aeonis exctended Fonts Free Download

aeonis exctended Fonts Free Downloads

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Aeonis LT W02
by: Erik Faulhaber
Update : Fri, 05 Jun 2020 03:17:37 +0800Company : Monotype GmbHSize : 48.28 KbpsVersion : 1.100Trademark : Following Generis, Aeonis is Erik Faulhaber's second large type family. Lapidary inscriptions from Ancient Greece supured Faulhaber on to create this typeface?s basic sans serif forms. This clarity is visible in the simplified form of the typeface's capital A. Further inspiration came from a domed lamp designed in 1952 by Wilhelm Wagonfeld; this went on to inspire the roundness in Aeonis. Faulhaber sees the conflict between antiquity and modernity as a struggle between angular and round forms; Aeonis reconciles these trends. By removing spurs at the stems of the lowercase letters, Aeonis reduces the alphabet to its most basic movements; and in order to further strengthen reading speed, all of the unnecessary horizontal elements lave been left out of the lowercase letters and numbers, too. Aeonis is available in three widths and seven weights. Its open letterforms ensure legibility at small sizes. Aeonis works both in complex text layouts and simple logos. As was the case in the Generis family, all of the numbers, currency symbols, mathematical signs, and punctuation marks in the Aeonis fonts have a coordinated system of widths, ensuring their suitability for tables and financial reports. All of its members of the Aeonis family may easily be used with each other; their design combines a contemporary character with sophisticated typography.

Free
☆☆☆☆☆
5.5K Sales
Last updated: 05 Jun 2020

Aeonis LT W01
by: Erik Faulhaber
Update : Fri, 02 Oct 2015 22:50:22 +0800Company : Monotype GmbHSize : 36.85 KbpsVersion : 1.100Trademark : Following Generis, Aeonis is Erik Faulhaber's second large type family. Lapidary inscriptions from Ancient Greece supured Faulhaber on to create this typeface?s basic sans serif forms. This clarity is visible in the simplified form of the typeface's capital A. Further inspiration came from a domed lamp designed in 1952 by Wilhelm Wagonfeld; this went on to inspire the roundness in Aeonis. Faulhaber sees the conflict between antiquity and modernity as a struggle between angular and round forms; Aeonis reconciles these trends. By removing spurs at the stems of the lowercase letters, Aeonis reduces the alphabet to its most basic movements; and in order to further strengthen reading speed, all of the unnecessary horizontal elements lave been left out of the lowercase letters and numbers, too. Aeonis is available in three widths and seven weights. Its open letterforms ensure legibility at small sizes. Aeonis works both in complex text layouts and simple logos. As was the case in the Generis family, all of the numbers, currency symbols, mathematical signs, and punctuation marks in the Aeonis fonts have a coordinated system of widths, ensuring their suitability for tables and financial reports. All of its members of the Aeonis family may easily be used with each other; their design combines a contemporary character with sophisticated typography.

Free
☆☆☆☆☆
3.4K Sales
Last updated: 02 Oct 2015

Aeonis LT W01 Thin
by: Erik Faulhaber
Update : Wed, 06 Jan 2016 13:38:46 +0800Company : Monotype GmbHSize : 36.96 KbpsVersion : 1.100Trademark : Following Generis, Aeonis is Erik Faulhaber's second large type family. Lapidary inscriptions from Ancient Greece supured Faulhaber on to create this typeface?s basic sans serif forms. This clarity is visible in the simplified form of the typeface's capital A. Further inspiration came from a domed lamp designed in 1952 by Wilhelm Wagonfeld; this went on to inspire the roundness in Aeonis. Faulhaber sees the conflict between antiquity and modernity as a struggle between angular and round forms; Aeonis reconciles these trends. By removing spurs at the stems of the lowercase letters, Aeonis reduces the alphabet to its most basic movements; and in order to further strengthen reading speed, all of the unnecessary horizontal elements lave been left out of the lowercase letters and numbers, too. Aeonis is available in three widths and seven weights. Its open letterforms ensure legibility at small sizes. Aeonis works both in complex text layouts and simple logos. As was the case in the Generis family, all of the numbers, currency symbols, mathematical signs, and punctuation marks in the Aeonis fonts have a coordinated system of widths, ensuring their suitability for tables and financial reports. All of its members of the Aeonis family may easily be used with each other; their design combines a contemporary character with sophisticated typography.

