aso sens Fonts Free Download

aso sens Fonts Free Downloads

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ASO
by: ARTHUR SANDRINI - FELIPE DOLCE - JONATHAN AMOROSO
Update : Fri, 04 Feb 2022 14:36:55 +0800Company : ARTHUR SANDRINI PINTO - JONATHAN AMOROSO DE LIMA - FELIPE ROGUE DOLCESize : 49.47 KbpsVersion : 1.000 2010 initial releaseTrademark : Copyright (c) 2010 by ARTHUR SANDRINI PINTO - JONATHAN AMOROSO DE LIMA - FELIPE ROGUE DOLCE. All rights reserved.

Free
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8.5K Sales
Last updated: 04 Feb 2022

Asoka
by: Gian Studio
Update : Thu, 25 Jul 2024 00:46:40 +0800Company : Gian studioSize : 277.47 KbpsVersion : 1.000Trademark : Copyright (c) 2022 by Gian studio. All rights reserved.

Free
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7.4K Sales
Last updated: 25 Jul 2024

Sensei
by: Ezeqviel Ergo
Update : Tue, 16 Jan 2024 07:08:49 +0800Company : Size : 109.9 KbpsVersion : 1.000Trademark : Created by User's name with Font.My (http://font.my)

Free
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8.8K Sales
Last updated: 16 Jan 2024
Mason
by:
Update : Tue, 24 Nov 2015 06:34:32 +0800Company : Size : 53.43 KbpsVersion : 1.00Trademark : Copyright (C) 1993 Emigre Graphics; Designed by Jonathan Barnbrook

Free
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6.6K Sales
Last updated: 24 Nov 2015
Picaso
by: Aitouaissi Rachid
Update : Mon, 21 Aug 2023 12:20:00 +0800Company : Aitouaissi RachidSize : 26.77 KbpsVersion : 1.000Trademark : Copyright (c) 2014 by Aitouaissi Rachid. All rights reserved.

Free
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2.6K Sales
Last updated: 21 Aug 2023
ASONER
by: Rahman Alif
Update : Thu, 27 Oct 2022 04:45:02 +0800Company : Letter FiaSize : 34.69 KbpsVersion : 1.00;June 18, 2021;FontCreator 13.0.0.2683 32-bitTrademark : This font was created using FontCreator 13.0 from High-Logic.com

Free
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2.7K Sales
Last updated: 27 Oct 2022
Masone
by: Khurasan
Update : Sat, 03 Feb 2024 16:44:18 +0800Company : KhurasanSize : 23.6 KbpsVersion : 1.0Trademark : Copyright (c) 2023 by Khurasan. All rights reserved.

Free
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5.5K Sales
Last updated: 03 Feb 2024
NoSense
by: THOMAS CANALE
Update : Sun, 22 Nov 2015 15:23:23 +0800Company : THOMAS CANALESize : 51.46 KbpsVersion : Trademark : Setting type has been an occupation and a passion of mine over the last 30 years. After completing some schooling at Cooper School of Art in Downtown Cleveland I accepted a position at Peto's Type House. Back then, the Cleveland Press still set type with 'Hot' lead. I know, I know, this dates me, but the facts are the facts. PhotoType was in it's infancy with the Linotronic 5700 being top-of-the-line technology in Photo type setting. My job at Peto's was more modest, among other things, I was hired to set headline type on what was called a 'Typositor'. It was still photo type setting but for headlines only. Letters had to be set (exposed), one letter at a time. A single headline of lets say15 words or so could take an hour or two to completely finish for paste-up, that's right, I said paste-up. That should really date me!! By doing this day in and day out (for hours on end) I gained a close-up' appreciation for letterforms and spacing. Ernie Peto would also quiz me on identifying type by name. It was an interesting 18 months to say the least. There have been lasting effects on my appreciation of letterforms thanks to this experience. Over the years, there have been spin offs of wood type, Times Roman, Helvetica, etc. Seems to me like we are just going over the same ground over and over and over again. What interests me is not the 'sameness' in the letterforms or their 'invisibility' in the graphics world. Some fonts are used to be 'invisible'. What I mean by this is that they are merely a communication tool to deliver the authors' / writers' message. the artistry in the forms lies in their ability to stay invisible and be easy to read. But their 'uniqueness' and how that difference translates to the printed page. There are many ways of looking at letterforms. We can look at the beauty of the individual letters themselves. Commenting on the curves of a upper case 'A' or a lower case letterform. Or we can look at them as a 'unit' and how that translates within a block of written text. It is this uniqueness that I am looking for in the fonts I design. I do look at each individual letterform and revel in the beauty of the forms and lines. But I also want to create a Font that when written out will display some unusual and unexpected characteristics when in a large block of text. Look for different line weights and forms in my font glyphs. The idea here is to allow the printed page to display uniqueness in contrast.

Free
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4.7K Sales
Last updated: 22 Nov 2015
Reason
by:
Update : Tue, 08 Dec 2020 03:32:44 +0800Company : Size : 13.59 KbpsVersion : 1Trademark : Manuel Ramos (c) 2017. All rigths reserved. This font is shareware to adquire the valid license please contact him at www.infinitismo.com

Free
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8.5K Sales
Last updated: 08 Dec 2020