sachsenwald W04 regular Fonts Free Download

sachsenwald W04 regular Fonts Free Downloads

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Regular
by:
Update : Wed, 11 Nov 2015 14:03:14 +0800Company : AnthonyJamesSize : 24.27 KbpsVersion : 1.000Trademark : Copyright (c) 2013 by AnthonyJames. All rights reserved.

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4.2K Sales
Last updated: 11 Nov 2015

Regular
by: Max Miedinger, Charles Nix, Monotype Studio, Jan Hendrik Weber
Update : Mon, 20 May 2024 13:21:50 +0800Company : Monotype Imaging Inc.Size : 272.23 KbpsVersion : 1.001Trademark : Every single glyph of Helvetica has been redrawn and redesigned for this expansive new edition which preserves the typeface's Swiss mantra of clarity, simplicity and neutrality, while updating it for the demands of contemporary design and branding. Helvetica Now comprises 48 fonts, consisting of three distinct optical sizes: Micro, Text and Display. Each one has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Helvetica and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. The Micro sizes address an issue Helvetica has long faced that of being 'micro type challenged'. In the past, the typeface struggled to be legible at tiny sizes because of its compactness and closed apertures. Helvetica Now's Micro designs are simplified and exaggerated to maintain the impression of Helvetica in tiny type, and their spacing is loose, providing remarkable legibility at microscopic sizes and in low-res environments. There's also an extensive set of alternates, which allow designers the opportunity to experiment with and adapt Helvetica's tone of voice. This includes a hooked version of the lowercase l (addressing a common complaint that the capital I and lowercase l are indistinguishable) as well as a rounded G, and a straight-legged R, a single storey a and a lowercase u without a trailing serif. In the past, designers had to nudge, trim and contort the design to create stylish display-type lockups with Helvetica. Helvetica Now Display was designed and spaced with those modifications in mindsaving effort and providing more consistent (and more stylish) results. Helvetica is the gold standard, says Monotype Type Director Charles Nix. To use it is to claim that you are the ultimate expression of whatever your brand aspires to be. Its blankness is its power. Project Originators: Otmar Hoefer, Jrg Schweinsberg, Jrgen Siebert, Erik Spiekermann Designers: Jim Ford, Steve Matteson, Charles Nix, Tom Rickner, Alexander Roth, Juan Villanueva, Jan Hendrik Weber, Terrance Weinzierl Production Team: Thomas Caldwell, Deb Gonet, Mary Hanson, Henning Krause, Karl Leuthold, Olli Meier, Marianna Paszkowska, Inka Strotmann, Roger Waindle, Sue Waksmonski Marketing Team: Amy Aylward, Melissa Centrella, Bill Davis, Ana De Jesus, James Fooks-Bale, Nicole Hastings, Bernhard Hofmacher, Katie Hogan, James Minior, Rebecca Price, Bernhard Prger, Andy Rodger, Alexandra Schwarzwald, Aisra Shervani, Carl Unger, Gretchen Walker

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4.8K Sales
Last updated: 20 May 2024

Sachsenwald W04 Regular
by: Toshi Omagari, Berthold Wolpe
Update : Sat, 11 Jul 2020 03:36:16 +0800Company : Monotype Imaging Inc.Size : 96.7 KbpsVersion : 1.00Trademark : Berthold Wolpe drew the blackletter Sachsenwald design in the early 1930s. Originally named Bismarck Schrift, it is one of the finest typographic examples of traditional lettre de forme blackletter, a scribal letter form developed well before the time of Gutenberg. Monotype produced fonts of type from Wolpes drawings in 1936. Renamed Sachsenwald and issued on the eve of World War II, this remarkable blackletter type was seldom used. Wolpe Sachsenwald is a digital remastering of the original metal Monotype fonts. The light and regular weights capture the distinctive calligraphic character of the original 1930s design. Wolpe Sachsenwald is one of the five suites of designs in the Berthold Wolpe Collection of typefaces.Wolpe was born in Germany, and was a student of Rudolf Koch. He began his career at the Klingspor foundry in Offenbach but moved to England in 1932. While Wolpe designed several typefaces, his main body of work was the many book jackets he designed for Faber & Faber publishers. Wolpe died in 1989 at the age of 84.

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7.1K Sales
Last updated: 11 Jul 2020
XORegular
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Update : Thu, 28 Jan 2021 00:58:34 +0800Company : Size : 32.27 KbpsVersion : Trademark :

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8.6K Sales
Last updated: 28 Jan 2021
L Regular
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Update : Tue, 10 Nov 2015 04:51:49 +0800Company : Size : 251.71 KbpsVersion : Altsys Fontographer 3.5 21.05.1997Trademark : Generated by Markus Schrppel

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5.1K Sales
Last updated: 10 Nov 2015
R Regular
by:
Update : Thu, 19 Nov 2015 18:01:45 +0800Company : Size : 9.42 KbpsVersion : Altsys Fontographer 3.5 3/31/93Trademark : Copyright yl 1993 Oliver Jovanovic

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7.3K Sales
Last updated: 19 Nov 2015
P Regular
by:
Update : Fri, 20 Nov 2015 19:36:06 +0800Company : Size : 51.3 KbpsVersion : Altsys Metamorphosis:4/1/92Trademark : Generated by Metamorphosis Professional 2.03

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2.4K Sales
Last updated: 20 Nov 2015
O Regular
by:
Update : Sat, 21 Nov 2015 20:45:31 +0800Company : Size : 11.93 KbpsVersion : Altsys Metamorphosis:4/11/92Trademark : Generated by Metamorphosis Professional 2.03

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7.3K Sales
Last updated: 21 Nov 2015
M Regular
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Update : Mon, 23 Nov 2015 05:58:07 +0800Company : Size : 23.91 KbpsVersion : Altsys Fontographer 3.5 2.1.1993Trademark : Pat Snyder 1797 Ross Inlet, Coos Bay OR 97420 Shware 11

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8.5K Sales
Last updated: 23 Nov 2015
I Regular
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Update : Thu, 26 Nov 2015 22:49:29 +0800Company : Size : 30.96 KbpsVersion : Altsys Metamorphosis:12/14/95Trademark : Generated by Metamorphosis Professional 2.04

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2.4K Sales
Last updated: 26 Nov 2015