Great Escape W00 Nr UltLight It Fonts

Great Escape W00 Nr UltLight It Font Info
Total Downloads 63558
Style : Regular
Version : 1.00
Author : Ray Larabie
Size : 51.04 KB
Company : Ray Larabie
Update : January 12, 2018, 2:36 pm
@font-face
Copyright
Explanation
Trademark
License
#1 Add to the head section of web page.
<link href="//db.onlinewebfonts.com/c/e767ddb0cfb1539172ecfa9ff514993b?family=GreatEscapeW00-NrUltLtIt" rel="stylesheet" type="text/css"/>
#2 Using @import CSS directive, put the following line in add to your css file.(http | https)
@import url(//db.onlinewebfonts.com/c/e767ddb0cfb1539172ecfa9ff514993b?family=GreatEscapeW00-NrUltLtIt);
#3 Use font-face declaration Fonts.(http | https)
@font-face {font-family: "GreatEscapeW00-NrUltLtIt";
    src: url("//db.onlinewebfonts.com/t/e767ddb0cfb1539172ecfa9ff514993b.eot");
    src: url("//db.onlinewebfonts.com/t/e767ddb0cfb1539172ecfa9ff514993b.eot?#iefix") format("embedded-opentype"),
    url("//db.onlinewebfonts.com/t/e767ddb0cfb1539172ecfa9ff514993b.woff2") format("woff2"),
    url("//db.onlinewebfonts.com/t/e767ddb0cfb1539172ecfa9ff514993b.woff") format("woff"),
    url("//db.onlinewebfonts.com/t/e767ddb0cfb1539172ecfa9ff514993b.ttf") format("truetype"),
    url("//db.onlinewebfonts.com/t/e767ddb0cfb1539172ecfa9ff514993b.svg#GreatEscapeW00-NrUltLtIt") format("svg");
}

visit Typodermicfonts.com

Great Escape is a trademark of Typodermic Fonts

Download Format
download
demo
GreatEscapeW00-NrUltLtIt Font Screenshots
GreatEscapeW00-NrUltLtIt Font Screenshots
GreatEscapeW00-NrUltLtIt Font Comments
The latest addition icons More...
The latest addition fonts More...
  • Klef W01 Ultra Klef W01 Ultra
    Style : Regular
    Packages

    KlefW01-Ultra

    Style

    Regular

    Version

    1.00

    Company

    Talbot Type

    Author

    Adrian Talbot

    Trademark

    Klef is a trademark of Talbot Type

    Copyright

    Copyright (c)2014 Talbot Type. All Rights Reserved

    Description

    Part of the Klef Collection by Talbot Type

  • Monteiro Lobato Monteiro Lobato
    Style : Regular
    Packages

    Monteiro Lobato

    Style

    Regular

    Version

    1.000 2007 initial release

    Company

    Daniel Poeira

    Author

    Daniel Poeira

    Trademark

    Monteiro Lobato is not a trademark of anyone.

    Copyright

    Copyleft Daniel Poeira, 2007. No rights reserved. Free for use.

    Description

    No, really, it's free. No need to pay, send me a postcard, or even send me an e-mail telling me you will use it on a magazine or an art exposition. Just use it and be happy.

    License

    Free for all mankind. Use it as you will. No need to pay, ask, warn or anything else. Just use it and keep it free. If you like it, pass it on to your friends. You can even sell this font if you want - it is really completely free!!

  • RBNo2.1a W00 UltraItalic RBNo2.1a W00 UltraItalic
    Style : Regular
    Packages

    RBNo2.1aW00-UltraItalic

    Style

    Regular

    Version

    1.00

    Company

    Rene Bieder

    Author

    Rene Bieder

    Trademark

    RBNo2.1a UltraItalic is a trademark of Rene Bieder.

    Copyright

    Copyright (c) 2012 by Rene Bieder. All rights reserved.

    Description

    Copyright (c) 2012 by Rene Bieder. All rights reserved.

  • Cabin Regular V2 Cabin Regular V2
    Style : Regular
    Packages

    Cabin

    Style

    Regular

    Version

    1.005

    Company

    Pablo Impallari. www.impallari.com Igino Marini. www.ikern.com

    Author

    Pablo Impallari

    Trademark

    Cabin Regular is a trademark of Pablo Impallari. www.impallari.com Igino Marini. www.ikern.com.

    Copyright

    Copyright (c) 2011 by Pablo Impallari. www.impallari.com Igino Marini. www.ikern.com. All rights reserved.

    Description

    Copyright (c) 2011 by Pablo Impallari. www.impallari.com Copyright (c) 2011 by Igino Marini. www.ikern.com All rights reserved.

