Stempel Garamond Fonts Downloads

  • Stempel Garamond W04 Bold
    Stempel Garamond W04 Bold
    Packages

    Stempel Garamond

    Style

    Bold

    Version

    1.00

    Company

    Linotype GmbH

    Author

    D. Stempel AG

    Trademark

    Stempel Garamond is a trademark of Linotype GmbH and may be registered in certain jurisdictions.

    Copyright

    Copyright 1981 - 2011 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Stempel Garamond is a trademark of Linotype GmbH and may be registered in certain jurisdictions. This typeface is original artwork of D. Stempel AG. The design may be protected in certain jurisdictions.1988, 1993, 1995, 1998, 2002 Adobe Systems Incorporated. All rights reserved.

    Description

    Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the Garamond types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. Linotype has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability. First released by D. Stempel AG in 1925, Stempel Garamond was based on the Egenolff-Berner specimen of 1592 and was therefore a revival of the genuine Garamond types. It is one of the most famous Garamond interpretations, and since its introduction in 1925, it has been one of the most frequently used text fonts. Stempel Garamond has its own unique temperament, with a rhythm and sharpness that set it apart from other Garamonds. Stempel Garamond is available in several weights with small caps, Old style Figures, and Central European characters.

  • Stempel Garamond W04 Bd Italic
    Stempel Garamond W04 Bd Italic
    Packages

    Stempel Garamond

    Style

    Bold Italic

    Version

    1.00

    Company

    Linotype GmbH

    Author

    D. Stempel AG

    Trademark

    Stempel Garamond is a trademark of Linotype GmbH and may be registered in certain jurisdictions.

    Copyright

    Copyright 1981 - 2011 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Stempel Garamond is a trademark of Linotype GmbH and may be registered in certain jurisdictions. This typeface is original artwork of D. Stempel AG. The design may be protected in certain jurisdictions.1988, 1993, 1995, 1998, 2002 Adobe Systems Incorporated. All rights reserved.

    Description

    Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the Garamond types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. Linotype has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability. First released by D. Stempel AG in 1925, Stempel Garamond was based on the Egenolff-Berner specimen of 1592 and was therefore a revival of the genuine Garamond types. It is one of the most famous Garamond interpretations, and since its introduction in 1925, it has been one of the most frequently used text fonts. Stempel Garamond has its own unique temperament, with a rhythm and sharpness that set it apart from other Garamonds. Stempel Garamond is available in several weights with small caps, Old style Figures, and Central European characters.

  • Stempel Garamond W04 Roman
    Stempel Garamond W04 Roman
    Packages

    Stempel Garamond

    Style

    Roman

    Version

    1.00

    Company

    Linotype GmbH

    Author

    D. Stempel AG

    Trademark

    Stempel Garamond is a trademark of Linotype GmbH and may be registered in certain jurisdictions.

    Copyright

    Copyright 1981 - 2011 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Stempel Garamond is a trademark of Linotype GmbH and may be registered in certain jurisdictions. This typeface is original artwork of D. Stempel AG. The design may be protected in certain jurisdictions.1988, 1993, 1995, 1998, 2002 Adobe Systems Incorporated. All rights reserved.

    Description

    Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the Garamond types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. Linotype has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability. First released by D. Stempel AG in 1925, Stempel Garamond was based on the Egenolff-Berner specimen of 1592 and was therefore a revival of the genuine Garamond types. It is one of the most famous Garamond interpretations, and since its introduction in 1925, it has been one of the most frequently used text fonts. Stempel Garamond has its own unique temperament, with a rhythm and sharpness that set it apart from other Garamonds. Stempel Garamond is available in several weights with small caps, Old style Figures, and Central European characters.

  • Stempel Garamond W04 Italic
    Stempel Garamond W04 Italic
    Packages

    Stempel Garamond

    Style

    Italic

    Version

    1.00

    Company

    Linotype GmbH

    Author

    D. Stempel AG

    Trademark

    Stempel Garamond is a trademark of Linotype GmbH and may be registered in certain jurisdictions.

    Copyright

    Copyright 1981 - 2011 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Stempel Garamond is a trademark of Linotype GmbH and may be registered in certain jurisdictions. This typeface is original artwork of D. Stempel AG. The design may be protected in certain jurisdictions.1988, 1993, 1995, 1998, 2002 Adobe Systems Incorporated. All rights reserved.

