 Italic
    Packages

    Stempel Garamond

    Style

    Italic

    Version

    1.00

    Company

    Linotype GmbH

    Author

    D. Stempel AG

    Trademark

    Stempel Garamond is a trademark of Linotype GmbH and may be registered in certain jurisdictions.

    Copyright

    Copyright 1981 - 2011 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Stempel Garamond is a trademark of Linotype GmbH and may be registered in certain jurisdictions. This typeface is original artwork of D. Stempel AG. The design may be protected in certain jurisdictions.1988, 1993, 1995, 1998, 2002 Adobe Systems Incorporated. All rights reserved.

    Description

    Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the Garamond types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. Linotype has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability. First released by D. Stempel AG in 1925, Stempel Garamond was based on the Egenolff-Berner specimen of 1592 and was therefore a revival of the genuine Garamond types. It is one of the most famous Garamond interpretations, and since its introduction in 1925, it has been one of the most frequently used text fonts. Stempel Garamond has its own unique temperament, with a rhythm and sharpness that set it apart from other Garamonds. Stempel Garamond is available in several weights with small caps, Old style Figures, and Central European characters.

  • Stempel Garamond W04 Roman
    Stempel Garamond W04 Roman
    Packages

    Stempel Garamond

    Style

    Roman

    Version

    1.00

    Company

    Linotype GmbH

    Author

    D. Stempel AG

    Trademark

    Stempel Garamond is a trademark of Linotype GmbH and may be registered in certain jurisdictions.

    Copyright

    Copyright 1981 - 2011 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Stempel Garamond is a trademark of Linotype GmbH and may be registered in certain jurisdictions. This typeface is original artwork of D. Stempel AG. The design may be protected in certain jurisdictions.1988, 1993, 1995, 1998, 2002 Adobe Systems Incorporated. All rights reserved.

    Description

    Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the Garamond types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. Linotype has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability. First released by D. Stempel AG in 1925, Stempel Garamond was based on the Egenolff-Berner specimen of 1592 and was therefore a revival of the genuine Garamond types. It is one of the most famous Garamond interpretations, and since its introduction in 1925, it has been one of the most frequently used text fonts. Stempel Garamond has its own unique temperament, with a rhythm and sharpness that set it apart from other Garamonds. Stempel Garamond is available in several weights with small caps, Old style Figures, and Central European characters.

  • Stempel Elan W04 Regular
    Stempel Elan W04 Regular
    Packages

    Stempel Elan

    Style

    Bold

    Version

    1.00

    Company

    Linotype GmbH

    Author

    Hans Mhring and Frank Griehammer

    Trademark

    Stempel Elan is a trademark of Linotype Corp. and may be registered in certain jurisdictions in the name of Linotype Corp. or its licensee Linotype GmbH.

    Copyright

    Copyright 2010 Linotype Corp., www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype Corp. Stempel Elan is a trademark of Linotype Corp. and may be registered in certain jurisdictions in the name of Linotype Corp. or its licensee Linotype GmbH. This typeface is original artwork of Hans Mhring and Frank Griehammer. The design may be protected in certain jurisdictions.

    Description

    Stempel Elan is Frank Griehammer's revival of Elan, a script typeface released by D. Stempel AG in 1937. That Elan was originally created by Hans Mhring. The first digital release of the design, Stempel Elan includes a number of OpenType features, including alternate versions of certain glyphs, etc.

    License

    NOTIFICATION OF LICENSE AGREEMENTYou have obtained this font software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This font software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this font software is limited to your workstation for your own use. You may not copy or distribute this font software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informations concernant le contrat d'utilisation du logiciel de polices, veuillez consulter notre site web www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418

  • Stempel Schneidler Std Light
    Stempel Schneidler Std Light
    Packages

    Stempel Schneidler Std

    Style

    Light

    Version

    OTF 1.029;PS 001.003;Core 1.0.33;makeotf.lib1.4.1585

    Author

    F.H. Ernst Schneidler

    Trademark

    Stempel Schneidler is a registered trademark of Bauer Types, S.A.