Free
☆☆☆☆☆
3.9K Sales
Last updated: 06 Jan 2016
Aeonis LT W04 Bold
by: Erik Faulhaber
Update : Sun, 15 Dec 2019 03:50:59 +0800Company : Monotype GmbHSize : 63.45 KbpsVersion : 1.100Trademark : Following Generis, Aeonis is Erik Faulhaber's second large type family. Lapidary inscriptions from Ancient Greece supured Faulhaber on to create this typeface?s basic sans serif forms. This clarity is visible in the simplified form of the typeface's capital A. Further inspiration came from a domed lamp designed in 1952 by Wilhelm Wagonfeld; this went on to inspire the roundness in Aeonis. Faulhaber sees the conflict between antiquity and modernity as a struggle between angular and round forms; Aeonis reconciles these trends. By removing spurs at the stems of the lowercase letters, Aeonis reduces the alphabet to its most basic movements; and in order to further strengthen reading speed, all of the unnecessary horizontal elements lave been left out of the lowercase letters and numbers, too. Aeonis is available in three widths and seven weights. Its open letterforms ensure legibility at small sizes. Aeonis works both in complex text layouts and simple logos. As was the case in the Generis family, all of the numbers, currency symbols, mathematical signs, and punctuation marks in the Aeonis fonts have a coordinated system of widths, ensuring their suitability for tables and financial reports. All of its members of the Aeonis family may easily be used with each other; their design combines a contemporary character with sophisticated typography.

Free
☆☆☆☆☆
2.9K Sales
Last updated: 15 Dec 2019
Aeonis LT W01 Bold
by: Erik Faulhaber
Update : Fri, 15 Jan 2016 02:18:37 +0800Company : Monotype GmbHSize : 36.14 KbpsVersion : 1.100Trademark : Following Generis, Aeonis is Erik Faulhaber's second large type family. Lapidary inscriptions from Ancient Greece supured Faulhaber on to create this typeface?s basic sans serif forms. This clarity is visible in the simplified form of the typeface's capital A. Further inspiration came from a domed lamp designed in 1952 by Wilhelm Wagonfeld; this went on to inspire the roundness in Aeonis. Faulhaber sees the conflict between antiquity and modernity as a struggle between angular and round forms; Aeonis reconciles these trends. By removing spurs at the stems of the lowercase letters, Aeonis reduces the alphabet to its most basic movements; and in order to further strengthen reading speed, all of the unnecessary horizontal elements lave been left out of the lowercase letters and numbers, too. Aeonis is available in three widths and seven weights. Its open letterforms ensure legibility at small sizes. Aeonis works both in complex text layouts and simple logos. As was the case in the Generis family, all of the numbers, currency symbols, mathematical signs, and punctuation marks in the Aeonis fonts have a coordinated system of widths, ensuring their suitability for tables and financial reports. All of its members of the Aeonis family may easily be used with each other; their design combines a contemporary character with sophisticated typography.

Free
☆☆☆☆☆
3.7K Sales
Last updated: 15 Jan 2016
AeonisLTPro-Medium
by: Erik Faulhaber
Update : Wed, 24 Jun 2020 20:27:41 +0800Company : Linotype GmbHSize : 57.88 KbpsVersion : 1.000;PS 001.000;hotconv 1.0.38Trademark : Following Generis, Aeonis is Erik Faulhabers second large type family. Lapidary inscriptions from Ancient Greece supured Faulhaber on to create this typefaces basic sans serif forms. This clarity is visible in the simplified form of the typeface's capital A. Further inspiration came from a domed lamp designed in 1952 by Wilhelm Wagonfeld; this went on to inspire the roundness in Aeonis. Faulhaber sees the conflict between antiquity and modernity as a struggle between angular and round forms; Aeonis reconciles these trends. By removing spurs at the stems of the lowercase letters, Aeonis reduces the alphabet to its most basic movements; and in order to further strengthen reading speed, all of the unnecessary horizontal elements lave been left out of the lowercase letters and numbers, too. Aeonis is available in three widths and seven weights. Its open letterforms ensure legibility at small sizes. Aeonis works both in complex text layouts and simple logos. As was the case in the Generis family, all of the numbers, currency symbols, mathematical signs, and punctuation marks in the Aeonis fonts have a coordinated system of widths, ensuring their suitability for tables and financial reports. All of its members of the Aeonis family may easily be used with each other; their design combines a contemporary character with sophisticated typography.

Free
☆☆☆☆☆
8.9K Sales
Last updated: 24 Jun 2020
Aeonis LT W04 Thin
by: Erik Faulhaber
Update : Tue, 10 Sep 2019 18:42:23 +0800Company : Monotype GmbHSize : 63.21 KbpsVersion : 1.100Trademark : Following Generis, Aeonis is Erik Faulhaber's second large type family. Lapidary inscriptions from Ancient Greece supured Faulhaber on to create this typeface?s basic sans serif forms. This clarity is visible in the simplified form of the typeface's capital A. Further inspiration came from a domed lamp designed in 1952 by Wilhelm Wagonfeld; this went on to inspire the roundness in Aeonis. Faulhaber sees the conflict between antiquity and modernity as a struggle between angular and round forms; Aeonis reconciles these trends. By removing spurs at the stems of the lowercase letters, Aeonis reduces the alphabet to its most basic movements; and in order to further strengthen reading speed, all of the unnecessary horizontal elements lave been left out of the lowercase letters and numbers, too. Aeonis is available in three widths and seven weights. Its open letterforms ensure legibility at small sizes. Aeonis works both in complex text layouts and simple logos. As was the case in the Generis family, all of the numbers, currency symbols, mathematical signs, and punctuation marks in the Aeonis fonts have a coordinated system of widths, ensuring their suitability for tables and financial reports. All of its members of the Aeonis family may easily be used with each other; their design combines a contemporary character with sophisticated typography.