    Description

    Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the Garamond types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. Linotype has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability. First released by D. Stempel AG in 1925, Stempel Garamond was based on the Egenolff-Berner specimen of 1592 and was therefore a revival of the genuine Garamond types. It is one of the most famous Garamond interpretations, and since its introduction in 1925, it has been one of the most frequently used text fonts. Stempel Garamond has its own unique temperament, with a rhythm and sharpness that set it apart from other Garamonds. Stempel Garamond is available in several weights with small caps, Old style Figures, and Central European characters.

  • Stempel Garamond Italic Oldstyle Figures
    Stempel Garamond Italic Oldstyle Figures
    Packages

    Stempel Garamond

    Style

    Italic Oldstyle Figu

    Version

    001.000

    Copyright

    Copyright (c) 1988, 1991 Adobe Systems Incorporated. All Rights Reserved.Stempel Garamond is a trademark of Linotype AG and/or its subsidiaries.

  • Stempel Garamond Bold Oldstyle Figures
    Stempel Garamond Bold Oldstyle Figures
    Packages

    Stempel Garamond

    Style

    Bold Oldstyle Figure

    Version

    001.000

    Copyright

    Copyright (c) 1988, 1991 Adobe Systems Incorporated. All Rights Reserved.Stempel Garamond is a trademark of Linotype AG and/or its subsidiaries.

  • Stempel Garamond Small Caps & Oldstyle Figures
    Stempel Garamond Small Caps & Oldstyle Figures
    Packages

    Stempel Garamond

    Style

    Small Caps & Oldstyl

    Version

    001.000

    Copyright

    Copyright (c) 1988, 1991 Adobe Systems Incorporated. All Rights Reserved.Stempel Garamond is a trademark of Linotype AG and/or its subsidiaries.

  • Stempel Garamond Bold Italic Oldstyle Figures
    Stempel Garamond Bold Italic Oldstyle Figures
    Packages

    Stempel Garamond

    Style

    Bold Italic Oldstyle

    Version

    001.000

    Copyright

    Copyright (c) 1988, 1991 Adobe Systems Incorporated. All Rights Reserved.Stempel Garamond is a trademark of Linotype AG and/or its subsidiaries.

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  • Korataki W01 UltraLight Italic Korataki W01 UltraLight Italic
    Style : Regular
    Packages

    KoratakiW01-UltraLightIt

    Style

    Regular

    Version

    3.0

    Company

    Ray Larabie

    Author

    Ray Larabie

    Trademark

    Korataki is a trademark of Typodermic Fonts Inc.

    Copyright

    (c) 2006-2014 Typodermic Fonts Inc. See attached license agreement. If agreement is missing visit typodermicfonts.com for more info.

    Description

    http://www.typodermic.com

    License

    Please read the current Typodermic Fonts license agreement at http://typodermicfonts.com/license

  • Cinta Adalah Perhatian Cinta Adalah Perhatian
    Style : Regular
    Packages

    Cinta Adalah Perhatian

    Style

    Regular

    Version

    1.00 January 25, 2014, initial release

    Company

    http://www.dafont.com/wino-s-kadir.d2209

    Author

    www.dafont.com wino-s-kadir.d2209

    Trademark

    weknow Trademark of (http://www.dafont.com/wino-s-kadir.d2209).

    Copyright

    weknow (weknow.deviantart.com). 2012. All Rights Reserved

    Description

    This font was created using FontCreator 5.5 from High-Logic.com

    License

    http://www.dafont.com/wino-s-kadir.d2209

  • Madurai W01 Cond Bold Italic Madurai W01 Cond Bold Italic
    Style : Regular
    Packages

    MaduraiW01-CondBoldItalic

    Style

    Regular

    Version

    1.00

    Trademark

    Madras Light is a trademark of .

    Copyright

    Copyright (c) 2012 by . All rights reserved.

    Description

    Copyright (c) 2012 by . All rights reserved.

  • Drawing Blood Drawing Blood
    Style : Regular
    Packages

    Drawing Blood

    Style

    Regular

    Version

    1.000

    Company

    David Kerkhoff

    Author

    David Kerkhoff

    Trademark

    Drawing Blood is a trademark of David Kerkhoff.

    Copyright

    Copyright (c) 2010 by David Kerkhoff. All rights reserved.

    Description

    Copyright (c) 2010 by David Kerkhoff. All rights reserved. Drawing Blood is donationware. Please read the ReadMe file for instructions and FAQ. If no ReadMe file is present, this font has been harvested by a bogus-site.

    License

    DONATIONWARE.

