FHA Broken Gothic No2 NC Fonts

FHA Broken Gothic No2 NC Font Info
Total Downloads 69078
Style : Regular
Version : 1.000
TAG's : Broken--Gothic
Size : 78.86 KB
Company : James Stirling
Update : December 1, 2016, 1:33 pm
@font-face
Copyright
Explanation
Trademark
License
#1 Add to the head section of web page.
<link href="//db.onlinewebfonts.com/c/b5b269537b21cbc363d3e5f9559a1ab8?family=FHA+Broken+Gothic+No2+NC" rel="stylesheet" type="text/css"/>
#2 Using @import CSS directive, put the following line in add to your css file.(http | https)
@import url(//db.onlinewebfonts.com/c/b5b269537b21cbc363d3e5f9559a1ab8?family=FHA+Broken+Gothic+No2+NC);
#3 Use font-face declaration Fonts.(http | https)
@font-face {font-family: "FHA Broken Gothic No2 NC";
    src: url("//db.onlinewebfonts.com/t/b5b269537b21cbc363d3e5f9559a1ab8.eot");
    src: url("//db.onlinewebfonts.com/t/b5b269537b21cbc363d3e5f9559a1ab8.eot?#iefix") format("embedded-opentype"),
    url("//db.onlinewebfonts.com/t/b5b269537b21cbc363d3e5f9559a1ab8.woff2") format("woff2"),
    url("//db.onlinewebfonts.com/t/b5b269537b21cbc363d3e5f9559a1ab8.woff") format("woff"),
    url("//db.onlinewebfonts.com/t/b5b269537b21cbc363d3e5f9559a1ab8.ttf") format("truetype"),
    url("//db.onlinewebfonts.com/t/b5b269537b21cbc363d3e5f9559a1ab8.svg#FHA Broken Gothic No2 NC") format("svg");
}

Copyright (c) 2013 James Stirling and Fontry West. All rights reserved.

FHA Broken Gothic is a trademark of James Stirling and Fontry West.

Download Format
download
demo
FHA Broken Gothic No2 NC Font Screenshots
FHA Broken Gothic No2 NC Font Screenshots
FHA Broken Gothic No2 NC Font Comments
The latest addition icons More...
The latest addition fonts More...
  • Lesser Concern Lesser Concern
    Style : Regular
    Packages

    Lesser Concern

    Style

    Regular

    Version

    2.000 2004

    Company

    Ray Larabie

    Author

    Ray Larabie

    Copyright

    1998 Ray Larabie. This font is freeware. Read attached text file for details. Info & updates visit www.larabiefonts.com. Donations gratefully accepted at www.larabiefonts.com/donation.html. Also visit my commercial type foundry at www.typodermic.com. This font was updated in 2004.

    Description

    Originally created in 1998. Accents added in 2004. Larabie Fonts is able to offer unique free fonts through the generous support of visitors to the site. Making fonts is my full-time job and every donation, in any amount, enables me to continue running the site and creating new fonts. If you would like to support Larabie Fonts visit www.larabiefonts.com for details.

  • Optima nova W01 It SC Optima nova W01 It SC
    Style : Regular
    Packages

    OptimanovaW01-ItSC

    Style

    Regular

    Version

    1.00

    Company

    Linotype GmbH

    Author

    Hermann Zapf and Akira Kobayashi

    Trademark

    Optima is a trademark of Heidelberger Druckmaschinen AG, exclusively licensed through Linotype GmbH, and may be registered in certain jurisdictions.

    Copyright

    Copyright 2003 - 2006 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Optima is a trademark of Heidelberger Druckmaschinen AG, exclusively licensed through Linotype GmbH, and may be registered in certain jurisdictions. This typeface is original artwork of Hermann Zapf and Akira Kobayashi. The design may be protected in certain jurisdictions.

    Description

    Optima was designed by Hermann Zapf and is his most successful typeface. Hermann Zapf began the first sketches for the type while visiting the church of Santa Croce Florence. He was inspired by letters from grave plates that had been carved around the year 1530. Since he had no other paper with him at the time, the sketches were done on two 1000 lire bank notes! These drawings, taken from the floor of a church, later developed into Optima, a typeface that is classically roman in proportion and character, but without serifs. The letterforms were designed according to the proportions of the Golden Ratio. In 1952, after careful legibility testing, the first draft drawings were completed The type was cut by the famous punchcutter August Rosenberger at the D. Stempel AG typefoundry in Frankfurt. Optima was then produced as matrices for the Linotype typesetting machines, and released in 1958. With the clear, simple elegance of its sans serif forms and the warmly human touches of its tapering stems, this family has proved popular around the world. In 2002, when it was finally possible to produce digital alphabets without technical limitations and compromises, and more than 50 years after the first sketches, an expansion and redesign of the Optima family was completed and released as Optima nova. Hermann Zapf and Japanese type designer Akira Kobayashi collaborated on the project, which included a re-working of the existing weights, and the addition of several new weights, making a total of 40 fonts. Small caps and oldstyle figures, light, heavy, and condensed weight fonts have been added. The original Optima was never manufactured with a true italic, only an oblique version of the roman; Optima nova has changed this. Optima nova has a complete range of beautifully designed real italics; the new italic forms of the e, f and g are especially notable. The titling face includes capital letters with special and unusual letter combinations and ligatures, making it an excellent choice for headlines, logos and advertising purposes. Optima continues to be an all-purpose typeface; and Optima nova works for just about anything from book text to signage. Optima nova is part of the Linotype Platinum Collection.

