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Vere Dignum LT Std Decorative
by: Phil Baines
Update : Wed, 19 Oct 2016 06:36:56 +0800Company : Linotype GmbHSize : 24.94 KbpsVersion : 2.001;PS 002.000;hotconv 1.0.38Trademark : Vere Dignum is a courageous collection of six alphabets, compiled into a family of three typefaces. The family seems to have been influenced by many wide ranging sources, including modernist geometric sans serifs (i.e., Erbar, Avenir, and ITC Avant Garde Gothic, classical monumental lettering, art nouveau, and art deco. The first of the three fonts, Vere Dignum Regular, contains two different interpretations of the alphabet. Both of them display uppercase letters only. When one types with uppercase letters on the keyboard, letters appear in various different sizes relative to each other. For example, e, h, o, and s are only half as tall as the other letters. Typing with the lowercase keys on the keyboard brings a different alphabet style, but in this one, all of the letters have the same height - it is their widths that vary. C, D, G, O, and Q are much wider than the other letters. Vere Dignum Regular contains a complete character set. Similarly, Vere Dignum Alternates contains another two alphabets. Many of these letters are very different from those in Vere Dignum Regular. These letters may all be used in combination with one another to create crazy lines of display text! Vere Dignum Decorative contains the last two alphabets of this series. As their name implies, these alphabets are significantly more decorative than their two counterparts. They are rounder and more curvilinear. All three fonts in the Vere Dignum family consist of letters that are drawn with almost mono-weight lines. Text set in Vere Dignum appears very light, as these lines are thin. Vere Dignum is best in for larger point sizes, but its display purposes need not be dignified. A funky or fresh setting would be just as appropriate. The Vere Dignum family was designed in 2002 by the British graphic designer Phil Baines, and all three of its fonts are part of the TakeType Library from Linotype.

Free
☆☆☆☆☆
2.6K Sales
Last updated: 19 Oct 2016

Vere Dignum LT Std
by: Phil Baines
Update : Wed, 19 Oct 2016 06:36:56 +0800Company : Linotype GmbHSize : 44.15 KbpsVersion : 2.001;PS 002.000;hotconv 1.0.38Trademark : Vere Dignum is a courageous collection of six alphabets, compiled into a family of three typefaces. The family seems to have been influenced by many wide ranging sources, including modernist geometric sans serifs (i.e., Erbar, Avenir, and ITC Avant Garde Gothic, classical monumental lettering, art nouveau, and art deco. The first of the three fonts, Vere Dignum Regular, contains two different interpretations of the alphabet. Both of them display uppercase letters only. When one types with uppercase letters on the keyboard, letters appear in various different sizes relative to each other. For example, e, h, o, and s are only half as tall as the other letters. Typing with the lowercase keys on the keyboard brings a different alphabet style, but in this one, all of the letters have the same height - it is their widths that vary. C, D, G, O, and Q are much wider than the other letters. Vere Dignum Regular contains a complete character set. Similarly, Vere Dignum Alternates contains another two alphabets. Many of these letters are very different from those in Vere Dignum Regular. These letters may all be used in combination with one another to create crazy lines of display text! Vere Dignum Decorative contains the last two alphabets of this series. As their name implies, these alphabets are significantly more decorative than their two counterparts. They are rounder and more curvilinear. All three fonts in the Vere Dignum family consist of letters that are drawn with almost mono-weight lines. Text set in Vere Dignum appears very light, as these lines are thin. Vere Dignum is best in for larger point sizes, but its display purposes need not be dignified. A funky or fresh setting would be just as appropriate. The Vere Dignum family was designed in 2002 by the British graphic designer Phil Baines, and all three of its fonts are part of the TakeType Library from Linotype.

Free
☆☆☆☆☆
8.1K Sales
Last updated: 19 Oct 2016

Veronika LT Std Bold
by: Veronika Grger
Update : Wed, 19 Oct 2016 06:36:56 +0800Company : Linotype GmbHSize : 43.38 KbpsVersion : 1.100;PS 001.001;hotconv 1.0.38Trademark : Veronika Grger designed the Veronika type family in 2004. Veronika is a semi-serif text face, available in three styles: Regular, Italic, and Bold. All three faces are available in OpenType format, with both lining and old-style figures. Grger, a German artist and designer, first began the design of her typeface by writing out its letterforms with a wooden stylus. She wanted to create a new semi serif face that had uniform stroke widths, but still maintained some aspects of calligraphy. Veronika achieves this; the terminals that begin the first strokes of most letters are round and bulbous, as if the writing instrument added extra emphasis on that spot. This adds a dynamic, movement-like quality to texts designed with Veronika. Aside from some sans serif-ness, Veronika appears similar to old style typefaces from the renaissance: classical inscriptions inspired the proportions of the capital letters, and the lower case letters stem from Carolinian minuscule. These proportions allow Veronika to function very well in text and at small sizes. However, only when you design larger headlines, logos, or other elements with Veronika, will you notice all of its special qualities, like its weight distribution and stroke characteristics.

