LHF Tideway Classic Script Fonts

LHF Tideway Classic Script Font Info
Total Downloads 80373
Style : Regular
Version : V2. 1/17/2004
Author :
Size : 81.05 KB
Company :
Update : December 2, 2016, 4:46 pm
@font-face
Copyright
Explanation
Trademark
License
#1 Add to the head section of web page.
<link href="//db.onlinewebfonts.com/c/889a68f0fa360f4ce21f57f5bb4160d3?family=LHF+Tideway+Classic+Script" rel="stylesheet" type="text/css"/>
#2 Using @import CSS directive, put the following line in add to your css file.(http | https)
@import url(//db.onlinewebfonts.com/c/889a68f0fa360f4ce21f57f5bb4160d3?family=LHF+Tideway+Classic+Script);
#3 Use font-face declaration Fonts.(http | https)
@font-face {font-family: "LHF Tideway Classic Script";
    src: url("//db.onlinewebfonts.com/t/889a68f0fa360f4ce21f57f5bb4160d3.eot");
    src: url("//db.onlinewebfonts.com/t/889a68f0fa360f4ce21f57f5bb4160d3.eot?#iefix") format("embedded-opentype"),
    url("//db.onlinewebfonts.com/t/889a68f0fa360f4ce21f57f5bb4160d3.woff2") format("woff2"),
    url("//db.onlinewebfonts.com/t/889a68f0fa360f4ce21f57f5bb4160d3.woff") format("woff"),
    url("//db.onlinewebfonts.com/t/889a68f0fa360f4ce21f57f5bb4160d3.ttf") format("truetype"),
    url("//db.onlinewebfonts.com/t/889a68f0fa360f4ce21f57f5bb4160d3.svg#LHF Tideway Classic Script") format("svg");
}

2005 Arthur Vanson for Letterhead Fonts

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LHF Tideway Classic Script Font Screenshots
LHF Tideway Classic Script Font Screenshots
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    Version

    1.00

    Company

    Ryoichi Tsunekawa

    Author

    Ryoichi Tsunekawa

    Trademark

    Dharma Gothic C Heavy Italic is a trademark of Ryoichi Tsunekawa.

    Copyright

    Copyright (c) 2011 by Ryoichi Tsunekawa. All rights reserved.

    Description

    Copyright (c) 2011 by Ryoichi Tsunekawa. All rights reserved.

  • Secret Service Typewriter Secret Service Typewriter
    Style : Regular
    Packages

    Secret Service Typewriter

    Style

    Regular

    Version

    1.00

    Company

    International TypeFounders Inc.

    Trademark

    Secret Service Typewriter is a trademark of ITF Inc.

    Copyright

    Copyright (c) 1998 ITF Inc. All rights reserved.

    Description

    Secret Service: This typeface is based on an early typewriter style circa 1910 from the defunct Keystone Type Foundry in Philadelphia. The foundry was absorbed by ATF circa 1920 and this design did not survive the acquisition. International TypeFounders was careful to ensure that this design has a 'muddy' typewriter feel when recreating this typeface. International TypeFounders, Inc. 1998

    License

    This font file came with Microsoft software and is governed by the license agreement for that software. This font may not be given away, sold, rented or loaned to others in any way, but you are allowed to make a backup copy of this font file.Additional licenses may be purchased from International TypeFounders, Inc. email: itfinc@libertynet.orgfor details call or write toInternational TypeFounders, Inc.,1915 Whitehall Road, Norristown, PA 19403, USATel: 610 584 7233 Fax: 610 584 8859Modification: You are not allowed to edit or modify this font, even for your own use. Please contact International TypeFounders, Inc, if you require a customized version of this font.You may pass the font to a service-bureau if you receive proof that they have a valid user license for this font.