  • Quoi Chou NF W01 Bold Quoi Chou NF W01 Bold
    Style : Regular
    Packages

    QuoiChouNFW01-Bold

    Style

    Regular

    Version

    1.40

    Company

    Nick's Fonts

    Author

    Nick Curtis

    Copyright

    Copyright (c) 2006-2010, Nick Curtis. All Rights Reserved. Unauthorized duplication or redistribution is expressly prohibited.

    License

    By using or installing this font data, you (or you on behalf of your employer) agree to be bound by the terms of this Agreement. This Agreement constitutes the complete agreement between you and Nick's Fonts.Number of Users: In consideration for the license fee paid, Nick's Fonts grants to you only, the Licensee, the non-exclusive, nontransferable right to use and display the font data. If you are using this product for your work, this agreement applies to your employer. Nick's Fonts may be used on up to five (5) CPUs at your site connected to any number of printers or other image-producing devices (regardless of resolutions) at your own site. You may make one (1) copy of the Nick's Fonts font data solely for backup purposes provided the copyright and trademark notices are reproduced in their entirety on the backup copy. Service Bureaus: You may send a copy of any Nick's Fonts font data along with your documents to a commercial printer or other service bureau to enable the editing or printing of your document, provided that such party agrees to delete the font or fonts from his/her/their system upon completion of your project.Portable Documents and Web Fonts. You may use this font data a) to create Portable Font Resources (PFRs) with Bitstream's TrueDoc

  • Maya Samuels W00 ExtraLight It Maya Samuels W00 ExtraLight It
    Style : Regular
    Packages

    MayaSamuelsW00-XLightIt

    Style

    Regular

    Version

    2.30

    Company

    Hans Samuelson

    Author

    Hans Samuelson Samuelstype Design

    Trademark

    Maya Samuels ExtraLight Italic is a trademark of Hans Samuelson.

    Copyright

    Copyright (c) 2008 by Hans Samuelson. All rights reserved.

    License

    Samuelstype End User License AgreementEnd user licensing terms:The Font Software is licensed for use at one (1) location with a maximum of five (5) devices.Using the Font Software at more than one (1) location or with more than five (5) devices requires a Multi-Device Site License upgrade. A device is defined as a computer, printer, character generator, server or any other machine that uses font data to rasterize letterforms.Upon completion of job a service bureau, if involved, must delete the font software or purchase their own license.Except as permitted herein, you may not modify, adapt, translate, reverse engineer, decompile, disassemble, alter or otherwise copy the Font Software.You are permitted to make a single back-up copy. The Font Software may not be sublicensed, sold, leased, rented, lent, or given away to another person or entity.The Font Software may be returned or exchanged only if defective. Defective software will be replaced when accompanied by a valid sales receipt and Samuelstype is notified within two weeks of purchase.Embedding of the Font Software in any form is strictly prohibited without an additional license.The Font Software is protected under domestic and international trademark and copyright law. You agree to identify the Samuelstype fonts by name and credit the Samuelstype ownership of the trademarks and copyrights in any design or production credits.This Agreement is effective until terminated. This Agreement will terminate automatically without notice from Samuelstype if you fail to comply with any provision contained herein. Upon termination, you must destroy the written materials, the Font Software, and all copies of it, in part and in whole, including modified copies, if any.Samuelstype makes no warranties, express or implied as to merchantability, fitness for a particular purpose, or otherwise. Without limiting the foregoing, Samuelstype shall in no event be liable to the Licensed user or any other third party for any direct, indirect, consequential, or incidental damages, including damages from loss of business profits, business interruption, loss of business information, arising out of the use or inability to use the product even if notified in advance. Under no circumstances shall the Samuelstype liability exceed the replacement cost of the Software.Because some states do not allow the exclusion or limitation of liability for consequential or incidental damages, the above limitation may not apply to you.

  • CF Historia Regular CF Historia Regular
    Style : Regular
    Packages

    CF Historia

    Style

    Regular

    Version

    1.00 2013

    Company

    CloutierFontes

    Author

    Steve Cloutier

    Trademark

    CF Historia is a trademark of CloutierFontes.

    Copyright

    Copyright (c) 2013 by CloutierFontes. All rights reserved.

    Description

    CF Historia Regular is a font by CloutierFontes, designed by Steve Cloutier in 2013.