Free
☆☆☆☆☆
8.9K Sales
Last updated: 19 Oct 2016
Veronika LT Std Italic
by: Veronika Grger
Update : Wed, 19 Oct 2016 07:06:57 +0800Company : Linotype GmbHSize : 43.74 KbpsVersion : 1.100;PS 001.001;hotconv 1.0.38Trademark : Veronika Grger designed the Veronika type family in 2004. Veronika is a semi-serif text face, available in three styles: Regular, Italic, and Bold. All three faces are available in OpenType format, with both lining and old-style figures. Grger, a German artist and designer, first began the design of her typeface by writing out its letterforms with a wooden stylus. She wanted to create a new semi serif face that had uniform stroke widths, but still maintained some aspects of calligraphy. Veronika achieves this; the terminals that begin the first strokes of most letters are round and bulbous, as if the writing instrument added extra emphasis on that spot. This adds a dynamic, movement-like quality to texts designed with Veronika. Aside from some sans serif-ness, Veronika appears similar to old style typefaces from the renaissance: classical inscriptions inspired the proportions of the capital letters, and the lower case letters stem from Carolinian minuscule. These proportions allow Veronika to function very well in text and at small sizes. However, only when you design larger headlines, logos, or other elements with Veronika, will you notice all of its special qualities, like its weight distribution and stroke characteristics.

Free
☆☆☆☆☆
7.9K Sales
Last updated: 19 Oct 2016
Veronika LT Std
by: Veronika Grger
Update : Wed, 19 Oct 2016 07:06:57 +0800Company : Linotype GmbHSize : 42.65 KbpsVersion : 1.100;PS 001.001;hotconv 1.0.38Trademark : Veronika Grger designed the Veronika type family in 2004. Veronika is a semi-serif text face, available in three styles: Regular, Italic, and Bold. All three faces are available in OpenType format, with both lining and old-style figures. Grger, a German artist and designer, first began the design of her typeface by writing out its letterforms with a wooden stylus. She wanted to create a new semi serif face that had uniform stroke widths, but still maintained some aspects of calligraphy. Veronika achieves this; the terminals that begin the first strokes of most letters are round and bulbous, as if the writing instrument added extra emphasis on that spot. This adds a dynamic, movement-like quality to texts designed with Veronika. Aside from some sans serif-ness, Veronika appears similar to old style typefaces from the renaissance: classical inscriptions inspired the proportions of the capital letters, and the lower case letters stem from Carolinian minuscule. These proportions allow Veronika to function very well in text and at small sizes. However, only when you design larger headlines, logos, or other elements with Veronika, will you notice all of its special qualities, like its weight distribution and stroke characteristics.

Free
☆☆☆☆☆
5.9K Sales
Last updated: 19 Oct 2016
Vladimir Script LT Std
by: Vladimir Andrevich
Update : Wed, 19 Oct 2016 07:06:57 +0800Company : Linotype GmbHSize : 43.07 KbpsVersion : 2.00;2006Trademark : NOTIFICATION OF LICENSE AGREEMENTYou have obtained this typeface software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to your workstation for your own use. You may not copy or distribute this software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informacin concernant la contrat d'utilisation du logiciel de polices, veuillez consultez notre site www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418

Free
☆☆☆☆☆
7.4K Sales
Last updated: 19 Oct 2016
Warnock Pro Bold Subhead
by: Robert Slimbach
Update : Wed, 19 Oct 2016 07:06:57 +0800Company : Size : 145.41 KbpsVersion : OTF 1.009;PS 001.000;Core 1.0.26;makeotf.lib(1.11)Trademark : Copyright 2000 Adobe Systems Incorporated. All Rights Reserved. Patent Des. pending.

