Arial Cyrillic Narrow Regular Fonts Free Download

Arial Cyrillic Narrow Regular Fonts Free Downloads

243 fonts

Fonts Demo More Fonts

Tags Designers

Cyrillic
by:
Update : Sun, 01 Nov 2015 06:00:11 +0800Company : Size : 16.5 KbpsVersion : 001.000Trademark : c

Free
☆☆☆☆☆
6.2K Sales
Last updated: 01 Nov 2015

Regular
by:
Update : Wed, 11 Nov 2015 14:03:14 +0800Company : AnthonyJamesSize : 24.27 KbpsVersion : 1.000Trademark : Copyright (c) 2013 by AnthonyJames. All rights reserved.

Free
☆☆☆☆☆
3.3K Sales
Last updated: 11 Nov 2015

Arial
by: Monotype Type Drawing Office - Robin Nicholas, Patricia Saunders 1982
Update : Thu, 07 Apr 2016 16:59:14 +0800Company : Monotype TypographySize : 266.82 KbpsVersion : 2.76Trademark : NOTIFICATION OF LICENSE AGREEMENTThis typeface is the property of Monotype Typography and its use by you is covered under the terms of a license agreement. You have obtained this typeface software either directly from Monotype or together with software distributed by one of Monotypes licensees.This software is a valuable asset of Monotype. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to your workstation for your own publishing use. You may not copy or distribute this software.If you have any question concerning your rights you should review the license agreement you received with the software or contact Monotype for a copy of the license agreement.Monotype can be contacted at:USA - (847) 718-0400UK - 01144 01737 765959http://www.monotype.com

Free
☆☆☆☆☆
2.7K Sales
Last updated: 07 Apr 2016
Regular
by: Max Miedinger, Charles Nix, Monotype Studio, Jan Hendrik Weber
Update : Mon, 20 May 2024 13:21:50 +0800Company : Monotype Imaging Inc.Size : 272.23 KbpsVersion : 1.001Trademark : Every single glyph of Helvetica has been redrawn and redesigned for this expansive new edition which preserves the typeface's Swiss mantra of clarity, simplicity and neutrality, while updating it for the demands of contemporary design and branding. Helvetica Now comprises 48 fonts, consisting of three distinct optical sizes: Micro, Text and Display. Each one has been carefully tailored to the demands of its size. The larger Display versions are drawn to show off the subtlety of Helvetica and spaced with headlines in mind, while the Text sizes focus on legibility, using robust strokes and comfortably loose spaces. The Micro sizes address an issue Helvetica has long faced that of being 'micro type challenged'. In the past, the typeface struggled to be legible at tiny sizes because of its compactness and closed apertures. Helvetica Now's Micro designs are simplified and exaggerated to maintain the impression of Helvetica in tiny type, and their spacing is loose, providing remarkable legibility at microscopic sizes and in low-res environments. There's also an extensive set of alternates, which allow designers the opportunity to experiment with and adapt Helvetica's tone of voice. This includes a hooked version of the lowercase l (addressing a common complaint that the capital I and lowercase l are indistinguishable) as well as a rounded G, and a straight-legged R, a single storey a and a lowercase u without a trailing serif. In the past, designers had to nudge, trim and contort the design to create stylish display-type lockups with Helvetica. Helvetica Now Display was designed and spaced with those modifications in mindsaving effort and providing more consistent (and more stylish) results. Helvetica is the gold standard, says Monotype Type Director Charles Nix. To use it is to claim that you are the ultimate expression of whatever your brand aspires to be. Its blankness is its power. Project Originators: Otmar Hoefer, Jrg Schweinsberg, Jrgen Siebert, Erik Spiekermann Designers: Jim Ford, Steve Matteson, Charles Nix, Tom Rickner, Alexander Roth, Juan Villanueva, Jan Hendrik Weber, Terrance Weinzierl Production Team: Thomas Caldwell, Deb Gonet, Mary Hanson, Henning Krause, Karl Leuthold, Olli Meier, Marianna Paszkowska, Inka Strotmann, Roger Waindle, Sue Waksmonski Marketing Team: Amy Aylward, Melissa Centrella, Bill Davis, Ana De Jesus, James Fooks-Bale, Nicole Hastings, Bernhard Hofmacher, Katie Hogan, James Minior, Rebecca Price, Bernhard Prger, Andy Rodger, Alexandra Schwarzwald, Aisra Shervani, Carl Unger, Gretchen Walker

Free
☆☆☆☆☆
7.3K Sales
Last updated: 20 May 2024
Arially
by:
Update : Tue, 19 Nov 2024 03:01:49 +0800Company : Size : 26.96 KbpsVersion : 1.002;Fontself Maker 3.5.4Trademark : Please refer to the Copyright section for the font trademark attribution notices.

Free
☆☆☆☆☆
4.7K Sales
Last updated: 19 Nov 2024
a Regular
by: Mark Simonson
Update : Tue, 21 Apr 2020 00:51:57 +0800Company : Size : 61.47 KbpsVersion : 2.003; ttfautohint (v1.8.1)Trademark : Copyright (c) Mark Simonson, 2005. All rights reserved.

Free
☆☆☆☆☆
3.1K Sales
Last updated: 21 Apr 2020
XORegular
by:
Update : Thu, 28 Jan 2021 00:58:34 +0800Company : Size : 32.27 KbpsVersion : Trademark :

Free
☆☆☆☆☆
8.7K Sales
Last updated: 28 Jan 2021
pnRegular
by:
Update : Fri, 11 Feb 2022 02:40:43 +0800Company : Size : 76.02 KbpsVersion : Trademark :

Free
☆☆☆☆☆
6.7K Sales
Last updated: 11 Feb 2022
. Regular
by: Keith Bates, Banks & Miles
Update : Sat, 07 May 2022 04:20:13 +0800Company : K-TypeSize : 34.78 KbpsVersion : Banks & Miles Double Line (1.0) 2018 www.k-type.comTrademark : Banks & Miles Double Line 2018 www.k-type.com The Banks & Miles fonts are inspired by geometric monoline lettering created for the British Post Office in the early 1970s by London design company, Banks & Miles.

Free
☆☆☆☆☆
7.6K Sales
Last updated: 07 May 2022
L Regular
by:
Update : Tue, 10 Nov 2015 04:51:49 +0800Company : Size : 251.71 KbpsVersion : Altsys Fontographer 3.5 21.05.1997Trademark : Generated by Markus Schrppel

Free
☆☆☆☆☆
5.9K Sales
Last updated: 10 Nov 2015