Circe Contrast Regular Alt Fonts Free Download

Circe Contrast Regular Alt Fonts Free Downloads

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Regular
by:
Update : Wed, 11 Nov 2015 14:03:14 +0800Company : AnthonyJamesSize : 24.27 KbpsVersion : 1.000Trademark : Copyright (c) 2013 by AnthonyJames. All rights reserved.

Free
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4.4K Sales
Last updated: 11 Nov 2015

Regular
by: Max Miedinger, Charles Nix, Monotype Studio, Jan Hendrik Weber
Update : Mon, 20 May 2024 13:21:50 +0800Company : Monotype Imaging Inc.Size : 272.23 KbpsVersion : 1.001Trademark : Every single glyph of Helvetica has been redrawn and redesigned for this expansive new edition which preserves the typeface's Swiss mantra of clarity, simplicity and neutrality, while updating it for the demands of contemporary design and branding. Helvetica Now comprises 48 fonts, consisting of three distinct optical sizes: Micro, Text and Display. Each one has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Helvetica and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. The Micro sizes address an issue Helvetica has long faced that of being 'micro type challenged'. In the past, the typeface struggled to be legible at tiny sizes because of its compactness and closed apertures. Helvetica Now's Micro designs are simplified and exaggerated to maintain the impression of Helvetica in tiny type, and their spacing is loose, providing remarkable legibility at microscopic sizes and in low-res environments. There's also an extensive set of alternates, which allow designers the opportunity to experiment with and adapt Helvetica's tone of voice. This includes a hooked version of the lowercase l (addressing a common complaint that the capital I and lowercase l are indistinguishable) as well as a rounded G, and a straight-legged R, a single storey a and a lowercase u without a trailing serif. In the past, designers had to nudge, trim and contort the design to create stylish display-type lockups with Helvetica. Helvetica Now Display was designed and spaced with those modifications in mindsaving effort and providing more consistent (and more stylish) results. Helvetica is the gold standard, says Monotype Type Director Charles Nix. To use it is to claim that you are the ultimate expression of whatever your brand aspires to be. Its blankness is its power. Project Originators: Otmar Hoefer, Jrg Schweinsberg, Jrgen Siebert, Erik Spiekermann Designers: Jim Ford, Steve Matteson, Charles Nix, Tom Rickner, Alexander Roth, Juan Villanueva, Jan Hendrik Weber, Terrance Weinzierl Production Team: Thomas Caldwell, Deb Gonet, Mary Hanson, Henning Krause, Karl Leuthold, Olli Meier, Marianna Paszkowska, Inka Strotmann, Roger Waindle, Sue Waksmonski Marketing Team: Amy Aylward, Melissa Centrella, Bill Davis, Ana De Jesus, James Fooks-Bale, Nicole Hastings, Bernhard Hofmacher, Katie Hogan, James Minior, Rebecca Price, Bernhard Prger, Andy Rodger, Alexandra Schwarzwald, Aisra Shervani, Carl Unger, Gretchen Walker

Free
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3.1K Sales
Last updated: 20 May 2024

Circe
by: AKorolkova
Update : Thu, 29 Aug 2019 09:35:09 +0800Company : ParaType LtdSize : 438.08 KbpsVersion : 1.000; Fonts for Free; vk.com/fontsforfreeTrademark : Circe is a geometric sans-serif with some humanist features in 6 weights from Thin to Extra Bold. Name of the font derives from both its geometric shapes and artificial, kinky nature. While being clean and simple in its basic form, Circe can become more intricate with its numerous decorative variations of characters, tempting and challenging the designer to use more and more of them and finally -- probably -- making him look foolish like the sailors who got to Circe's island. Its oversized character set not only allows using Circe for almost all European languages (based on Latin and Cyrillic scripts) but also contains a lot of alternates and swash variants organized in stylistic sets which make the font look in several completely different ways. Circe is good for both text setting in small point sizes and display purposes, such as magazine headlines, posters and so on. Designed by Alexandra Korolkova and released by ParaType in 2011.

Free
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4.3K Sales
Last updated: 29 Aug 2019
Alto
by:
Update : Tue, 15 Dec 2015 06:04:06 +0800Company : Size : 84.75 KbpsVersion : 1.0 Tue Nov 17 21:06:54 1992Trademark : Copyright (c) 1992 Corel Corporation. All Rights Reserved.

Free
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5.6K Sales
Last updated: 15 Dec 2015
Salt
by: Anna Karatcheva
Update : Fri, 16 Oct 2015 14:30:19 +0800Company : Anna KaratchevaSize : 65.73 KbpsVersion : 1.000Trademark : Free for personal and commercial use across all media

Free
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7.5K Sales
Last updated: 16 Oct 2015
Contrasto
by: Andr Uenojo
Update : Tue, 09 Nov 2021 22:52:59 +0800Company : PYRS Fontlab Ltd. / Made with FontLabSize : 15.92 KbpsVersion : 1.000;PS 001.001;hotconv 1.0.56Trademark : Please refer to the Copyright section for the font trademark attribution notices.

Free
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6.1K Sales
Last updated: 09 Nov 2021
Balt
by: Giovana Kumschlies
Update : Wed, 13 Nov 2024 14:52:28 +0800Company : Size : 6.56 KbpsVersion : 1.003;Fontself Maker 3.5.8Trademark :

Free
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6.4K Sales
Last updated: 13 Nov 2024
Halt
by: Peter Wiegel nachLudwig & Maier Stop!
Update : Thu, 26 Nov 2020 16:27:09 +0800Company : Peter WiegelSize : 322.2 KbpsVersion : 1.000Trademark : Copyright (c) 2017 by CAT-Fonts. All rights reserved.

Free
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5.8K Sales
Last updated: 26 Nov 2020
XORegular
by:
Update : Thu, 28 Jan 2021 00:58:34 +0800Company : Size : 32.27 KbpsVersion : Trademark :

Free
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6.8K Sales
Last updated: 28 Jan 2021
Alter
by: Cruzine
Update : Fri, 04 Jun 2021 06:13:16 +0800Company : cruzineSize : 56.73 KbpsVersion : 1.000Trademark : Copyright (c) 2015 by cruzine. All rights reserved.

Free
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6.4K Sales
Last updated: 04 Jun 2021