    License

    Copyright (c) 2010, Pablo Impallari (www.impallari.comimpallari@gmail.com),with Reserved Font Name Cabin.This Font Software is licensed under the SIL Open Font License, Version 1.1.This license is available with a FAQ at: http://scripts.sil.org/OFL

  • katakana tfb katakana tfb
    Style : Regular
    Packages

    katakana tfb

    Style

    Regular

    Version

    1.00 December 12, 2012, initial release

    Author

    kaiserzharkhan

    Trademark

    truefonts.blogspot.com (kaiserzharkhan). 2012. All Rights Reserved

    Copyright

    http://truefonts.blogspot.com (kaiserzharkhan). 2012. All Rights Reserved free for personal use

    Description

    This font is only for distribute on Dafont.com & truefonts.blogspot.com, other sites violate the copyright

    License

    free for personal use

  • Kolossal Kolossal
    Style : Regular
    Packages

    Kolossal

    Style

    Regular

    Version

    1.00 December 21, 2011, initial release

    Copyright

    Copyright Imagex 2011

    Description

    This font was created using Scanahand from High-Logic.com

  • Seconda Round W00 Bold Seconda Round W00 Bold
    Style : Regular
    Packages

    SecondaRoundW00-Bold

    Style

    Regular

    Version

    1.12

    Company

    Durotype

    Author

    Ben Blom

    Trademark

    Seconda Round is a trademark of Durotype.

    Copyright

    Copyright 2012 Durotype, www.durotype.com. All rights reserved.

    License

    This font is the property of Durotype, and its use by you is covered under the terms of a license agreement. This font may not be given away, sold, rented or loaned to others in any way. For full information, see the license agreement you received with this font. www.durotype.com

  • SF Florencesans Rev Bold Italic SF Florencesans Rev Bold Italic
    Style : Bold Italic
    Packages

    SF Florencesans Rev

    Style

    Bold Italic

    Version

    1.1

    Company

    ShyFoundry

    Author

    Derek Vogelpohl

    Trademark

    SF Florencesans Rev Bold Italic is a trademark of ShyFoundry.

    Copyright

    Copyright (c) 2008 by ShyFoundry. All rights reserved. Freeware for personal use only. To purchase a commercial license, please visit our site at http://www.shyfoundry.com.

    Description

    For additional information about the usage of this font, please read the included ShyFoundry Freeware EULA or visit our site at http://www.shyfoundry.com/licensing.

    License

    For additional information about the usage of this font, please read the included ShyFoundry Freeware EULA or visit our site at http://www.shyfoundry.com/licensing.

  • ZookyZooky ZookyZooky
    Style : ZookyZooky
    Packages

    ZookyZooky

    Style

    ZookyZooky

    Company

    THOMAS CANALE

    Author

    THOMAS CANALE 2011

    Copyright

    THOMAS CANALE, CANALE STUDIO, INC.

    Description

    Setting type has been an occupation and a passion of mine over the last 30 years. After completing some schooling at Cooper School of Art in Downtown Cleveland I accepted a position at Peto's Type House. Back then, the Cleveland Press still set type with 'Hot' lead. I know, I know, this dates me, but the facts are the facts. PhotoType was in it's infancy with the Linotronic 5700 being top-of-the-line technology in Photo type setting. My job at Peto's was more modest, among other things, I was hired to set headline type on what was called a 'Typositor'. It was still photo type setting but for headlines only. Letters had to be set (exposed), one letter at a time. A single headline of lets say15 words or so could take an hour or two to completely finish for paste-up, that's right, I said paste-up. That should really date me!! By doing this day in and day out (for hours on end) I gained a close-up' appreciation for letterforms and spacing. Ernie Peto would also quiz me on identifying type by name. It was an interesting 18 months to say the least. There have been lasting effects on my appreciation of letterforms thanks to this experience. Over the years, there have been spin offs of wood type, Times Roman, Helvetica, etc. Seems to me like we are just going over the same ground over and over and over again. What interests me is not the 'sameness' in the letterforms or their 'invisibility' in the graphics world. Some fonts are used to be 'invisible'. What I mean by this is that they are merely a communication tool to deliver the authors' / writers' message. the artistry in the forms lies in their ability to stay invisible and be easy to read. But their 'uniqueness' and how that difference translates to the printed page. There are many ways of looking at letterforms. We can look at the beauty of the individual letters themselves. Commenting on the curves of a upper case 'A' or a lower case letterform. Or we can look at them as a 'unit' and how that translates within a block of written text. It is this uniqueness that I am looking for in the fonts I design. I do look at each individual letterform and revel in the beauty of the forms and lines. But I also want to create a Font that when written out will display some unusual and unexpected characteristics when in a large block of text. Look for different line weights and forms in my font glyphs. The idea here is to allow the printed page to display uniqueness in contrast.