Din Next LT Pro Regular Fonts Free Download

Din Next LT Pro Regular Fonts Free Downloads

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Regular
by:
Update : Wed, 11 Nov 2015 14:03:14 +0800Company : AnthonyJamesSize : 24.27 KbpsVersion : 1.000Trademark : Copyright (c) 2013 by AnthonyJames. All rights reserved.

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4.2K Sales
Last updated: 11 Nov 2015

DIN Next LT Pro Regular
by: Linotype Design Studio
Update : Tue, 14 Apr 2020 20:48:36 +0800Company : Linotype GmbHSize : 137.88 KbpsVersion : 1.20;com.myfonts.linotype.din-next.pro-regular.wfkit2.gP1HTrademark : DIN Next is a typeface family inspired by the classic industrial German engineering designs, DIN 1451 Engschrift and Mittelschrift. Akira Kobayashi began by revising these two faceswho names just mean condensed and regularbefore expanding them into a new family with seven weights (Light to Black). Each weight ships in three varieties: Regular, Italic, and Condensed, bringing the total number of fonts in the DIN Next family to 21. DIN Next is part of Linotypes Platinum Collection. Linotype has been supplying its customers with the two DIN 1451 fonts since 1980. Recently, they have become more popular than ever, with designers regularly asking for additional weights. The abbreviation DIN stands for Deutsches Institut fr Normung e.V., which is the German Institute for Industrial Standardization. In 1936 the German Standard Committee settled upon DIN 1451 as the standard font for the areas of technology, traffic, administration and business. The design was to be used on German street signs and house numbers. The committee wanted a sans serif, thinking it would be more legible, straightforward, and easy to reproduce. They did not intend for the design to be used for advertisements and other artistically oriented purposes. Nevertheless, because DIN 1451 was seen all over Germany on signs for town names and traffic directions, it became familiar enough to make its way onto the palettes of graphic designers and advertising art directors. The digital version of DIN 1451 would go on to be adopted and used by designers in other countries as well, solidifying its worldwide design reputation. There are many subtle differences in DIN Nexts letters when compared withe DIN 1451 original. These were added by Kobayashi to make the new family even more versatile in 21st-century media. For instance, although DIN 1451s corners are all pointed angles, DIN Next has rounded them all slightly. Even this softening is a nod to part of DIN 1451s past, however. Many of the signs that use DIN 1451 are cut with routers, which cannot make perfect corners; their rounded heads cut rounded corners best. Linotypes DIN 1451 Engschrift and Mittelschrift are certified by the German DIN Institute for use on official signage projects. Since DIN Next is a new design, these applications within Germany are not possible with it. However, DIN Next may be used for any other project, and it may be used for industrial signage in any other country! DIN Next has been tailored especially for gra

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2.3K Sales
Last updated: 14 Apr 2020

next
by:
Update : Sat, 25 Dec 2021 14:16:10 +0800Company : Size : 29.65 KbpsVersion : 1.00 April 28, 2008, initial releaseTrademark : This font was created using FontCreator 5.6 from High-Logic.com

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3.2K Sales
Last updated: 25 Dec 2021
DIN
by:
Update : Sat, 30 Mar 2024 16:42:11 +0800Company : Size : 25.94 KbpsVersion : 1.00 June 30, 2020, initial releaseTrademark : Dutch Design: Albert-Jan Pool, 1995. Published by FontShop International FontFont release 15

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7.5K Sales
Last updated: 30 Mar 2024
Regular
by: Max Miedinger, Charles Nix, Monotype Studio, Jan Hendrik Weber
Update : Mon, 20 May 2024 13:21:50 +0800Company : Monotype Imaging Inc.Size : 272.23 KbpsVersion : 1.001Trademark : Every single glyph of Helvetica has been redrawn and redesigned for this expansive new edition which preserves the typeface's Swiss mantra of clarity, simplicity and neutrality, while updating it for the demands of contemporary design and branding. Helvetica Now comprises 48 fonts, consisting of three distinct optical sizes: Micro, Text and Display. Each one has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Helvetica and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. The Micro sizes address an issue Helvetica has long faced that of being 'micro type challenged'. In the past, the typeface struggled to be legible at tiny sizes because of its compactness and closed apertures. Helvetica Now's Micro designs are simplified and exaggerated to maintain the impression of Helvetica in tiny type, and their spacing is loose, providing remarkable legibility at microscopic sizes and in low-res environments. There's also an extensive set of alternates, which allow designers the opportunity to experiment with and adapt Helvetica's tone of voice. This includes a hooked version of the lowercase l (addressing a common complaint that the capital I and lowercase l are indistinguishable) as well as a rounded G, and a straight-legged R, a single storey a and a lowercase u without a trailing serif. In the past, designers had to nudge, trim and contort the design to create stylish display-type lockups with Helvetica. Helvetica Now Display was designed and spaced with those modifications in mindsaving effort and providing more consistent (and more stylish) results. Helvetica is the gold standard, says Monotype Type Director Charles Nix. To use it is to claim that you are the ultimate expression of whatever your brand aspires to be. Its blankness is its power. Project Originators: Otmar Hoefer, Jrg Schweinsberg, Jrgen Siebert, Erik Spiekermann Designers: Jim Ford, Steve Matteson, Charles Nix, Tom Rickner, Alexander Roth, Juan Villanueva, Jan Hendrik Weber, Terrance Weinzierl Production Team: Thomas Caldwell, Deb Gonet, Mary Hanson, Henning Krause, Karl Leuthold, Olli Meier, Marianna Paszkowska, Inka Strotmann, Roger Waindle, Sue Waksmonski Marketing Team: Amy Aylward, Melissa Centrella, Bill Davis, Ana De Jesus, James Fooks-Bale, Nicole Hastings, Bernhard Hofmacher, Katie Hogan, James Minior, Rebecca Price, Bernhard Prger, Andy Rodger, Alexandra Schwarzwald, Aisra Shervani, Carl Unger, Gretchen Walker