Free
☆☆☆☆☆
8.1K Sales
Last updated: 10 Sep 2019
AeonisLTW05-Regular
by: Erik Faulhaber
Update : Fri, 06 Sep 2024 17:09:59 +0800Company : Monotype GmbHSize : 64.36 KbpsVersion : 1.10Trademark : Following Generis, Aeonis is Erik Faulhaber's second large type family. Lapidary inscriptions from Ancient Greece supured Faulhaber on to create this typeface?s basic sans serif forms. This clarity is visible in the simplified form of the typeface's capital A. Further inspiration came from a domed lamp designed in 1952 by Wilhelm Wagonfeld; this went on to inspire the roundness in Aeonis. Faulhaber sees the conflict between antiquity and modernity as a struggle between angular and round forms; Aeonis reconciles these trends. By removing spurs at the stems of the lowercase letters, Aeonis reduces the alphabet to its most basic movements; and in order to further strengthen reading speed, all of the unnecessary horizontal elements lave been left out of the lowercase letters and numbers, too. Aeonis is available in three widths and seven weights. Its open letterforms ensure legibility at small sizes. Aeonis works both in complex text layouts and simple logos. As was the case in the Generis family, all of the numbers, currency symbols, mathematical signs, and punctuation marks in the Aeonis fonts have a coordinated system of widths, ensuring their suitability for tables and financial reports. All of its members of the Aeonis family may easily be used with each other; their design combines a contemporary character with sophisticated typography.

Free
☆☆☆☆☆
6.7K Sales
Last updated: 06 Sep 2024
Aeonis LT W04 Black
by: Erik Faulhaber
Update : Thu, 23 Jan 2020 13:43:23 +0800Company : Monotype GmbHSize : 62.47 KbpsVersion : 1.100Trademark : Following Generis, Aeonis is Erik Faulhaber's second large type family. Lapidary inscriptions from Ancient Greece supured Faulhaber on to create this typeface?s basic sans serif forms. This clarity is visible in the simplified form of the typeface's capital A. Further inspiration came from a domed lamp designed in 1952 by Wilhelm Wagonfeld; this went on to inspire the roundness in Aeonis. Faulhaber sees the conflict between antiquity and modernity as a struggle between angular and round forms; Aeonis reconciles these trends. By removing spurs at the stems of the lowercase letters, Aeonis reduces the alphabet to its most basic movements; and in order to further strengthen reading speed, all of the unnecessary horizontal elements lave been left out of the lowercase letters and numbers, too. Aeonis is available in three widths and seven weights. Its open letterforms ensure legibility at small sizes. Aeonis works both in complex text layouts and simple logos. As was the case in the Generis family, all of the numbers, currency symbols, mathematical signs, and punctuation marks in the Aeonis fonts have a coordinated system of widths, ensuring their suitability for tables and financial reports. All of its members of the Aeonis family may easily be used with each other; their design combines a contemporary character with sophisticated typography.

Free
☆☆☆☆☆
7.4K Sales
Last updated: 23 Jan 2020
Aeonis LT W01 Heavy
by: Erik Faulhaber
Update : Tue, 05 Jan 2016 04:28:20 +0800Company : Monotype GmbHSize : 36.77 KbpsVersion : 1.100Trademark : Following Generis, Aeonis is Erik Faulhaber's second large type family. Lapidary inscriptions from Ancient Greece supured Faulhaber on to create this typeface?s basic sans serif forms. This clarity is visible in the simplified form of the typeface's capital A. Further inspiration came from a domed lamp designed in 1952 by Wilhelm Wagonfeld; this went on to inspire the roundness in Aeonis. Faulhaber sees the conflict between antiquity and modernity as a struggle between angular and round forms; Aeonis reconciles these trends. By removing spurs at the stems of the lowercase letters, Aeonis reduces the alphabet to its most basic movements; and in order to further strengthen reading speed, all of the unnecessary horizontal elements lave been left out of the lowercase letters and numbers, too. Aeonis is available in three widths and seven weights. Its open letterforms ensure legibility at small sizes. Aeonis works both in complex text layouts and simple logos. As was the case in the Generis family, all of the numbers, currency symbols, mathematical signs, and punctuation marks in the Aeonis fonts have a coordinated system of widths, ensuring their suitability for tables and financial reports. All of its members of the Aeonis family may easily be used with each other; their design combines a contemporary character with sophisticated typography.

Free
☆☆☆☆☆
4.4K Sales
Last updated: 05 Jan 2016