Stempel Fonts Downloads

  • Stempel Garamond W04 Bold
    Stempel Garamond W04 Bold
    Packages

    Stempel Garamond

    Style

    Bold

    Version

    1.00

    Company

    Linotype GmbH

    Author

    D. Stempel AG

    Trademark

    Stempel Garamond is a trademark of Linotype GmbH and may be registered in certain jurisdictions.

    Copyright

    Copyright 1981 - 2011 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Stempel Garamond is a trademark of Linotype GmbH and may be registered in certain jurisdictions. This typeface is original artwork of D. Stempel AG. The design may be protected in certain jurisdictions.1988, 1993, 1995, 1998, 2002 Adobe Systems Incorporated. All rights reserved.

    Description

    Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the Garamond types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. Linotype has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability. First released by D. Stempel AG in 1925, Stempel Garamond was based on the Egenolff-Berner specimen of 1592 and was therefore a revival of the genuine Garamond types. It is one of the most famous Garamond interpretations, and since its introduction in 1925, it has been one of the most frequently used text fonts. Stempel Garamond has its own unique temperament, with a rhythm and sharpness that set it apart from other Garamonds. Stempel Garamond is available in several weights with small caps, Old style Figures, and Central European characters.

  • Stempel Garamond W04 Bd Italic
    Stempel Garamond W04 Bd Italic
    Packages

    Stempel Garamond

    Style

    Bold Italic

    Version

    1.00

    Company

    Linotype GmbH

    Author

    D. Stempel AG

    Trademark

    Stempel Garamond is a trademark of Linotype GmbH and may be registered in certain jurisdictions.

    Copyright

    Copyright 1981 - 2011 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Stempel Garamond is a trademark of Linotype GmbH and may be registered in certain jurisdictions. This typeface is original artwork of D. Stempel AG. The design may be protected in certain jurisdictions.1988, 1993, 1995, 1998, 2002 Adobe Systems Incorporated. All rights reserved.

    Description

    Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the Garamond types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. Linotype has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability. First released by D. Stempel AG in 1925, Stempel Garamond was based on the Egenolff-Berner specimen of 1592 and was therefore a revival of the genuine Garamond types. It is one of the most famous Garamond interpretations, and since its introduction in 1925, it has been one of the most frequently used text fonts. Stempel Garamond has its own unique temperament, with a rhythm and sharpness that set it apart from other Garamonds. Stempel Garamond is available in several weights with small caps, Old style Figures, and Central European characters.

  • Stempel Garamond W04 Italic
    Stempel Garamond W04 Italic
    Packages

    Stempel Garamond

    Style

    Italic

    Version

    1.00

    Company

    Linotype GmbH

    Author

    D. Stempel AG

    Trademark

    Stempel Garamond is a trademark of Linotype GmbH and may be registered in certain jurisdictions.

    Copyright

    Copyright 1981 - 2011 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Stempel Garamond is a trademark of Linotype GmbH and may be registered in certain jurisdictions. This typeface is original artwork of D. Stempel AG. The design may be protected in certain jurisdictions.1988, 1993, 1995, 1998, 2002 Adobe Systems Incorporated. All rights reserved.

    Description

    Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the Garamond types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. Linotype has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability. First released by D. Stempel AG in 1925, Stempel Garamond was based on the Egenolff-Berner specimen of 1592 and was therefore a revival of the genuine Garamond types. It is one of the most famous Garamond interpretations, and since its introduction in 1925, it has been one of the most frequently used text fonts. Stempel Garamond has its own unique temperament, with a rhythm and sharpness that set it apart from other Garamonds. Stempel Garamond is available in several weights with small caps, Old style Figures, and Central European characters.

  • Stempel Garamond W04 Roman
    Stempel Garamond W04 Roman
    Packages

    Stempel Garamond

    Style

    Roman

    Version

    1.00

    Company

    Linotype GmbH

    Author

    D. Stempel AG

    Trademark

    Stempel Garamond is a trademark of Linotype GmbH and may be registered in certain jurisdictions.

    Copyright

    Copyright 1981 - 2011 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Stempel Garamond is a trademark of Linotype GmbH and may be registered in certain jurisdictions. This typeface is original artwork of D. Stempel AG. The design may be protected in certain jurisdictions.1988, 1993, 1995, 1998, 2002 Adobe Systems Incorporated. All rights reserved.

