Great Escape W00 Nr UltLight It Fonts
<link href="//db.onlinewebfonts.com/c/e767ddb0cfb1539172ecfa9ff514993b?family=GreatEscapeW00-NrUltLtIt" rel="stylesheet" type="text/css"/>#2 Using @import CSS directive, put the following line in add to your css file.(http | https)
@import url(//db.onlinewebfonts.com/c/e767ddb0cfb1539172ecfa9ff514993b?family=GreatEscapeW00-NrUltLtIt);#3 Use font-face declaration Fonts.(http | https)
@font-face {font-family: "GreatEscapeW00-NrUltLtIt";
src: url("//db.onlinewebfonts.com/t/e767ddb0cfb1539172ecfa9ff514993b.eot");
src: url("//db.onlinewebfonts.com/t/e767ddb0cfb1539172ecfa9ff514993b.eot?#iefix") format("embedded-opentype"),
url("//db.onlinewebfonts.com/t/e767ddb0cfb1539172ecfa9ff514993b.woff2") format("woff2"),
url("//db.onlinewebfonts.com/t/e767ddb0cfb1539172ecfa9ff514993b.woff") format("woff"),
url("//db.onlinewebfonts.com/t/e767ddb0cfb1539172ecfa9ff514993b.ttf") format("truetype"),
url("//db.onlinewebfonts.com/t/e767ddb0cfb1539172ecfa9ff514993b.svg#GreatEscapeW00-NrUltLtIt") format("svg");
}
Copyright (c) 2010-2011 Typodermic Fonts. This font is not freely distributable. Design: Ray Larabie Kerning & languages: Chikako Larabie
visit Typodermicfonts.com
Great Escape is a trademark of Typodermic Fonts
Klef W01 Ultra
Style : RegularPackagesKlefW01-Ultra
StyleRegular
Version1.00
CompanyTalbot Type
AuthorAdrian Talbot
TrademarkKlef is a trademark of Talbot Type
CopyrightCopyright (c)2014 Talbot Type. All Rights Reserved
DescriptionPart of the Klef Collection by Talbot Type
Monteiro Lobato
Style : RegularPackagesMonteiro Lobato
StyleRegular
Version1.000 2007 initial release
CompanyDaniel Poeira
AuthorDaniel Poeira
TrademarkMonteiro Lobato is not a trademark of anyone.
CopyrightCopyleft Daniel Poeira, 2007. No rights reserved. Free for use.
DescriptionNo, really, it's free. No need to pay, send me a postcard, or even send me an e-mail telling me you will use it on a magazine or an art exposition. Just use it and be happy.
LicenseFree for all mankind. Use it as you will. No need to pay, ask, warn or anything else. Just use it and keep it free. If you like it, pass it on to your friends. You can even sell this font if you want - it is really completely free!!
RBNo2.1a W00 UltraItalic
Style : RegularPackagesRBNo2.1aW00-UltraItalic
StyleRegular
Version1.00
CompanyRene Bieder
AuthorRene Bieder
TrademarkRBNo2.1a UltraItalic is a trademark of Rene Bieder.
CopyrightCopyright (c) 2012 by Rene Bieder. All rights reserved.
DescriptionCopyright (c) 2012 by Rene Bieder. All rights reserved.
Cabin Regular V2
Style : RegularPackagesCabin
StyleRegular
Version1.005
CompanyPablo Impallari. www.impallari.com Igino Marini. www.ikern.com
AuthorPablo Impallari
TrademarkCabin Regular is a trademark of Pablo Impallari. www.impallari.com Igino Marini. www.ikern.com.
CopyrightCopyright (c) 2011 by Pablo Impallari. www.impallari.com Igino Marini. www.ikern.com. All rights reserved.
DescriptionCopyright (c) 2011 by Pablo Impallari. www.impallari.com Copyright (c) 2011 by Igino Marini. www.ikern.com All rights reserved.
