Adria Grotesk W00 Bold Fonts
<link href="//db.onlinewebfonts.com/c/81028dedd0c64425984e02e6cb8a655e?family=AdriaGroteskW00-Bold" rel="stylesheet" type="text/css"/>#2 Using @import CSS directive, put the following line in add to your css file.(http | https)
@import url(//db.onlinewebfonts.com/c/81028dedd0c64425984e02e6cb8a655e?family=AdriaGroteskW00-Bold);#3 Use font-face declaration Fonts.(http | https)
@font-face {font-family: "AdriaGroteskW00-Bold";
src: url("//db.onlinewebfonts.com/t/81028dedd0c64425984e02e6cb8a655e.eot");
src: url("//db.onlinewebfonts.com/t/81028dedd0c64425984e02e6cb8a655e.eot?#iefix") format("embedded-opentype"),
url("//db.onlinewebfonts.com/t/81028dedd0c64425984e02e6cb8a655e.woff2") format("woff2"),
url("//db.onlinewebfonts.com/t/81028dedd0c64425984e02e6cb8a655e.woff") format("woff"),
url("//db.onlinewebfonts.com/t/81028dedd0c64425984e02e6cb8a655e.ttf") format("truetype"),
url("//db.onlinewebfonts.com/t/81028dedd0c64425984e02e6cb8a655e.svg#AdriaGroteskW00-Bold") format("svg");
}
Copyright 2013 by Marcus Sterz. All rights reserved.
Copyright 2013 by Marcus Sterz. All rights reserved.
CaipirinhaCaipirinha
Style : CaipirinhaPackagesCaipirinha
StyleCaipirinha
Version1.00
CompanyMarcio R. M. Martinson & Roberto Machado Jr.
TrademarkCaipirinha is a trademark of Marcio R. M. Martinson & Roberto Machado Jr..
CopyrightCopyright (c) Marcio R. M. Martinson & Roberto Machado Jr., 2008. All rights reserved.
DescriptionA ligeira raposa marrom ataca o co preguioso.
Liberation Mono Bold V2
Style : BoldPackagesLiberation Mono
StyleBold
Version1.02
CompanyAscender Corporation
AuthorSteve Matteson
TrademarkLiberation is a trademark of Red Hat, Inc. registered in U.S. Patent and Trademark Office and certain other jurisdictions.
CopyrightDigitized data 2007 Ascender Corporation. All rights reserved.
LicenseUse of this Liberation font software is subject to the license agreement under which you accepted the Liberation font software.
Vtks Have a Nice Day V2
Style : RegularPackagesVtks Have a Nice Day
StyleRegular
Version1.00 September 27, 2012, initial release
Companydouglas vitkauskas
Authordouglas vitkauskas
TrademarkVtks Have a Nice Day is a trademark of douglas vitkauskas.
CopyrightCopyright (c) 2012 by douglas vitkauskas. All rights reserved.
DescriptionCopyright (c) 2012 by douglas vitkauskas. All rights reserved.
LicenseVtks fonts are free for personal use!
President Gas Gaunt
Style : RegularPackagesPresident Gas Gaunt
StyleRegular
Version1.0; 2000; initial release
TrademarkPresident Gas Gaunt is a trademark of the Ray Larabie.
CopyrightCopyright (c) Ray Larabie, 2000. All rights reserved. Do not distribute. This font is part of the Larabie Fonts Ink Deluxe font package.
DescriptionDo not distribute. This font is part of the Larabie Fonts Ink Deluxe font package.
The Great Escape V2
Style : RegularPackagesThe Great Escape
StyleRegular
Version1.000 2011 initial release
CompanyKimberly Geswein
AuthorKimberly Geswein
CopyrightCopyright (c) 2011 by Kimberly Geswein. All rights reserved.
DescriptionCopyright (c) 2011 by Kimberly Geswein. All rights reserved.
LicenseFree for personal use. For commercial use, please make a one-time US5 payment to gesweinfamily@gmail.com via Paypal.com. Thanks! For more info (or a discounted multi-font license) see http://kimberlygeswein.com
Papan Kita
Style : RegularPackagesPapan Kita
StyleRegular
Version1.00 January 10, 2012, initial release
CopyrightTypeface (your company). 2012. All Rights Reserved
DescriptionThis font was created using FontCreator 6.0 from High-Logic.com
ZookyZooky
Style : ZookyZookyPackagesZookyZooky
StyleZookyZooky
CompanyTHOMAS CANALE
AuthorTHOMAS CANALE 2011
CopyrightTHOMAS CANALE, CANALE STUDIO, INC.
DescriptionSetting type has been an occupation and a passion of mine over the last 30 years. After completing some schooling at Cooper School of Art in Downtown Cleveland I accepted a position at Peto's Type House. Back then, the Cleveland Press still set type with 'Hot' lead. I know, I know, this dates me, but the facts are the facts. PhotoType was in it's infancy with the Linotronic 5700 being top-of-the-line technology in Photo type setting. My job at Peto's was more modest, among other things, I was hired to set headline type on what was called a 'Typositor'. It was still photo type setting but for headlines only. Letters had to be set (exposed), one letter at a time. A single headline of lets say15 words or so could take an hour or two to completely finish for paste-up, that's right, I said paste-up. That should really date me!! By doing this day in and day out (for hours on end) I gained a close-up' appreciation for letterforms and spacing. Ernie Peto would also quiz me on identifying type by name. It was an interesting 18 months to say the least. There have been lasting effects on my appreciation of letterforms thanks to this experience. Over the years, there have been spin offs of wood type, Times Roman, Helvetica, etc. Seems to me like we are just going over the same ground over and over and over again. What interests me is not the 'sameness' in the letterforms or their 'invisibility' in the graphics world. Some fonts are used to be 'invisible'. What I mean by this is that they are merely a communication tool to deliver the authors' / writers' message. the artistry in the forms lies in their ability to stay invisible and be easy to read. But their 'uniqueness' and how that difference translates to the printed page. There are many ways of looking at letterforms. We can look at the beauty of the individual letters themselves. Commenting on the curves of a upper case 'A' or a lower case letterform. Or we can look at them as a 'unit' and how that translates within a block of written text. It is this uniqueness that I am looking for in the fonts I design. I do look at each individual letterform and revel in the beauty of the forms and lines. But I also want to create a Font that when written out will display some unusual and unexpected characteristics when in a large block of text. Look for different line weights and forms in my font glyphs. The idea here is to allow the printed page to display uniqueness in contrast.