    Description

    Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the Garamond types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. Linotype has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability. First released by D. Stempel AG in 1925, Stempel Garamond was based on the Egenolff-Berner specimen of 1592 and was therefore a revival of the genuine Garamond types. It is one of the most famous Garamond interpretations, and since its introduction in 1925, it has been one of the most frequently used text fonts. Stempel Garamond has its own unique temperament, with a rhythm and sharpness that set it apart from other Garamonds. Stempel Garamond is available in several weights with small caps, Old style Figures, and Central European characters.

  • Stempel Elan W04 Regular
    Stempel Elan W04 Regular
    Packages

    Stempel Elan

    Style

    Bold

    Version

    1.00

    Company

    Linotype GmbH

    Author

    Hans Mhring and Frank Griehammer

    Trademark

    Stempel Elan is a trademark of Linotype Corp. and may be registered in certain jurisdictions in the name of Linotype Corp. or its licensee Linotype GmbH.

    Copyright

    Copyright 2010 Linotype Corp., www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype Corp. Stempel Elan is a trademark of Linotype Corp. and may be registered in certain jurisdictions in the name of Linotype Corp. or its licensee Linotype GmbH. This typeface is original artwork of Hans Mhring and Frank Griehammer. The design may be protected in certain jurisdictions.

    Description

    Stempel Elan is Frank Griehammer's revival of Elan, a script typeface released by D. Stempel AG in 1937. That Elan was originally created by Hans Mhring. The first digital release of the design, Stempel Elan includes a number of OpenType features, including alternate versions of certain glyphs, etc.

    License

    NOTIFICATION OF LICENSE AGREEMENTYou have obtained this font software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This font software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this font software is limited to your workstation for your own use. You may not copy or distribute this font software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informations concernant le contrat d'utilisation du logiciel de polices, veuillez consulter notre site web www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418

  • Stempel Schneidler Std Light
    Stempel Schneidler Std Light
    Packages

    Stempel Schneidler Std

    Style

    Light

    Version

    OTF 1.029;PS 001.003;Core 1.0.33;makeotf.lib1.4.1585

    Author

    F.H. Ernst Schneidler

    Trademark

    Stempel Schneidler is a registered trademark of Bauer Types, S.A.

    Copyright

    Copyright 1990, 2002 Adobe Systems Incorporated. All Rights Reserved.

  • Stempel LT Std 2
    Stempel LT Std 2
    Packages

    Stempel LT Std 2

    Style

    Regular

    Version

    1.100;PS 001.001;hotconv 1.0.38

    Company

    Linotype GmbH

    Author

    Martina Balke

    Trademark

    Stempel is a trademark of Heidelberger Druckmaschinen AG, exclusively licensed through Linotype GmbH, and may be registered in certain jurisdictions.

    Copyright

    Copyright 2003 - 2006 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Stempel is a trademark of Heidelberger Druckmaschinen AG, exclusively licensed through Linotype GmbH, and may be registered in certain jurisdictions. This typeface is original artwork of Martina Balke. The design may be protected in certain jurisdictions.

    Description

    The Stempel family consists of two fonts; each made to look like a set of block stamps. Each letter appears inside its own roughly drawn square. Stempel One's letters are very simple form/counterform objects. Stempel Two's forms are more ornate: each square stamp has a thin border inside of it, and then the individual letterforms have been knocked-out, so that the colored area depicts the counters around the letters rather than the letters themselves. As a line of text is typed, a box appears for each letter entered, and all of the boxes slightly nudge against each other to form the line. The Stempel fonts have the appearance of a hand-made quality to them. Their forms appear too random, too delicate, and too thought out to have been made on a machine. Using these fonts will add a nice warm, linoleum-cut touch to your work. Both Stempel One and Stempel Two were designed by German designer Martina Balke and are part of the TakeType Library from Linotype.

