New Baskerville FS Regular Fonts Free Download

New Baskerville FS Regular Fonts Free Downloads

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Regular
by:
Update : Wed, 11 Nov 2015 14:03:14 +0800Company : AnthonyJamesSize : 24.27 KbpsVersion : 1.000Trademark : Copyright (c) 2013 by AnthonyJames. All rights reserved.

Free
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8.7K Sales
Last updated: 11 Nov 2015

New
by:
Update : Sat, 27 Feb 2016 04:22:43 +0800Company : Size : 13.22 KbpsVersion : 1.00Trademark : Copyright

Free
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4.3K Sales
Last updated: 27 Feb 2016

Baskerville
by:
Update : Sun, 14 Aug 2016 15:19:01 +0800Company : Size : 40.79 KbpsVersion : 003.001Trademark : Copyright 1990-1999 as an unpublished work by Bitstream Inc. All rights reserved. Confidential.

Free
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3.6K Sales
Last updated: 14 Aug 2016
Regular
by: Max Miedinger, Charles Nix, Monotype Studio, Jan Hendrik Weber
Update : Mon, 20 May 2024 13:21:50 +0800Company : Monotype Imaging Inc.Size : 272.23 KbpsVersion : 1.001Trademark : Every single glyph of Helvetica has been redrawn and redesigned for this expansive new edition which preserves the typeface's Swiss mantra of clarity, simplicity and neutrality, while updating it for the demands of contemporary design and branding. Helvetica Now comprises 48 fonts, consisting of three distinct optical sizes: Micro, Text and Display. Each one has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Helvetica and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. The Micro sizes address an issue Helvetica has long faced that of being 'micro type challenged'. In the past, the typeface struggled to be legible at tiny sizes because of its compactness and closed apertures. Helvetica Now's Micro designs are simplified and exaggerated to maintain the impression of Helvetica in tiny type, and their spacing is loose, providing remarkable legibility at microscopic sizes and in low-res environments. There's also an extensive set of alternates, which allow designers the opportunity to experiment with and adapt Helvetica's tone of voice. This includes a hooked version of the lowercase l (addressing a common complaint that the capital I and lowercase l are indistinguishable) as well as a rounded G, and a straight-legged R, a single storey a and a lowercase u without a trailing serif. In the past, designers had to nudge, trim and contort the design to create stylish display-type lockups with Helvetica. Helvetica Now Display was designed and spaced with those modifications in mindsaving effort and providing more consistent (and more stylish) results. Helvetica is the gold standard, says Monotype Type Director Charles Nix. To use it is to claim that you are the ultimate expression of whatever your brand aspires to be. Its blankness is its power. Project Originators: Otmar Hoefer, Jrg Schweinsberg, Jrgen Siebert, Erik Spiekermann Designers: Jim Ford, Steve Matteson, Charles Nix, Tom Rickner, Alexander Roth, Juan Villanueva, Jan Hendrik Weber, Terrance Weinzierl Production Team: Thomas Caldwell, Deb Gonet, Mary Hanson, Henning Krause, Karl Leuthold, Olli Meier, Marianna Paszkowska, Inka Strotmann, Roger Waindle, Sue Waksmonski Marketing Team: Amy Aylward, Melissa Centrella, Bill Davis, Ana De Jesus, James Fooks-Bale, Nicole Hastings, Bernhard Hofmacher, Katie Hogan, James Minior, Rebecca Price, Bernhard Prger, Andy Rodger, Alexandra Schwarzwald, Aisra Shervani, Carl Unger, Gretchen Walker

Free
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3.4K Sales
Last updated: 20 May 2024
new1
by:
Update : Sat, 10 Oct 2015 04:34:20 +0800Company : Size : 78.91 KbpsVersion : 1.00 April 27, 2012, initial releaseTrademark : This font was created using FontCreator 6.0 from High-Logic.com

Free
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5.4K Sales
Last updated: 10 Oct 2015
New_1
by:
Update : Sun, 27 Dec 2015 13:31:29 +0800Company : Size : 15.88 KbpsVersion : 1.0 Tue Jun 02 10:51:54 1998Trademark : Generated by Fontographer 3.5

Free
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8.7K Sales
Last updated: 27 Dec 2015
New_2
by:
Update : Fri, 11 Mar 2016 05:53:34 +0800Company : Size : 34.14 KbpsVersion : 1.0 Mon Feb 16 14:45:49 1998Trademark : Generated by Fontographer 3.5

Free
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6.2K Sales
Last updated: 11 Mar 2016
pnRegular
by:
Update : Fri, 11 Feb 2022 02:40:43 +0800Company : Size : 76.02 KbpsVersion : Trademark :

Free
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2.2K Sales
Last updated: 11 Feb 2022
. Regular
by: Keith Bates, Banks & Miles
Update : Sat, 07 May 2022 04:20:13 +0800Company : K-TypeSize : 34.78 KbpsVersion : Banks & Miles Double Line (1.0) 2018 www.k-type.comTrademark : Banks & Miles Double Line 2018 www.k-type.com The Banks & Miles fonts are inspired by geometric monoline lettering created for the British Post Office in the early 1970s by London design company, Banks & Miles.

Free
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2.5K Sales
Last updated: 07 May 2022
K1FS
by: GNU
Update : Fri, 06 Jan 2023 07:19:55 +0800Company : GNUSize : 1624.5 KbpsVersion : 0412.2268Trademark : This computer font is part of GNU FreeFont. It is free software: you can redistribute it and/or modify it under the terms of the GNU General Public License as published by the Free Software Foundation, either version 3 of the License, or (at your option) any later version.This font is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY; without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General Public License for more details.You should have received a copy of the GNU General Public License along with this font. If not, see http://www.gnu.org/licenses/As a special exception, if you create a document which uses this font, and embed this font or unaltered portions of this font into the document, this font does not by itself cause the resulting document to be covered by the GNU General Public License. This exception does not however invalidate any other reasons why the document might be covered by the GNU General Public License. If you modify this font, you may extend this exception to your version of the font, but you are not obligated to do so. If you do not wish to do so, delete this exception statement from your version.

Free
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4.2K Sales
Last updated: 06 Jan 2023