    Copyright

    Copyright 1990, 2002 Adobe Systems Incorporated. All Rights Reserved.

  • Stempel LT Std 2
    Stempel LT Std 2
    Packages

    Stempel LT Std 2

    Style

    Regular

    Version

    1.100;PS 001.001;hotconv 1.0.38

    Company

    Linotype GmbH

    Author

    Martina Balke

    Trademark

    Stempel is a trademark of Heidelberger Druckmaschinen AG, exclusively licensed through Linotype GmbH, and may be registered in certain jurisdictions.

    Copyright

    Copyright 2003 - 2006 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Stempel is a trademark of Heidelberger Druckmaschinen AG, exclusively licensed through Linotype GmbH, and may be registered in certain jurisdictions. This typeface is original artwork of Martina Balke. The design may be protected in certain jurisdictions.

    Description

    The Stempel family consists of two fonts; each made to look like a set of block stamps. Each letter appears inside its own roughly drawn square. Stempel One's letters are very simple form/counterform objects. Stempel Two's forms are more ornate: each square stamp has a thin border inside of it, and then the individual letterforms have been knocked-out, so that the colored area depicts the counters around the letters rather than the letters themselves. As a line of text is typed, a box appears for each letter entered, and all of the boxes slightly nudge against each other to form the line. The Stempel fonts have the appearance of a hand-made quality to them. Their forms appear too random, too delicate, and too thought out to have been made on a machine. Using these fonts will add a nice warm, linoleum-cut touch to your work. Both Stempel One and Stempel Two were designed by German designer Martina Balke and are part of the TakeType Library from Linotype.

    License

    NOTIFICATION OF LICENSE AGREEMENTYou have obtained this typeface software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to your workstation for your own use. You may not copy or distribute this software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informacin concernant la contrat d'utilisation du logiciel de polices, veuillez consultez notre site www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418

  • Stempel Garamond LT Pro Italic
    Stempel Garamond LT Pro Italic
    Packages

    Stempel Garamond LT Pro

    Style

    Italic

    Version

    1.100;PS 001.001;hotconv 1.0.38

    Company

    Linotype GmbH

    Author

    D. Stempel AG

    Trademark

    Stempel Garamond is a trademark of Heidelberger Druckmaschinen AG, exclusively licensed through Linotype GmbH, and may be registered in certain jurisdictions.

    Copyright

    Copyright 2004 - 2006 Linotype GmbH, www.linotype.com. All rights reserved. Copyright 1988, 1993, 1995, 1998, 2002 Adobe Systems Incorporated. All Rights Reserved.

    Description

    Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the Garamond types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. The Linotype Library has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability. First released by D. Stempel AG in 1925, Stempel Garamond was based on the Egenolff-Berner specimen of 1592 and was therefore a revival of the genuine Garamond types. It is one of the most famous Garamond interpretations, and since its introduction in 1925, it has been one of the most frequently used text fonts. Stempel Garamond has its own unique temperament, with a rhythm and sharpness that set it apart from other Garamonds. Stempel Garamond is available in several weights with small caps, oldstyle figures, and Central European characters.

    License

    NOTIFICATION OF LICENSE AGREEMENTYou have obtained this typeface software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to your workstation for your own use. You may not copy or distribute this software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informacin concernant la contrat d'utilisation du logiciel de polices, veuillez consultez notre site www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418

  • Stempel Garamond LT Pro Bold Italic
    Stempel Garamond LT Pro Bold Italic
    Packages

    Stempel Garamond LT Pro

    Style

    Bold Italic

    Version

    1.100;PS 001.001;hotconv 1.0.38

    Company

    Linotype GmbH

    Author

    D. Stempel AG

    Trademark

    Stempel Garamond is a trademark of Heidelberger Druckmaschinen AG, exclusively licensed through Linotype GmbH, and may be registered in certain jurisdictions.