LicenseCopyright (c) 2010, Pablo Impallari (www.impallari.comimpallari@gmail.com),with Reserved Font Name Cabin.This Font Software is licensed under the SIL Open Font License, Version 1.1.This license is available with a FAQ at: http://scripts.sil.org/OFL
katakana tfb
Style : RegularPackageskatakana tfb
StyleRegular
Version1.00 December 12, 2012, initial release
Authorkaiserzharkhan
Trademarktruefonts.blogspot.com (kaiserzharkhan). 2012. All Rights Reserved
Copyrighthttp://truefonts.blogspot.com (kaiserzharkhan). 2012. All Rights Reserved free for personal use
DescriptionThis font is only for distribute on Dafont.com & truefonts.blogspot.com, other sites violate the copyright
Licensefree for personal use
Kolossal
Style : RegularPackagesKolossal
StyleRegular
Version1.00 December 21, 2011, initial release
CopyrightCopyright Imagex 2011
DescriptionThis font was created using Scanahand from High-Logic.com
Seconda Round W00 Bold
Style : RegularPackagesSecondaRoundW00-Bold
StyleRegular
Version1.12
CompanyDurotype
AuthorBen Blom
TrademarkSeconda Round is a trademark of Durotype.
CopyrightCopyright 2012 Durotype, www.durotype.com. All rights reserved.
LicenseThis font is the property of Durotype, and its use by you is covered under the terms of a license agreement. This font may not be given away, sold, rented or loaned to others in any way. For full information, see the license agreement you received with this font. www.durotype.com
SF Florencesans Rev Bold Italic
Style : Bold ItalicPackagesSF Florencesans Rev
StyleBold Italic
Version1.1
CompanyShyFoundry
AuthorDerek Vogelpohl
TrademarkSF Florencesans Rev Bold Italic is a trademark of ShyFoundry.
CopyrightCopyright (c) 2008 by ShyFoundry. All rights reserved. Freeware for personal use only. To purchase a commercial license, please visit our site at http://www.shyfoundry.com.
DescriptionFor additional information about the usage of this font, please read the included ShyFoundry Freeware EULA or visit our site at http://www.shyfoundry.com/licensing.
LicenseFor additional information about the usage of this font, please read the included ShyFoundry Freeware EULA or visit our site at http://www.shyfoundry.com/licensing.
ZookyZooky
Style : ZookyZookyPackagesZookyZooky
StyleZookyZooky
CompanyTHOMAS CANALE
AuthorTHOMAS CANALE 2011
CopyrightTHOMAS CANALE, CANALE STUDIO, INC.
DescriptionSetting type has been an occupation and a passion of mine over the last 30 years. After completing some schooling at Cooper School of Art in Downtown Cleveland I accepted a position at Peto's Type House. Back then, the Cleveland Press still set type with 'Hot' lead. I know, I know, this dates me, but the facts are the facts. PhotoType was in it's infancy with the Linotronic 5700 being top-of-the-line technology in Photo type setting. My job at Peto's was more modest, among other things, I was hired to set headline type on what was called a 'Typositor'. It was still photo type setting but for headlines only. Letters had to be set (exposed), one letter at a time. A single headline of lets say15 words or so could take an hour or two to completely finish for paste-up, that's right, I said paste-up. That should really date me!! By doing this day in and day out (for hours on end) I gained a close-up' appreciation for letterforms and spacing. Ernie Peto would also quiz me on identifying type by name. It was an interesting 18 months to say the least. There have been lasting effects on my appreciation of letterforms thanks to this experience. Over the years, there have been spin offs of wood type, Times Roman, Helvetica, etc. Seems to me like we are just going over the same ground over and over and over again. What interests me is not the 'sameness' in the letterforms or their 'invisibility' in the graphics world. Some fonts are used to be 'invisible'. What I mean by this is that they are merely a communication tool to deliver the authors' / writers' message. the artistry in the forms lies in their ability to stay invisible and be easy to read. But their 'uniqueness' and how that difference translates to the printed page. There are many ways of looking at letterforms. We can look at the beauty of the individual letters themselves. Commenting on the curves of a upper case 'A' or a lower case letterform. Or we can look at them as a 'unit' and how that translates within a block of written text. It is this uniqueness that I am looking for in the fonts I design. I do look at each individual letterform and revel in the beauty of the forms and lines. But I also want to create a Font that when written out will display some unusual and unexpected characteristics when in a large block of text. Look for different line weights and forms in my font glyphs. The idea here is to allow the printed page to display uniqueness in contrast.