    License

    Terms and ConditionsThis agreement applies to the commercial license bought on this site.Please read the following terms and conditions carefully before using this font. Your use, download, distribution or installation of this copy of this font indicates your acceptance of this agreement.For any uncertainties, contact CloutierFontes: stevehelene@sympatico.caSOFTWARE PRODUCT here means font files, image files, all accompanying files, data and materials received with your order or download of software.If you do not agree to any of the terms of this License, then do not download, install, distribute or use the SOFTWARE PRODUCT. Products are non-refundable.Warrantee covers defects in the software, which prevents successfully installing the software in the buyers PC. Warrantee does not cover fitness of purpose, not meeting of expectations or needs in the mind of the buyer.If not purchased directly from CloutierFontes or legal reseller, this SOFTWARE PRODUCT is for personal use only.Any liability of CloutierFontes will be limited exclusively to refund of purchase price. In addition, in no event shall CloutierFontes be liable for any incidental, consequential, punitive or any other damages whatsoever relating to the use of SOFTWARE PRODUCT.This Agreement constitutes the entire statement of the Agreement between the parties on the subject matter, and merges and supersedes all other or prior understandings, purchase orders, agreements and arrangements. This Agreement shall be governed by the laws of Canada.CloutierFontes is the owner of the copyright of this SOFTWARE PRODUCT, all of its derivatives, title and accompanying materials are the exclusive property of CloutierFontes. All rights of any kind, which are not expressly granted in this License, are entirely and exclusively reserved to and by CloutierFontes. You may not sell, rent, lease, transfer, modify, translate, reverse engineer, de-compile, disassemble or create derivative works to sell based on this SOFTWARE PRODUCT. You may not make access to SOFTWARE PRODUCT available to others in connection with a service bureau, application service provider, or similar business, or use this SOFTWARE PRODUCT in a business to provide file compression, decompression, or conversion services to others. There are no third party beneficiaries of any promises, obligations or representations made by CloutierFontes herein.You may not disclose to other persons the data or techniques relating to this SOFTWARE PRODUCT that you know or should know that it is a trade secret of CloutierFontes in any manner that will cause damage to CloutierFontes.By not following the above agreement the buyer agrees to pay any penalty charge calculated by the designer.All parts may be discussed and adapted by agreement between CloutierFontes and the buyer.

  • Sommet Rounded W00 Regular Sommet Rounded W00 Regular
    Style : Regular
    Packages

    Sommet Rounded Regular

    Style

    Regular

    Version

    1.00

    Company

    Jeremy Dooley

    Author

    www.insignedesign.com

    Trademark

    Sommet is a trademark of Jeremy Dooley.

    Copyright

    Copyright (c) 2008 by Jeremy Dooley. All rights reserved.

    License

    The Font-Software and any updates upgrades, additions or modified versions are the intellectual property of Jeremy Dooley. (insigne)You are licensed to use the software on one computer, unless additional licenses are purchased or a multi-license agreement is reached.You are only allowed to transfer or assign the Font-Software to a third party if you do not retain any copies of the Font-Software in whole or in part.Only for the purpose of outputting particular files may you take a copy of the font(s) you have used for such files to a commercial printer or other service bureau.Embedding of the Font-Software into electronic documents or internet pages is only permitted in a secured read-only mode. Licensee must ensure that recipients of electronic documents or internet pages cannot extract the font software from such documents or use the embedded font software for editing purposes or for the creation of new documents. Insigne is not responsible for any problems that may arise from the use of the fonts, such as computer malfunctions, etc. Insigne is additionally not responsible for idle time, shortfall of production, waste of material and any other direct, indirect, incidental or consequential damages that are caused by our Font-Software. In the event of a problem that the font file(s) does not work, insigne would only provide a replacement for the font(s) you ordered.Upon termination of this Font-Software License Agreement, you agree to either return or to destroy and refrain from using the Font-Software, the media, copies and/or any modified or merged portions thereof. You agree to inform your employees or any other person having access to the Font-Software and copies thereof, of the terms and conditions of this Font-Software License Agreement and to ensure that they shall strictly abide by these terms and conditions.

  • ITC Noovo W01 Bold ITC Noovo W01 Bold
    Style : Regular
    Packages

    ITCNoovoW01-Bold

    Style

    Regular

    Version

    1.00

    Author

    Phill Grimshaw

    Trademark

    ITC is a trademark of International Typeface Corporation Registered in U.S. Patent and Trademark Office and may be registered in certain other jurisdictions;Noovo is a trademark of International Typeface Corporation and may be registered in

    Copyright

    Copyright 1997 International Typeface Corporation. All rights reserved.

    Description

    Please review the description of this font at http://www.itcfonts.com.