    Copyright

    Copyright 2004 - 2006 Linotype GmbH, www.linotype.com. All rights reserved. Copyright 1988, 1993, 1995, 1998, 2002 Adobe Systems Incorporated. All Rights Reserved.

    Description

    Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the Garamond types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. The Linotype Library has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability. First released by D. Stempel AG in 1925, Stempel Garamond was based on the Egenolff-Berner specimen of 1592 and was therefore a revival of the genuine Garamond types. It is one of the most famous Garamond interpretations, and since its introduction in 1925, it has been one of the most frequently used text fonts. Stempel Garamond has its own unique temperament, with a rhythm and sharpness that set it apart from other Garamonds. Stempel Garamond is available in several weights with small caps, oldstyle figures, and Central European characters.

    License

    NOTIFICATION OF LICENSE AGREEMENTYou have obtained this typeface software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to your workstation for your own use. You may not copy or distribute this software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informacin concernant la contrat d'utilisation du logiciel de polices, veuillez consultez notre site www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418

  • Stempel Garamond LT Pro Roman
    Stempel Garamond LT Pro Roman
    Packages

    Stempel Garamond LT Pro

    Style

    Roman

    Version

    1.100;PS 001.001;hotconv 1.0.38

    Company

    Linotype GmbH

    Author

    D. Stempel AG

    Trademark

    Stempel Garamond is a trademark of Heidelberger Druckmaschinen AG, exclusively licensed through Linotype GmbH, and may be registered in certain jurisdictions.

    Copyright

    Copyright 2004 - 2006 Linotype GmbH, www.linotype.com. All rights reserved. Copyright 1988, 1993, 1995, 1998, 2002 Adobe Systems Incorporated. All Rights Reserved.

    Description

    Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the Garamond types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. The Linotype Library has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability. First released by D. Stempel AG in 1925, Stempel Garamond was based on the Egenolff-Berner specimen of 1592 and was therefore a revival of the genuine Garamond types. It is one of the most famous Garamond interpretations, and since its introduction in 1925, it has been one of the most frequently used text fonts. Stempel Garamond has its own unique temperament, with a rhythm and sharpness that set it apart from other Garamonds. Stempel Garamond is available in several weights with small caps, oldstyle figures, and Central European characters.

    License

    NOTIFICATION OF LICENSE AGREEMENTYou have obtained this typeface software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to your workstation for your own use. You may not copy or distribute this software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informacin concernant la contrat d'utilisation du logiciel de polices, veuillez consultez notre site www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418

  • Stempel LT Std 1
    Stempel LT Std 1
    Packages

    Stempel LT Std 1

    Style

    Regular

    Version

    1.100;PS 001.001;hotconv 1.0.38

    Company

    Linotype GmbH

    Author

    Martina Balke

    Trademark

    Stempel is a trademark of Heidelberger Druckmaschinen AG, exclusively licensed through Linotype GmbH, and may be registered in certain jurisdictions.

    Copyright

    Copyright 2003 - 2006 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Stempel is a trademark of Heidelberger Druckmaschinen AG, exclusively licensed through Linotype GmbH, and may be registered in certain jurisdictions. This typeface is original artwork of Martina Balke. The design may be protected in certain jurisdictions.

    Description

    The Stempel family consists of two fonts; each made to look like a set of block stamps. Each letter appears inside its own roughly drawn square. Stempel One's letters are very simple form/counterform objects. Stempel Two's forms are more ornate: each square stamp has a thin border inside of it, and then the individual letterforms have been knocked-out, so that the colored area depicts the counters around the letters rather than the letters themselves. As a line of text is typed, a box appears for each letter entered, and all of the boxes slightly nudge against each other to form the line. The Stempel fonts have the appearance of a hand-made quality to them. Their forms appear too random, too delicate, and too thought out to have been made on a machine. Using these fonts will add a nice warm, linoleum-cut touch to your work. Both Stempel One and Stempel Two were designed by German designer Martina Balke and are part of the TakeType Library from Linotype.