Free
☆☆☆☆☆
4.5K Sales
Last updated: 19 Oct 2016
Whitenights LT Std Bold
by: Lars Berquist
Update : Wed, 19 Oct 2016 07:36:58 +0800Company : Linotype GmbHSize : 60.61 KbpsVersion : 2.001;PS 002.000;hotconv 1.0.38Trademark : Whitenights is a contemporary text family, which was developed by the prolific Swedish typographer Lars Berquist. Containing five weights (11 different fonts total), this family contains every tool you need to set splendid text. The base font of the family is Whitenights Regular, a reliable face designed in the old style manner. Whitenights Ligatures Regular is a supplementary font, which contains many extra ligatures (e.g., ffb, ffk, tt, and fj) whose use will improve the color of a page of text set in Whitenights Regular. Whitenights Regular may be accented by combination with Whitenights Small Caps, Whitenights Italic, Whitenights Bold and/or Whitenights Bold Italic. The Whitenights Italic, Bold and Bold Italic styles all have supplementary Ligature fonts available for purchase, similar to the Whitenights Ligatures Regular face described above. For larger headline text the specially designed Whitenights Titling is quite useful. This titling font has been optically redrawn and respaced for use in large sizes. Naturally, it has its own supplementary Ligature font as well. In books, magazines and newsletters this font is a great display companion to the rest of the Whitenights family. Its use in conjunction with the text faces will make your typographical compositions more sophisticated. Last but not least in the Whitenights family is Whitenights Math, which contains many additional mathematical and logical glyphs not found in a standard font's character set. Used together, the above 12 styles can set almost any text or math-based document. The entire family is part of the TakeType Library from Linotype.

Free
☆☆☆☆☆
7.7K Sales
Last updated: 19 Oct 2016
Whitenights LT Std Bold Italic
by: Lars Berquist
Update : Wed, 19 Oct 2016 07:36:58 +0800Company : Linotype GmbHSize : 50.4 KbpsVersion : 2.001;PS 002.000;hotconv 1.0.38Trademark : Whitenights is a contemporary text family, which was developed by the prolific Swedish typographer Lars Berquist. Containing five weights (11 different fonts total), this family contains every tool you need to set splendid text. The base font of the family is Whitenights Regular, a reliable face designed in the old style manner. Whitenights Ligatures Regular is a supplementary font, which contains many extra ligatures (e.g., ffb, ffk, tt, and fj) whose use will improve the color of a page of text set in Whitenights Regular. Whitenights Regular may be accented by combination with Whitenights Small Caps, Whitenights Italic, Whitenights Bold and/or Whitenights Bold Italic. The Whitenights Italic, Bold and Bold Italic styles all have supplementary Ligature fonts available for purchase, similar to the Whitenights Ligatures Regular face described above. For larger headline text the specially designed Whitenights Titling is quite useful. This titling font has been optically redrawn and respaced for use in large sizes. Naturally, it has its own supplementary Ligature font as well. In books, magazines and newsletters this font is a great display companion to the rest of the Whitenights family. Its use in conjunction with the text faces will make your typographical compositions more sophisticated. Last but not least in the Whitenights family is Whitenights Math, which contains many additional mathematical and logical glyphs not found in a standard font's character set. Used together, the above 12 styles can set almost any text or math-based document. The entire family is part of the TakeType Library from Linotype.

Free
☆☆☆☆☆
5.5K Sales
Last updated: 19 Oct 2016
Whitenights LT Std Italic
by: Lars Berquist
Update : Wed, 19 Oct 2016 07:36:58 +0800Company : Linotype GmbHSize : 53.75 KbpsVersion : 2.001;PS 002.000;hotconv 1.0.38Trademark : Whitenights is a contemporary text family, which was developed by the prolific Swedish typographer Lars Berquist. Containing five weights (11 different fonts total), this family contains every tool you need to set splendid text. The base font of the family is Whitenights Regular, a reliable face designed in the old style manner. Whitenights Ligatures Regular is a supplementary font, which contains many extra ligatures (e.g., ffb, ffk, tt, and fj) whose use will improve the color of a page of text set in Whitenights Regular. Whitenights Regular may be accented by combination with Whitenights Small Caps, Whitenights Italic, Whitenights Bold and/or Whitenights Bold Italic. The Whitenights Italic, Bold and Bold Italic styles all have supplementary Ligature fonts available for purchase, similar to the Whitenights Ligatures Regular face described above. For larger headline text the specially designed Whitenights Titling is quite useful. This titling font has been optically redrawn and respaced for use in large sizes. Naturally, it has its own supplementary Ligature font as well. In books, magazines and newsletters this font is a great display companion to the rest of the Whitenights family. Its use in conjunction with the text faces will make your typographical compositions more sophisticated. Last but not least in the Whitenights family is Whitenights Math, which contains many additional mathematical and logical glyphs not found in a standard font's character set. Used together, the above 12 styles can set almost any text or math-based document. The entire family is part of the TakeType Library from Linotype.

Free
☆☆☆☆☆
3.1K Sales
Last updated: 19 Oct 2016