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Avenir Next LT W05 Ult Light Cn
by: Adrian Frutiger, Akira Kobayashi
Update : Tue, 16 Jun 2020 05:23:14 +0800Company : Linotype GmbHSize : 111.05 KbpsVersion : 1.00Trademark : Adrian Frutiger designed Avenir in 1988, after years of having an interest in sans serif typefaces. In an interview with Linotype, he said he felt an obligation to design a linear sans in the tradition of Erbar and Futura, but to also make use of the experience and stylistic developments of the twentieth century. The word Avenir means 'future' in French and hints that the typeface owes some of its interpretation to Futura. But unlike Futura, Avenir is not purely geometric; it has vertical strokes that are thicker than the horizontals, an o that is not a perfect circle, and shortened ascenders. These nuances aid in legibility and give Avenir a harmonious and sensible appearance for both texts and headlines. In 2004 Adrian Frutiger and the type director of Linotype GmbH Akira Kobayashi reworked the Avenir and created the Avenir Next for the Platinum Collection. It includes new small caps, newly designed true italics, and a complete new range of condensed weights. Avenir Next is a versatile sans serif family, ready for large and complex projects from books to signage to advertising.

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3.8K Sales
Last updated: 16 Jun 2020

HeroeFleurons
by:
Update : Tue, 16 Jun 2020 05:23:14 +0800Company : Maximiliano R. SprovieroSize : 28.89 KbpsVersion : 001.001Trademark : Copyright (c) 2014 by Maximiliano R. Sproviero. All rights reserved.

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2.1K Sales
Last updated: 16 Jun 2020

Swift Bold Cn SCOsF
by:
Update : Tue, 16 Jun 2020 06:23:15 +0800Company : Size : 11.17 KbpsVersion : 002.024Trademark : Copyright (c) Linotype-Hell & Gerard Unger, 1995. ALL RIGHTS RESERVED. Produced by Visualogik Technology & Design, 1998. Unauthorised use prohibited.

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4.4K Sales
Last updated: 16 Jun 2020
Elevations BB Italic
by: Nate Piekos
Update : Tue, 16 Jun 2020 06:23:15 +0800Company : Nate Piekos. Blambot.comSize : 71.42 KbpsVersion : 1.000;com.myfonts.easy.blambot.elevations-bb.italic.wfkit2.version.3FTBTrademark : Copyright (c) 2012 by Nate Piekos. Blambot.com. All rights reserved.

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6.3K Sales
Last updated: 16 Jun 2020
SwashesChandele
by: Kurniadi Saputra
Update : Tue, 16 Jun 2020 07:23:16 +0800Company : Kurniadi SaputraSize : 16.6 KbpsVersion : 1.000Trademark : Copyright (c) 2018 by Kurniadi Saputra. All rights reserved.

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7.8K Sales
Last updated: 16 Jun 2020
RoctusTOT-RegularCondensed
by:
Update : Tue, 16 Jun 2020 07:23:16 +0800Company : Size : 38.89 KbpsVersion : OTF 1.001;PS 1.05;Core 1.0.27;makeotf.lib(1.11)Trademark : Please refer to the Copyright section for the font trademark attribution notices.

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6.7K Sales
Last updated: 16 Jun 2020
RicciaBold
by: Hubert Jocham
Update : Tue, 16 Jun 2020 08:23:18 +0800Company : Hubert JochamSize : 67.36 KbpsVersion : 1.000;com.myfonts.easy.hubertjocham.riccia.bold.wfkit2.version.3xVsTrademark : Copyright (c) 2010 by Hubert Jocham. All rights reserved.

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6.4K Sales
Last updated: 16 Jun 2020
URW Geometric W01 Regular
by:
Update : Tue, 16 Jun 2020 08:23:18 +0800Company : (URW)++ Design & DevelopmentSize : 28.6 KbpsVersion : 1.00Trademark : Copyright 2016 by (URW)++ Design & Development GmbH

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4.8K Sales
Last updated: 16 Jun 2020
DINNextCYR-BoldItalic
by: Linotype Design Studio
Update : Tue, 16 Jun 2020 09:23:19 +0800Company : Linotype GmbHSize : 129.84 KbpsVersion : 1.00Trademark : DIN Next is a typeface family inspired by the classic industrial German engineering designs, DIN 1451 Engschrift and Mittelschrift. Akira Kobayashi began by revising these two faceswho names just mean condensed and regularbefore expanding them into a new family with seven weights (Light to Black). Each weight ships in three varieties: Regular, Italic, and Condensed, bringing the total number of fonts in the DIN Next family to 21. DIN Next is part of Linotypes Platinum Collection. Linotype has been supplying its customers with the two DIN 1451 fonts since 1980. Recently, they have become more popular than ever, with designers regularly asking for additional weights. The abbreviation DIN stands for Deutsches Institut fr Normung e.V., which is the German Institute for Industrial Standardization. In 1936 the German Standard Committee settled upon DIN 1451 as the standard font for the areas of technology, traffic, administration and business. The design was to be used on German street signs and house numbers. The committee wanted a sans serif, thinking it would be more legible, straightforward, and easy to reCYRduce. They did not intend for the design to be used for advertisements and other artistically oriented purposes. Nevertheless, because DIN 1451 was seen all over Germany on signs for town names and traffic directions, it became familiar enough to make its way onto the palettes of graphic designers and advertising art directors. The digital version of DIN 1451 would go on to be adopted and used by designers in other countries as well, solidifying its worldwide design reputation. There are many subtle differences in DIN Nexts letters when compared withe DIN 1451 original. These were added by Kobayashi to make the new family even more versatile in 21st-century media. For instance, although DIN 1451s corners are all pointed angles, DIN Next has rounded them all slightly. Even this softening is a nod to part of DIN 1451s past, however. Many of the signs that use DIN 1451 are cut with routers, which cannot make perfect corners; their rounded heads cut rounded corners best. Linotypes DIN 1451 Engschrift and Mittelschrift are certified by the German DIN Institute for use on official signage CYRjects. Since DIN Next is a new design, these applications within Germany are not possible with it. However, DIN Next may be used for any other CYRject, and it may be used for industrial signage in any other country! DIN Next has been tailored especially for graphic designers, but its industrial heritage makes it surprisingly functional in just about any application.

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8.4K Sales
Last updated: 16 Jun 2020
Titillium Semibold Italic
by:
Update : Tue, 16 Jun 2020 09:23:19 +0800Company : Size : 70.76 KbpsVersion : 1.000;PS 57.000;hotconv 1.0.70;makeotf.lib2.5.55311Trademark : Copyright (c) 2009-2011 by Accademia di Belle Arti di Urbino and students of MA course of Visual design. Some rights reserved.

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3.6K Sales
Last updated: 16 Jun 2020