    License

    NOTIFICATION OF LICENSE AGREEMENTYou have obtained this typeface software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to your workstation for your own use. You may not copy or distribute this software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informacin concernant la contrat d'utilisation du logiciel de polices, veuillez consultez notre site www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418

  • Stempel Garamond LT Pro Bold
    Stempel Garamond LT Pro Bold
    Packages

    Stempel Garamond LT Pro

    Style

    Bold

    Version

    1.100;PS 001.001;hotconv 1.0.38

    Company

    Linotype GmbH

    Author

    D. Stempel AG

    Trademark

    Stempel Garamond is a trademark of Heidelberger Druckmaschinen AG, exclusively licensed through Linotype GmbH, and may be registered in certain jurisdictions.

    Copyright

    Copyright 2004 - 2006 Linotype GmbH, www.linotype.com. All rights reserved. Copyright 1988, 1993, 1995, 1998, 2002 Adobe Systems Incorporated. All Rights Reserved.

    Description

    Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the Garamond types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. The Linotype Library has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability. First released by D. Stempel AG in 1925, Stempel Garamond was based on the Egenolff-Berner specimen of 1592 and was therefore a revival of the genuine Garamond types. It is one of the most famous Garamond interpretations, and since its introduction in 1925, it has been one of the most frequently used text fonts. Stempel Garamond has its own unique temperament, with a rhythm and sharpness that set it apart from other Garamonds. Stempel Garamond is available in several weights with small caps, oldstyle figures, and Central European characters.

    License

    NOTIFICATION OF LICENSE AGREEMENTYou have obtained this typeface software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to your workstation for your own use. You may not copy or distribute this software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informacin concernant la contrat d'utilisation du logiciel de polices, veuillez consultez notre site www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418

  • Stempel Schneidler Bold
    Stempel Schneidler Bold
    Packages

    StempelSchneidler

    Style

    Regular

    Version

    001.001

    Copyright

    Copyright (c) 1990 Adobe Systems Incorporated. All Rights Reserved.Stempel Schneidler is a registered trademark of Fundicion Tipografica Neufville S.A.

  • Stempel Schneidler Medium Italic
    Stempel Schneidler Medium Italic
    Packages

    StempelSchneidler

    Style

    Regular

    Version

    001.001

    Copyright

    Copyright (c) 1990 Adobe Systems Incorporated. All Rights Reserved.Stempel Schneidler is a registered trademark of Fundicion Tipografica Neufville S.A.

  • Stempel Garamond LT Std Roman
    Stempel Garamond LT Std Roman
    Packages

    Stempel Garamond LT Std

    Style

    Roman

    Version

    1.040;PS 001.003;Core 1.0.35;makeotf.lib1.5.4492

    Author

    Stempel Staff

    Trademark

    Stempel Garamond is a trademark of Heidelberger Druckmaschinen AG, exclusively licensed through Linotype Library GmbH, and may be registered in certain jurisdictions.

    Copyright

    Copyright 1988, 1993, 1995, 1998, 2002 Adobe Systems Incorporated. All Rights Reserved. 1981, 1998, 2002 Heidelberger Druckmaschinen AG. All rights reserved.

  • 12 pt Stempel Garamond* Roman 05108
    12 pt Stempel Garamond* Roman 05108
    Packages

    StempelGaramond

    Style

    Regular

    Version

    001.000

    Copyright

    Copyright (c) 1988 Adobe Systems Incorporated. All Rights Reserved.Stempel Garamond is a registered trademark of Linotype AG and/or its subsidiaries.

  • Stempel Schneidler Bold Italic
    Stempel Schneidler Bold Italic
    Packages

    StempelSchneidler

    Style

    Regular

    Version

    001.001

    Copyright

    Copyright (c) 1990 Adobe Systems Incorporated. All Rights Reserved.Stempel Schneidler is a registered trademark of Fundicion Tipografica Neufville S.A.

