Tahoma W15 Regular Fonts Free Download

Tahoma W15 Regular Fonts Free Downloads

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Regular
by:
Update : Wed, 11 Nov 2015 14:03:14 +0800Company : AnthonyJamesSize : 24.27 KbpsVersion : 1.000Trademark : Copyright (c) 2013 by AnthonyJames. All rights reserved.

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3.5K Sales
Last updated: 11 Nov 2015

Tahoma
by: Matthew Carter
Update : Thu, 22 Oct 2015 23:37:53 +0800Company : Microsoft Corp.Size : 374.36 KbpsVersion : 3.14Trademark : Tahoma is one of Microsoft's new sans serif typeface families. It consists of two Windows TrueType fonts (regular and bold), and was created to address the challenges of on-screen display, particularly at small sizes in dialog boxes and menus.Since the Tahomas are TrueType fonts, they can be rotated and scaled to any size, and anti-aliased by the rasterizer built into Microsoft Windows 95 and Microsoft Windows NT 4.0. These features give the fonts significant advantages over bitmap system fonts such as MS Sans Serif.The Latin, Greek and Cyrillic characters were designed by world renowned type designer Matthew Carter, and hand-instructed by leading hinting expert, Monotype's Tom Rickner. The Arabic, Hebrew and Thai characters were designed by the Monotype Drawing Office to complement Carter's initial designs. Tahoma sets new standards in system font design. It is ideal for use in User Interface Scenarios and other situations requiring the presentation of information on the screen.

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7.5K Sales
Last updated: 22 Oct 2015

Regular
by: Max Miedinger, Charles Nix, Monotype Studio, Jan Hendrik Weber
Update : Mon, 20 May 2024 13:21:50 +0800Company : Monotype Imaging Inc.Size : 272.23 KbpsVersion : 1.001Trademark : Every single glyph of Helvetica has been redrawn and redesigned for this expansive new edition which preserves the typeface's Swiss mantra of clarity, simplicity and neutrality, while updating it for the demands of contemporary design and branding. Helvetica Now comprises 48 fonts, consisting of three distinct optical sizes: Micro, Text and Display. Each one has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Helvetica and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. The Micro sizes address an issue Helvetica has long faced that of being 'micro type challenged'. In the past, the typeface struggled to be legible at tiny sizes because of its compactness and closed apertures. Helvetica Now's Micro designs are simplified and exaggerated to maintain the impression of Helvetica in tiny type, and their spacing is loose, providing remarkable legibility at microscopic sizes and in low-res environments. There's also an extensive set of alternates, which allow designers the opportunity to experiment with and adapt Helvetica's tone of voice. This includes a hooked version of the lowercase l (addressing a common complaint that the capital I and lowercase l are indistinguishable) as well as a rounded G, and a straight-legged R, a single storey a and a lowercase u without a trailing serif. In the past, designers had to nudge, trim and contort the design to create stylish display-type lockups with Helvetica. Helvetica Now Display was designed and spaced with those modifications in mindsaving effort and providing more consistent (and more stylish) results. Helvetica is the gold standard, says Monotype Type Director Charles Nix. To use it is to claim that you are the ultimate expression of whatever your brand aspires to be. Its blankness is its power. Project Originators: Otmar Hoefer, Jrg Schweinsberg, Jrgen Siebert, Erik Spiekermann Designers: Jim Ford, Steve Matteson, Charles Nix, Tom Rickner, Alexander Roth, Juan Villanueva, Jan Hendrik Weber, Terrance Weinzierl Production Team: Thomas Caldwell, Deb Gonet, Mary Hanson, Henning Krause, Karl Leuthold, Olli Meier, Marianna Paszkowska, Inka Strotmann, Roger Waindle, Sue Waksmonski Marketing Team: Amy Aylward, Melissa Centrella, Bill Davis, Ana De Jesus, James Fooks-Bale, Nicole Hastings, Bernhard Hofmacher, Katie Hogan, James Minior, Rebecca Price, Bernhard Prger, Andy Rodger, Alexandra Schwarzwald, Aisra Shervani, Carl Unger, Gretchen Walker

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7.3K Sales
Last updated: 20 May 2024
L Regular
by:
Update : Tue, 10 Nov 2015 04:51:49 +0800Company : Size : 251.71 KbpsVersion : Altsys Fontographer 3.5 21.05.1997Trademark : Generated by Markus Schrppel

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5.8K Sales
Last updated: 10 Nov 2015
R Regular
by:
Update : Thu, 19 Nov 2015 18:01:45 +0800Company : Size : 9.42 KbpsVersion : Altsys Fontographer 3.5 3/31/93Trademark : Copyright yl 1993 Oliver Jovanovic

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3.3K Sales
Last updated: 19 Nov 2015
P Regular
by:
Update : Fri, 20 Nov 2015 19:36:06 +0800Company : Size : 51.3 KbpsVersion : Altsys Metamorphosis:4/1/92Trademark : Generated by Metamorphosis Professional 2.03

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3.6K Sales
Last updated: 20 Nov 2015
O Regular
by:
Update : Sat, 21 Nov 2015 20:45:31 +0800Company : Size : 11.93 KbpsVersion : Altsys Metamorphosis:4/11/92Trademark : Generated by Metamorphosis Professional 2.03

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3.2K Sales
Last updated: 21 Nov 2015
M Regular
by:
Update : Mon, 23 Nov 2015 05:58:07 +0800Company : Size : 23.91 KbpsVersion : Altsys Fontographer 3.5 2.1.1993Trademark : Pat Snyder 1797 Ross Inlet, Coos Bay OR 97420 Shware 11

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7.3K Sales
Last updated: 23 Nov 2015
I Regular
by:
Update : Thu, 26 Nov 2015 22:49:29 +0800Company : Size : 30.96 KbpsVersion : Altsys Metamorphosis:12/14/95Trademark : Generated by Metamorphosis Professional 2.04

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8.4K Sales
Last updated: 26 Nov 2015
. Regular
by: Keith Bates, Banks & Miles
Update : Sat, 07 May 2022 04:20:13 +0800Company : K-TypeSize : 34.78 KbpsVersion : Banks & Miles Double Line (1.0) 2018 www.k-type.comTrademark : Banks & Miles Double Line 2018 www.k-type.com The Banks & Miles fonts are inspired by geometric monoline lettering created for the British Post Office in the early 1970s by London design company, Banks & Miles.

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8.7K Sales
Last updated: 07 May 2022