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2.2K Sales
Last updated: 20 May 2024
Next5
by:
Update : Sat, 29 Feb 2020 04:03:54 +0800Company : Size : 64.96 KbpsVersion : 2.01Trademark : Copyright (c) 2016, Leo,,, (URLemail),with Reserved Font Name DINNextW01-Medium.This Font Software is licensed under the SIL Open Font License, Version 1.1.This license is copied below, and is also available with a FAQ at:http://scripts.sil.org/OFL-----------------------------------------------------------SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007-----------------------------------------------------------PREAMBLEThe goals of the Open Font License (OFL) are to stimulate worldwidedevelopment of collaborative font projects, to support the font creationefforts of academic and linguistic communities, and to provide a free andopen framework in which fonts may be shared and improved in partnershipwith others.The OFL allows the licensed fonts to be used, studied, modified andredistributed freely as long as they are not sold by themselves. Thefonts, including any derivative works, can be bundled, embedded, redistributed and/or sold with any software provided that any reservednames are not used by derivative works. The fonts and derivatives,however, cannot be released under any other type of license. Therequirement for fonts to remain under this license does not applyto any document created using the fonts or their derivatives.DEFINITIONSFont Software refers to the set of files released by the CopyrightHolder(s) under this license and clearly marked as such. This mayinclude source files, build scripts and documentation.Reserved Font Name refers to any names specified as such after thecopyright statement(s).Original Version refers to the collection of Font Software components asdistributed by the Copyright Holder(s).Modified Version refers to any derivative made by adding to, deleting,or substituting -- in part or in whole -- any of the components of theOriginal Version, by changing formats or by porting the Font Software to anew environment.Author refers to any designer, engineer, programmer, technicalwriter or other person who contributed to the Font Software.PERMISSION & CONDITIONSPermission is hereby granted, free of charge, to any person obtaininga copy of the Font Software, to use, study, copy, merge, embed, modify,redistribute, and sell modified and unmodified copies of the FontSoftware, subject to the following conditions:1) Neither the Font Software nor any of its individual components,in Original or Modified Versions, may be sold by itself.2) Original or Modified Versions of the Font Software may be bundled,redistributed and/or sold with any software, provided that each copycontains the above copyright notice and this license. These can beincluded either as stand-alone text files, human-readable headers orin the appropriate machine-readable metadata fields within text orbinary files as long as those fields can be easily viewed by the user.3) No Modified Version of the Font Software may use the Reserved FontName(s) unless explicit written permission is granted by the correspondingCopyright Holder. This restriction only applies to the primary font name aspresented to the users.4) The name(s) of the Copyright Holder(s) or the Author(s) of the FontSoftware shall not be used to promote, endorse or advertise anyModified Version, except to acknowledge the contribution(s) of theCopyright Holder(s) and the Author(s) or with their explicit writtenpermission.5) The Font Software, modified or unmodified, in part or in whole,must be distributed entirely under this license, and must not bedistributed under any other license. The requirement for fonts toremain under this license does not apply to any document createdusing the Font Software.TERMINATIONThis license becomes null and void if any of the above conditions arenot met.DISCLAIMERTHE FONT SOFTWARE IS PROVIDED AS IS, WITHOUT WARRANTY OF ANY KIND,EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OFMERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENTOF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THECOPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY,INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIALDAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISINGFROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROMOTHER DEALINGS IN THE FONT SOFTWARE.

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8.9K Sales
Last updated: 29 Feb 2020
BLT
by:
Update : Thu, 05 Nov 2015 08:45:56 +0800Company : Size : 40.41 KbpsVersion : 001.005Trademark : URW Software, Copyright 1994 by URW

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4.4K Sales
Last updated: 05 Nov 2015
DINk
by: Michael Tension
Update : Mon, 28 Dec 2015 19:38:36 +0800Company : Tension TypeSize : 281.24 KbpsVersion : 001.000Trademark : Copyright (c) 2010 by Michael Tension. All rights reserved.

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2.7K Sales
Last updated: 28 Dec 2015
DINT
by:
Update : Wed, 08 Mar 2023 00:48:58 +0800Company : Size : 23.21 KbpsVersion : Macromedia Fontographer 4.1.5 13/6/99Trademark : Please refer to the Copyright section for the font trademark attribution notices.

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2.5K Sales
Last updated: 08 Mar 2023
Dino
by:
Update : Thu, 06 Oct 2016 07:18:02 +0800Company : Size : 74.19 KbpsVersion : DinoTrademark : Font Monster v3.1

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3.4K Sales
Last updated: 06 Oct 2016