  • Stempel Schneidler Medium
    Stempel Schneidler Medium
    Packages

    StempelSchneidler

    Style

    Regular

    Version

    001.001

    Copyright

    Copyright (c) 1990 Adobe Systems Incorporated. All Rights Reserved.Stempel Schneidler is a registered trademark of Fundicion Tipografica Neufville S.A.

  • Stempel Schneidler Light
    Stempel Schneidler Light
    Packages

    StempelSchneidler

    Style

    Regular

    Version

    001.001

    Copyright

    Copyright (c) 1990 Adobe Systems Incorporated. All Rights Reserved.Stempel Schneidler is a registered trademark of Fundicion Tipografica Neufville S.A.

  • Stempel Garamond Italic Oldstyle Figures
    Stempel Garamond Italic Oldstyle Figures
    Packages

    Stempel Garamond

    Style

    Italic Oldstyle Figu

    Version

    001.000

    Copyright

    Copyright (c) 1988, 1991 Adobe Systems Incorporated. All Rights Reserved.Stempel Garamond is a trademark of Linotype AG and/or its subsidiaries.

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  • Deccan W03 Light Deccan W03 Light
    Style : Light
    Packages

    Deccan

    Style

    Light

    Version

    1.10

    Company

    Indian Type Foundry

    Author

    Ramakrishna Saiteja

    Trademark

    Deccan is a trademark of the Indian Type Foundry.

    Copyright

    Copyright 2015 Indian Type Foundry. All rights reserved.

    License

    This Font Software is protected under domestic and international trademark and copyright law. You agree to identify the ITF fonts by name and credit the ITF's ownership of the trademarks and copyrights in any design or production credits.

  • Trend Sans W00 Two Trend Sans W00 Two
    Style : Regular
    Packages

    TrendSansW00-Two

    Style

    Regular

    Version

    1.00

    Company

    Daniel Hernandez & Paula nazal

    Author

    Daniel Hernandez & Paula nazal

    Trademark

    Trend Sans Two is a trademark of Daniel Hernandez & Paula nazal.

    Copyright

    Copyright (c) 2012 by Daniel Hernandez & Paula nazal. All rights reserved.

    Description

    Copyright (c) 2012 by Daniel Hernandez & Paula nazal. All rights reserved.

  • Prosto Prosto
    Style : Regular
    Packages

    Prosto

    Style

    Regular

    Version

    1.000

    Company

    Pavel Emelyanov and Jovanny Lemonad

    Author

    Pavel Emelyanov and Jovanny lemonad

    Trademark

    Prosto is a trademark of Pavel Emelyanov and Jovanny Lemonad.

    Copyright

    Copyright (c) 2012 by Pavel Emelyanov and Jovanny Lemonad. All rights reserved.

    Description

    Copyright (c) 2012 by Pavel Emelyanov and Jovanny Lemonad. All rights reserved.

    License

    Copyright (c) Febrary 20, 2012, Pavel Emelyanov (zakachka2006@mail.ru) and Jovanny Lemonad (lemonad@jovanny.ru), with Reserved Font Name Prosto and Prosto One. This Font Software is licensed under the SIL Open Font License, Version 1.1. This license is available with a FAQ at: http://scripts.sil.org/OFL

  • CCExcaliburStone W00 Regular CCExcaliburStone W00 Regular
    Style : Regular
    Packages

    CCExcaliburStoneW00-Regular

    Style

    Regular

    Version

    1.00

    Company

    Active Images

    Author

    John Roshell

    Trademark

    CCExcaliburStone is a trademark of Active Images.

    Copyright

    Copyright (c) 2012 by Active Images. All rights reserved.