    License

    NOTIFICATION OF LICENSE AGREEMENTYou have obtained this typeface software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to your workstation for your own use. You may not copy or distribute this software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informacin concernant la contrat d'utilisation du logiciel de polices, veuillez consultez notre site www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418

  • Stempel Garamond LT Pro Italic
    Stempel Garamond LT Pro Italic
    Packages

    Stempel Garamond LT Pro

    Style

    Italic

    Version

    1.100;PS 001.001;hotconv 1.0.38

    Company

    Linotype GmbH

    Author

    D. Stempel AG

    Trademark

    Stempel Garamond is a trademark of Heidelberger Druckmaschinen AG, exclusively licensed through Linotype GmbH, and may be registered in certain jurisdictions.

    Copyright

    Copyright 2004 - 2006 Linotype GmbH, www.linotype.com. All rights reserved. Copyright 1988, 1993, 1995, 1998, 2002 Adobe Systems Incorporated. All Rights Reserved.

    Description

    Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the Garamond types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. The Linotype Library has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability. First released by D. Stempel AG in 1925, Stempel Garamond was based on the Egenolff-Berner specimen of 1592 and was therefore a revival of the genuine Garamond types. It is one of the most famous Garamond interpretations, and since its introduction in 1925, it has been one of the most frequently used text fonts. Stempel Garamond has its own unique temperament, with a rhythm and sharpness that set it apart from other Garamonds. Stempel Garamond is available in several weights with small caps, oldstyle figures, and Central European characters.

    License

    NOTIFICATION OF LICENSE AGREEMENTYou have obtained this typeface software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to your workstation for your own use. You may not copy or distribute this software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informacin concernant la contrat d'utilisation du logiciel de polices, veuillez consultez notre site www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418

  • Stempel Garamond LT Pro Bold Italic
    Stempel Garamond LT Pro Bold Italic
    Packages

    Stempel Garamond LT Pro

    Style

    Bold Italic

    Version

    1.100;PS 001.001;hotconv 1.0.38

    Company

    Linotype GmbH

    Author

    D. Stempel AG

    Trademark

    Stempel Garamond is a trademark of Heidelberger Druckmaschinen AG, exclusively licensed through Linotype GmbH, and may be registered in certain jurisdictions.

    Copyright

    Copyright 2004 - 2006 Linotype GmbH, www.linotype.com. All rights reserved. Copyright 1988, 1993, 1995, 1998, 2002 Adobe Systems Incorporated. All Rights Reserved.

    Description

    Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the Garamond types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. The Linotype Library has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability. First released by D. Stempel AG in 1925, Stempel Garamond was based on the Egenolff-Berner specimen of 1592 and was therefore a revival of the genuine Garamond types. It is one of the most famous Garamond interpretations, and since its introduction in 1925, it has been one of the most frequently used text fonts. Stempel Garamond has its own unique temperament, with a rhythm and sharpness that set it apart from other Garamonds. Stempel Garamond is available in several weights with small caps, oldstyle figures, and Central European characters.

    License

    NOTIFICATION OF LICENSE AGREEMENTYou have obtained this typeface software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to your workstation for your own use. You may not copy or distribute this software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informacin concernant la contrat d'utilisation du logiciel de polices, veuillez consultez notre site www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418

  • Stempel Garamond LT Pro Roman
    Stempel Garamond LT Pro Roman
    Packages

    Stempel Garamond LT Pro

    Style

    Roman

    Version

    1.100;PS 001.001;hotconv 1.0.38

    Company

    Linotype GmbH

    Author

    D. Stempel AG

    Trademark

    Stempel Garamond is a trademark of Heidelberger Druckmaschinen AG, exclusively licensed through Linotype GmbH, and may be registered in certain jurisdictions.

    Copyright

    Copyright 2004 - 2006 Linotype GmbH, www.linotype.com. All rights reserved. Copyright 1988, 1993, 1995, 1998, 2002 Adobe Systems Incorporated. All Rights Reserved.

    Description

    Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the Garamond types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. The Linotype Library has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability. First released by D. Stempel AG in 1925, Stempel Garamond was based on the Egenolff-Berner specimen of 1592 and was therefore a revival of the genuine Garamond types. It is one of the most famous Garamond interpretations, and since its introduction in 1925, it has been one of the most frequently used text fonts. Stempel Garamond has its own unique temperament, with a rhythm and sharpness that set it apart from other Garamonds. Stempel Garamond is available in several weights with small caps, oldstyle figures, and Central European characters.