    License

    NOTIFICATION OF LICENSE AGREEMENTYou have obtained this font software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This font software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this font software is limited to your workstation for your own use. You may not copy or distribute this font software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informations concernant le contrat d'utilisation du logiciel de polices, veuillez consulter notre site web www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418

  • vtks Rude Metal vtks Rude Metal
    Style : Regular
    Packages

    vtks Rude Metal

    Style

    Regular

    Version

    1.00 July 4, 2009, initial release

    Copyright

    Typeface (your company). 2009. All Rights Reserved

    Description

    This font was created using Font Creator 5.0 from High-Logic.com

  • Plantin W10 Inclined Plantin W10 Inclined
    Style : Regular
    Packages

    PlantinW10-Inclined

    Style

    Regular

    Version

    1.1

    Company

    C) Monotype Corporation plc

    Copyright

    Copyright (C) 1991 Monotype Corporation plc. All Rights Reserved. Plantin is a trademark of the Monotype Corporation plc. This product is licensed, not sold, and may only be used in accordance with the terms specified in the License Agreement.

    Description

    (C) Copyright 1991 The Monotype Corporation plc. All Rights Reserved.

  • Zeroes Three Zeroes Three
    Style : Regular
    Packages

    Zeroes Three

    Style

    Regular

    Version

    2.100 2005

    Company

    Ray Larabie

    Author

    Ray Larabie

    Copyright

    1999 Ray Larabie. This font is freeware. Read attached text file for details. Info & updates visit www.larabiefonts.com. Donations gratefully accepted at www.larabiefonts.com/donation.html. Also visit my commercial type foundry at www.typodermic.com. This font was updated in 2004.

    Description

    Larabie Fonts is able to offer unique free fonts through the generous support of visitors to the site. Making fonts is my full-time job and every donation, in any amount, enables me to continue running the site and creating new fonts. If you would like to support Larabie Fonts visit www.larabiefonts.com for details.

  • Angle W01 Bold Angle W01 Bold
    Style : Regular
    Packages

    AngleW01-Bold

    Style

    Regular

    Version

    1.02

    Company

    Monotype Imaging Inc.

    Trademark

    Angle is a trademark of Monotype Imaging Inc. and may be registered in certain jurisdictions.

    Copyright

    Copyright 2000 Monotype Imaging Inc. All rights reserved.

    License

    NOTIFICATION OF LICENSE AGREEMENTThis typeface is the property of Monotype Imaging Inc. and its use by you is covered under the terms of a license agreement. You have obtained this typeface software either directly from Monotype Imaging or together with software distributed by one of the licencees of Monotype Imaging.This software is a valuable asset of Monotype Imaging. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to use on up to five (5) workstation for your own publishing use. You may not copy or distribute this software.If you have any questions concerning your rights you should review the license agreement you received with the software or contact Monotype Imaging for a copy of the license agreement.General information:www.fonts.comFor license terms and usage rights, please visit our web site at:www.monotypeimaging.com/html/type/license.htmlLizenzbedingungen und Nutzungsrechte finden Sie auf unserer Webseite:www.monotypeimaging.com/html/type/license.htmlPour plus d'informations concernant les droits d'utilisation et les questions contractuelles, veuillez consultez notre site:www.monotypeimaging.com/html/type/license.htmlPara obtener informacin acerca de los trminos de licencia y los derechos de uso, visite nuestro sitio en el Web en:www.monotypeimaging.com/html/type/license.htmlPer le condizioni contrattuali ed i diritti d'uso, visitate il nostro sito web all'indirizzo:www.monotypeimaging.com/html/type/license.html

  • Fette Bauersche Antiqua UNZ Pro Fette Bauersche Antiqua UNZ Pro
    Style : Regular
    Packages

    Fette Bauersche Antiqua UNZ Pro

    Style

    Regular

    Version

    1.000 2013 initial release

    Company

    Peter Wiegel

    Author

    Peter Wiegel, original typeface by Bauersche Giesserei 1870

    Trademark

    Fette Bauersche AntiquarUNZ1 Pro is a trademark of Peter Wiegel.

    Copyright

    Copyright (c) 2013 by Peter Wiegel. Open Font under Terms of following Free Software Licenses:GPL (General Public License) with font-exception and OFL (Open Font License

    Description

    Copyright (c) 2013 by Peter Wiegel. Open Font under Terms of following Free Software Licenses:GPL (General Public License) with font-exception and OFL (Open Font License

    License

    GPL- General Public License AND OFL-Open Font License

  • Merlot Merlot
    Style : Regular
    Packages

    Merlot

    Style

    Regular

    Version

    1.00 June 23, 2012, initial release

    Trademark

    Proh?banse los derechos de uso, publicaci?n y distribuici?n sin autorizaci?n expresa y escrita del autor (David Espinosa)

    Copyright

    Copyright Mr. Hot Rod David Espinosa. 2012. All Rights Reserved

    Description

    This font was created using FontCreator 6.0 from High-Logic.com

  • Wobbles V1 Wobbles V1
    Style : Regular
    Packages

    Wobbles

    Style

    Regular

    Version

    March 2001: jester.fonts@virgin.net

    Author

    Jessica Slater

    Copyright

    2001, Jessica Slater. All rights reserved. For more information email jessica@apostrophiclab.com or visit www.apostrophiclab.com

    Description

    Well, there I was just essing about when up comes me mate Jools and sez, Hey, I'm in a bit of a Euro. I need someone ter give us a section.No way! sez I. Last time you OEed me. I still got the bruises.Hey, don't get yourself in such an ampersand, you stupid pee.Who're you enning yer big fat why?Well I couldn't take that aitching down and soon we wuz at ems'n'eths. Then we both thort, hey, we've bin ays fer years always bracelefted each other around.So in the end we ecksed and made up and mued out for an oh slash. Soon we wuz veeing about the 'ole thing.