  • Hadley V2 Hadley V2
    Style : Regular
    Packages

    Hadley

    Style

    Regular

    Version

    1.3; 2002

    Copyright

    Fleisch & Apostrophic Labs. All rights reserved. Based on 1916 lettering by Ned Hadley. apostrophe@home.com

    Description

    Fleisch & Apostrophic Labs. All rights reserved. Based on 1916 lettering by Ned Hadley. apostrophe@home.com

  • Drummon Italic Drummon Italic
    Style : Italic
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    Drummon

    Style

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    Version

    2.0

    Author

    Graham Meade

    Copyright

    Graham Meade & Apostrophic Labs. All rights reserved. apostrophe@home.com

    Description

    Graham Meade & Apostrophic Labs. All rights reserved. apostrophe@home.com

  • Roboto Slab Thin Roboto Slab Thin
    Style : Thin
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    Roboto Slab

    Style

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    Version

    1.100262; 2013

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    Trademark

    Roboto Slab is a trademark of Google.

    Copyright

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  • Western Swagger DEMO Western Swagger DEMO
    Style : Regular
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    Western Swagger

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    Regular

    Company

    Kevin Christopher

    Author

    Kevin Christopher

    Trademark

    Western Swagger is a trademark of Kevin Christopher.

    Copyright

    Copyright (c) 2011 by Kevin Christopher. All rights reserved.

    Description

    Copyright (c) 2011 by . All rights reserved.

    License

    Copyright KC Fonts all rights reserved. For personal use only, for commercial use contact kcfonts@gmail.com

  • Neugotische Initialen Neugotische Initialen
    Style : Regular
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    Neugotische Initialen

    Style

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    Version

    1.0; 2002; initial release

    Author

    Dieter Steffmann

    Copyright

    Copyright (c) Typographer Mediengestaltung, 2002. All rights reserved. Um 1880 entstandene, der Gotik nachempfundene Initialen. Digitalisiert durch Dieter Steffmann, Kreuztal.

    License

    have fun and enjoy

  • Nearly Dignified Nearly Dignified
    Style : Regular
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    Style

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    Version

    1.000 2014 initial release

    Company

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    Author

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    Trademark

    nearly dignified is a trademark of BessAsher Rebel.

    Copyright

    Copyright (c) 2014 by BessAsher Rebel. All rights reserved.

    Description

    Copyright (c) 2014 by BessAsher Rebel. All rights reserved.

  • NoSense NoSense
    Style : NoSense
    Packages

    NoSense

    Style

    NoSense

    Company

    THOMAS CANALE

    Author

    THOMAS CANALE

    Copyright

    THOMAS CANALE, CANALE STUDIO, INC.

    Description

    Setting type has been an occupation and a passion of mine over the last 30 years. After completing some schooling at Cooper School of Art in Downtown Cleveland I accepted a position at Peto's Type House. Back then, the Cleveland Press still set type with 'Hot' lead. I know, I know, this dates me, but the facts are the facts. PhotoType was in it's infancy with the Linotronic 5700 being top-of-the-line technology in Photo type setting. My job at Peto's was more modest, among other things, I was hired to set headline type on what was called a 'Typositor'. It was still photo type setting but for headlines only. Letters had to be set (exposed), one letter at a time. A single headline of lets say15 words or so could take an hour or two to completely finish for paste-up, that's right, I said paste-up. That should really date me!! By doing this day in and day out (for hours on end) I gained a close-up' appreciation for letterforms and spacing. Ernie Peto would also quiz me on identifying type by name. It was an interesting 18 months to say the least. There have been lasting effects on my appreciation of letterforms thanks to this experience. Over the years, there have been spin offs of wood type, Times Roman, Helvetica, etc. Seems to me like we are just going over the same ground over and over and over again. What interests me is not the 'sameness' in the letterforms or their 'invisibility' in the graphics world. Some fonts are used to be 'invisible'. What I mean by this is that they are merely a communication tool to deliver the authors' / writers' message. the artistry in the forms lies in their ability to stay invisible and be easy to read. But their 'uniqueness' and how that difference translates to the printed page. There are many ways of looking at letterforms. We can look at the beauty of the individual letters themselves. Commenting on the curves of a upper case 'A' or a lower case letterform. Or we can look at them as a 'unit' and how that translates within a block of written text. It is this uniqueness that I am looking for in the fonts I design. I do look at each individual letterform and revel in the beauty of the forms and lines. But I also want to create a Font that when written out will display some unusual and unexpected characteristics when in a large block of text. Look for different line weights and forms in my font glyphs. The idea here is to allow the printed page to display uniqueness in contrast.