    License

    NOTIFICATION OF LICENSE AGREEMENTYou have obtained this typeface software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to your workstation for your own use. You may not copy or distribute this software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informacin concernant la contrat d'utilisation du logiciel de polices, veuillez consultez notre site www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418

  • Stempel LT Std 1
    Stempel LT Std 1
    Packages

    Stempel LT Std 1

    Style

    Regular

    Version

    1.100;PS 001.001;hotconv 1.0.38

    Company

    Linotype GmbH

    Author

    Martina Balke

    Trademark

    Stempel is a trademark of Heidelberger Druckmaschinen AG, exclusively licensed through Linotype GmbH, and may be registered in certain jurisdictions.

    Copyright

    Copyright 2003 - 2006 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Stempel is a trademark of Heidelberger Druckmaschinen AG, exclusively licensed through Linotype GmbH, and may be registered in certain jurisdictions. This typeface is original artwork of Martina Balke. The design may be protected in certain jurisdictions.

    Description

    The Stempel family consists of two fonts; each made to look like a set of block stamps. Each letter appears inside its own roughly drawn square. Stempel One's letters are very simple form/counterform objects. Stempel Two's forms are more ornate: each square stamp has a thin border inside of it, and then the individual letterforms have been knocked-out, so that the colored area depicts the counters around the letters rather than the letters themselves. As a line of text is typed, a box appears for each letter entered, and all of the boxes slightly nudge against each other to form the line. The Stempel fonts have the appearance of a hand-made quality to them. Their forms appear too random, too delicate, and too thought out to have been made on a machine. Using these fonts will add a nice warm, linoleum-cut touch to your work. Both Stempel One and Stempel Two were designed by German designer Martina Balke and are part of the TakeType Library from Linotype.

    License

    NOTIFICATION OF LICENSE AGREEMENTYou have obtained this typeface software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to your workstation for your own use. You may not copy or distribute this software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informacin concernant la contrat d'utilisation du logiciel de polices, veuillez consultez notre site www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418

  • Stempel Garamond LT Pro Bold
    Stempel Garamond LT Pro Bold
    Packages

    Stempel Garamond LT Pro

    Style

    Bold

    Version

    1.100;PS 001.001;hotconv 1.0.38

    Company

    Linotype GmbH

    Author

    D. Stempel AG

    Trademark

    Stempel Garamond is a trademark of Heidelberger Druckmaschinen AG, exclusively licensed through Linotype GmbH, and may be registered in certain jurisdictions.

    Copyright

    Copyright 2004 - 2006 Linotype GmbH, www.linotype.com. All rights reserved. Copyright 1988, 1993, 1995, 1998, 2002 Adobe Systems Incorporated. All Rights Reserved.

    Description

    Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the Garamond types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. The Linotype Library has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability. First released by D. Stempel AG in 1925, Stempel Garamond was based on the Egenolff-Berner specimen of 1592 and was therefore a revival of the genuine Garamond types. It is one of the most famous Garamond interpretations, and since its introduction in 1925, it has been one of the most frequently used text fonts. Stempel Garamond has its own unique temperament, with a rhythm and sharpness that set it apart from other Garamonds. Stempel Garamond is available in several weights with small caps, oldstyle figures, and Central European characters.

    License

    NOTIFICATION OF LICENSE AGREEMENTYou have obtained this typeface software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to your workstation for your own use. You may not copy or distribute this software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informacin concernant la contrat d'utilisation du logiciel de polices, veuillez consultez notre site www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418

  • Stempel Schneidler Bold
    Stempel Schneidler Bold
    Packages

    StempelSchneidler

    Style

    Regular

    Version

    001.001

    Copyright

    Copyright (c) 1990 Adobe Systems Incorporated. All Rights Reserved.Stempel Schneidler is a registered trademark of Fundicion Tipografica Neufville S.A.

  • Stempel Schneidler Medium Italic
    Stempel Schneidler Medium Italic
    Packages

    StempelSchneidler

    Style

    Regular

    Version

    001.001

    Copyright

    Copyright (c) 1990 Adobe Systems Incorporated. All Rights Reserved.Stempel Schneidler is a registered trademark of Fundicion Tipografica Neufville S.A.