    License

    Active Images Font License AgreementPlease read this license agreement carefully before you install your fonts. By installing fonts sent to you by ACTIVE IMAGES, you accept this license agreement. If you do not accept the terms and conditions of this license, do not install the fonts in question.1. LICENSE Active Images is the exclusive owner of the electronically transferred computer lettering fonts. We grant you, and you accept, a non-exclusive license to use the electronically transferred fonts, but you are not the owner of them. Your right to use the fonts under this license agreement is called the license. By fonts, we refer to the electronically transferred fonts and any embodiment or use that you make of the fonts in any form.2. AUTHORIZED USER AND USE You alone, as the purchaser of the fonts, are authorised to use the fonts under the license for personal, business or distributed projects. With few exceptions: fonts are licensed for use on 5 CPUs and/or 1 output device. Additional licenses are available on a ratio of 5 CPUs to 1 output device. Call us if you are not clear on whether you require additional licenses. Any other duplication or use by any other person or entity constitutes software piracy, a criminal offense.3. LIMITED WARRANTY Active Images makes no warranties, express or implied, regarding the electronically transferred computer software, its merchantability or its fitness for any particular purpose.Active Images warrants the magnetic media to be free from physical defects for 90 days, after purchase. Active Images will replace the disk free of charge should it fail within this time. These fonts are sold for use only on the computer platform indicated on the packaging. Use of these fonts on any platform other than that for which it was originally intended is not recommended and invalidates any warranty.Active Images reserves the right to terminate this License at any time and void your license if you fail to comply with the terms and conditions of this License.If you have any questions about the License Agreement, our return policy, security and on-line ordering, or anything else, please feel free to contact us at orders@comicbookfonts.com, or at the telephone number below.ACTIVE IMAGES8910 Rayford DriveLos Angeles, CA 90045Tel: 310 650-7904www.activeimages.com

  • Kimmun Kimmun
    Style : Regular
    Packages

    Kimmun

    Style

    Regular

    Version

    1.00 November 18, 2013, initial release

    Copyright

    Made with Scanahand. Copyright FontPanda.com 2013. All Rights Reserved.

    Description

    This font was created using Scanahand from High-Logic.com

  • Durandal Flat Black W00 Black Durandal Flat Black W00 Black
    Style : Regular
    Packages

    DurandalFlatBlackW00-Black

    Style

    Regular

    Version

    1.00

    Company

    Aerotype

    Author

    Stephen Miggas

    Trademark

    Durandal Flat Black is a trademark of Aerotype.

    Copyright

    Copyright (c) Aerotype, 2005. All rights reserved.