  • Stempel Garamond LT Std Roman
    Stempel Garamond LT Std Roman
    Packages

    Stempel Garamond LT Std

    Style

    Roman

    Version

    1.040;PS 001.003;Core 1.0.35;makeotf.lib1.5.4492

    Author

    Stempel Staff

    Trademark

    Stempel Garamond is a trademark of Heidelberger Druckmaschinen AG, exclusively licensed through Linotype Library GmbH, and may be registered in certain jurisdictions.

    Copyright

    Copyright 1988, 1993, 1995, 1998, 2002 Adobe Systems Incorporated. All Rights Reserved. 1981, 1998, 2002 Heidelberger Druckmaschinen AG. All rights reserved.

  • 12 pt Stempel Garamond* Roman 05108
    12 pt Stempel Garamond* Roman 05108
    Packages

    StempelGaramond

    Style

    Regular

    Version

    001.000

    Copyright

    Copyright (c) 1988 Adobe Systems Incorporated. All Rights Reserved.Stempel Garamond is a registered trademark of Linotype AG and/or its subsidiaries.

  • Stempel Schneidler Bold Italic
    Stempel Schneidler Bold Italic
    Packages

    StempelSchneidler

    Style

    Regular

    Version

    001.001

    Copyright

    Copyright (c) 1990 Adobe Systems Incorporated. All Rights Reserved.Stempel Schneidler is a registered trademark of Fundicion Tipografica Neufville S.A.

  • Stempel Schneidler Medium
    Stempel Schneidler Medium
    Packages

    StempelSchneidler

    Style

    Regular

    Version

    001.001

    Copyright

    Copyright (c) 1990 Adobe Systems Incorporated. All Rights Reserved.Stempel Schneidler is a registered trademark of Fundicion Tipografica Neufville S.A.

  • Stempel Schneidler Light
    Stempel Schneidler Light
    Packages

    StempelSchneidler

    Style

    Regular

    Version

    001.001

    Copyright

    Copyright (c) 1990 Adobe Systems Incorporated. All Rights Reserved.Stempel Schneidler is a registered trademark of Fundicion Tipografica Neufville S.A.

  • Stempel Garamond Italic Oldstyle Figures
    Stempel Garamond Italic Oldstyle Figures
    Packages

    Stempel Garamond

    Style

    Italic Oldstyle Figu

    Version

    001.000

    Copyright

    Copyright (c) 1988, 1991 Adobe Systems Incorporated. All Rights Reserved.Stempel Garamond is a trademark of Linotype AG and/or its subsidiaries.

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    Copyright 2003 - 2008 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Linotype Atlantis is a trademark of Linotype GmbH and may be registered in certain jurisdictions. This typeface is original artwork of Lutz Baar. The design may be protected in certain jurisdictions.

    License

    NOTIFICATION OF LICENSE AGREEMENTYou have obtained this font software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This font software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this font software is limited to your workstation for your own use. You may not copy or distribute this font software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informations concernant le contrat d'utilisation du logiciel de polices, veuillez consulter notre site web www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418

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    Trademark

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    Copyright

    Copyright 1991, 2001, 2002 Adobe Systems Incorporated. All Rights Reserved. 1981, 2001, 2002 Heidelberger Druckmaschinen AG. All rights reserved.

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    NOTIFICATION OF LICENSE AGREEMENTYou have obtained this font software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This font software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this font software is limited to your workstation for your own use. You may not copy or distribute this font software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informations concernant le contrat d'utilisation du logiciel de polices, veuillez consulter notre site web www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418

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    Part of the digitally encoded machine readable outline data for producing the Typefaces provided is copyrighted 2007 Linotype GmbH, www.linotype.com. All rights reserved. This software is the property of Linotype GmbH, and may not be reproduced, used, displayed, modified, disclosed or transferred without the express written approval of Linotype GmbH. Copyright 1989, 1990, 1991, 1994, 2002 Adobe Systems Incorporated. All Rights Reserved. Fette Fraktur is a trademark of Linotype GmbH and may be registered in certain jurisdictions. This typeface is original artwork of Linotype Design Studio. The design may be protected in certain jurisdictions.

    License

    NOTIFICATION OF LICENSE AGREEMENTYou have obtained this font software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This font software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this font software is limited to your workstation for your own use. You may not copy or distribute this font software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informations concernant le contrat d'utilisation du logiciel de polices, veuillez consulter notre site web www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418

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