    License

    Thank you for choosing Aerotype digital type products. Aerotype Software License AgreementThe right to use this product is sold only on the condition that you, the Customer, agree to the following license. If you do not agree to the terms of the license, do Not open the disk package. Promptly return the unopened disk package and any other materials that are part of this Aerotype product together with a copy of your proof of payment, within 10 days for a full refund. By opening the accompanying sealed diskette package, you accept terms and conditions of this licensing agreement. 1. Grant of License In consideration of payment of the license fee, which is part of the price you paid for this Software Product, Aerotype grants you the right to use one (1) copy of the enclosed Software Product (the 'Software') on a single computer. If the Software is used on a network, one licensed copy of the Software may be used on up to five (5) network stations and one (1) printer. Aerotype reserves all rights not expressly granted by this license.2. Ownership and Obligations The Software is property of Aerotype. When you purchased this product, you purchased the magnetic or other physical media on which the Software was originally or subsequently fixed or recorded, but Aerotype retains all title and ownership in the Software recorded on the original disk copy and all subsequent copies of the Software regardless of the form or media in or on which the original and other copies may exist. The license is not a sale of the original Software or any portion or copy of it. Except as stated above, this agreement does not grant you any rights to the intellectual property rights in the Software.3. Other Restrictions The Software and accompanying materials are copyrighted, and are protected by United States copyright laws, and international agreements. You may not duplicate the software except for installation on one computer, and for archival (back-up) purposes, provided the archival copy bears the copyright notices contained on the original product. Unauthorized copying of the Software, even if modified, merged, or included with other software, or of the written materials is expressly forbidden.4. Assignment You may assign your rights under this agreement to a third party who agrees to be bound by this agreement prior to the assignment, provided that you transfer all copies of the Software and related documents to the third party or destroy all copies not transferred. You may not assign your rights under this agreement or rent, loan, lease, distribute, or otherwise transfer the Software, except as set forth above. You agree that the Software will not be shipped, transferred, or exported into any country or used in any manner inconsistent with the laws of the United States.5. Limited Warranty Aerotype warrants this product to be free of defects in material and workmanship when used in accordance with the documentation for a period of thirty (30) days from the date of purchase as evidenced by a copy of your receipt. If the Software fails to comply with this limited warrantee, Aerotype's entire liability is limited to replacement of the defective diskette(s). Aerotype shall have no liability for any failure of any diskette resulting from accident, abuse, or misapplication of the product. This remedy is not available outside the United States. Except for the above Limited Warranty, Aerotype makes no warranties, expressed or implied, as to merchantability, or fitness for a particular purpose.6. Limit of Liability In no event will Aerotype be liable for any consequential or incidental damages resulting from the use of the Software, including without limitation, damages for lost profits or lost savings, business interruption, loss of business information, or for any claim by any party, even if an Aerotype representative has been advised of the possibility of such damages. Some states do not allow the exclusion or limitation of incidental or consequential damages, so the above limitation or exclusion may not apply to you.This agreement will be governed by the laws of the State of California excluding the application of its conflicts of law rules.

  • Jennilyn's Everyday Jennilyn's Everyday
    Style : Regular
    Packages

    Jennilyn's Everyday

    Style

    Regular

    Version

    1.00 November 18, 2013, initial release

    Copyright

    Made with Scanahand. Copyright FontPanda.com 2013. All Rights Reserved.

    Description

    This font was created using Scanahand from High-Logic.com

  • Vectipede W00 Black Italic Vectipede W00 Black Italic
    Style : Regular
    Packages

    VectipedeW00-BlackItalic

    Style

    Regular

    Version

    1.00

    Company

    Ray Larabie

    Author

    Ray Larabie

    Trademark

    Vectipede is a trademark of Typodermic Fonts

    Copyright

    Copyright (c) 2010 Typodermic Fonts. This font is not freely distributable. Kerning & languages by Chikako Larabie

    Description

    To see more fonts by Ray Larabie, visit Typodermic.com and LarabieFonts.com

  • Centennial LT W01 45 Light Centennial LT W01 45 Light
    Style : Regular
    Packages

    CentennialLTW01-45Light

    Style

    Regular

    Version

    2.02

    Company

    Linotype GmbH

    Trademark

    Linotype Centennial is a trademark of Linotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.

    Copyright

    Part of the digitally encoded machine readable outline data for producing the Typefaces provided is copyrighted 2008 Linotype GmbH, www.linotype.com. All rights reserved. This software is the property of Linotype GmbH, and may not be reproduced, used, displayed, modified, disclosed or transferred without the express written approval of Linotype GmbH. The digitally encoded machine readable software for producing the Typefaces licensed to you is copyrighted (c) 1988, 1995 Adobe Systems. All Rights Reserved. This software is the property of Adobe Systems Incorporated and its licensors, and may not be reproduced, used, displayed, modified, disclosed or transferred without the express written approval of Adobe. Linotype Centennial is a trademark of Linotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions. This typeface is original artwork of Adrian Frutiger. The design may be protected in certain jurisdictions.

    License

    NOTIFICATION OF LICENSE AGREEMENTYou have obtained this font software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This font software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this font software is limited to your workstation for your own use. You may not copy or distribute this font software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informations concernant le contrat d'utilisation du logiciel de polices, veuillez consulter notre site web www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418