AlHarfAlJadid Linotype One V2 Fonts

AlHarfAlJadid Linotype One V2 Font Info
Total Downloads 59267
Style : Regular
Version : 1.10
Size : 88.64 KB
Company : Linotype GmbH
Update : May 12, 2018, 3:36 am
@font-face
Copyright
Explanation
Trademark
License
#1 Add to the head section of web page.
<link href="//db.onlinewebfonts.com/c/79b8fa4deaf78db295237339b3e7ea2b?family=AlHarfAlJadid-One" rel="stylesheet" type="text/css"/>
#2 Using @import CSS directive, put the following line in add to your css file.(http | https)
@import url(//db.onlinewebfonts.com/c/79b8fa4deaf78db295237339b3e7ea2b?family=AlHarfAlJadid-One);
#3 Use font-face declaration Fonts.(http | https)
@font-face {font-family: "AlHarfAlJadid-One";
    src: url("//db.onlinewebfonts.com/t/79b8fa4deaf78db295237339b3e7ea2b.eot");
    src: url("//db.onlinewebfonts.com/t/79b8fa4deaf78db295237339b3e7ea2b.eot?#iefix") format("embedded-opentype"),
    url("//db.onlinewebfonts.com/t/79b8fa4deaf78db295237339b3e7ea2b.woff2") format("woff2"),
    url("//db.onlinewebfonts.com/t/79b8fa4deaf78db295237339b3e7ea2b.woff") format("woff"),
    url("//db.onlinewebfonts.com/t/79b8fa4deaf78db295237339b3e7ea2b.ttf") format("truetype"),
    url("//db.onlinewebfonts.com/t/79b8fa4deaf78db295237339b3e7ea2b.svg#AlHarfAlJadid-One") format("svg");
}

Al Harf Al Jadid is a traditional-style Arabic display typeface. Al Harf Al Jadid Two is an outline version of Al Harf Al Jadid One. Although their design is ultra bold, its forms remain a readable Naskh, in response to the needs of secular lettering for emphatic headlines and signs. Al Harf Al Jadid One and Two are characterized by a distinctive, strong baseline-stroke, reminiscent of a similar hand-rendered technique traditionally used in Arabic calligraphy to achieve a bold appearance. Initially developed as digital fonts by Linotype-Hell Ltd. in the mid-1980s, Al Harf Al Jadid One and Two have remained amongst the most popular heading faces used in Arabic magazine and newspaper publication. In 2005 these typefaces became available in the OpenType format. The two fonts incorporate the Arabic codepage (CP 1256), and support Arabic and Persian. They include tabular Arabic and Persian numerals.

Al Harf Al Jadid is a trademark of Heidelberger Druckmaschinen AG, exclusively licensed through Linotype GmbH, and may be registered in certain jurisdictions.

NOTIFICATION OF LICENSE AGREEMENTYou have obtained this typeface software either directly from Linotype GmbH or together with software distributed by one of Linotypes licensees.This software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to your workstation for your own use. You may not copy or distribute this software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus dinformacin concernant la contrat dutilisation du logiciel de polices, veuillez consultez notre site www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418

Download Format
download
demo
AlHarfAlJadid-One Font Screenshots
AlHarfAlJadid-One Font Screenshots
AlHarfAlJadid-One Font Comments
The latest addition icons More...
The latest addition fonts More...
  • Beton W01 Bold Cd Beton W01 Bold Cd
    Style : Regular
    Packages

    BetonW01-BoldCd

    Style

    Regular

    Version

    1.00

    Company

    Linotype GmbH

    Author

    Heinrich Jost

    Trademark

    Beton is a trademark of Bauer Types, S.A.

    Copyright

    Copyright 2006 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH.

    Description

    The Bauer Typefoundry first released the Beton family of types in 1936. Created by the German type designer Heinrich Jost, the present digital version of the Beton family consists of six slab serif typefaces. First developed during the early 1800s, by the 1930s slab serif faces had become one of many stock styles of type developed by foundries all over the world. Because of their distance from pen-drawn forms and their industrial appearance, they were seen as modern typefaces (their serifs kept them from being too modern). Faces like Beton were interesting contemporary competitors with more thoroughly modern experiments like Basic Commercial and Futura. The first slab serif typefaces, like Adrian Frutiger's revival Egyptienne F were outgrowths of didone style text faces (e.g., Walbaum). As newspapers and advertising grew in importance in the western world (especially in Wild West America), type founders and printers began to create bigger, bolder typefaces, which would set large headlines apart from text, and each other. Through display tactics, businesses and industry could begin to visually differentiate their products from one another. This craze eventually led to the development of monster sized wood type, among other things. By the 20th Century, the typographic establishment had begun to tame, categorize, and codify 19th Century type styles. It was in the wake of this environment that Jost developed Beton. Jost, one of Bauer's in-house designers, was also the creator of the prolific Bauer Bodoni, which is widely regarded as one of the best Bodoni revivals ever cast. The Beton family is a type family in a pre-1950s sense of the word. Although six styles of type are available, only four of them fit in logical progression with each other (Beton Light, Beton Demi Bold, Beton Bold, and Beton Extra Bold). The other two members of the family, Beton Bold Condensed and Beton Bold Compressed, are more like distant cousins. They function better as single headlines to text set in Beton Light or Beton Demi Bold, of as companions to totally separate typefaces. Beton Light and Beton Demi Bold are well suited for setting book text, and other running text applications that require sizes under 12 point. Beton Bold and Beton Bold Condensed may be used for shorter lengths of texts at 12 point or above, as well as for headlines. Beton Extra Bold and Beton Bold Compressed are best left to headlines and display purposes alone, although they could make a mean logo in the right hands. Beton is very similar to another 1930s German slab serif family, Memphis.

    License

    NOTIFICATION OF LICENSE AGREEMENTYou have obtained this font software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This font software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this font software is limited to your workstation for your own use. You may not copy or distribute this font software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informations concernant le contrat d'utilisation du logiciel de polices, veuillez consulter notre site web www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418

  • Justus Versalitas Justus Versalitas
    Style : Versalitas
    Packages

    Justus

    Style

    Versalitas

    Version

    001.001

    Copyright

    Copyright (c) 1800 Justus Erich W.

    License

    This Font Software is licensed under the SIL Open Font License, Version 1.1.This license is copied below, and is also available with a FAQ at:http://scripts.sil.org/OFL-----------------------------------------------------------SIL OPEN FONT LICENSE Version 1.1 - 26 February 2007-----------------------------------------------------------PREAMBLEThe goals of the Open Font License (OFL) are to stimulate worldwidedevelopment of collaborative font projects, to support the font creationefforts of academic and linguistic communities, and to provide a free andopen framework in which fonts may be shared and improved in partnershipwith others.The OFL allows the licensed fonts to be used, studied, modified andredistributed freely as long as they are not sold by themselves. Thefonts, including any derivative works, can be bundled, embedded, redistributed and/or sold with any software provided that any reservednames are not used by derivative works. The fonts and derivatives,however, cannot be released under any other type of license. Therequirement for fonts to remain under this license does not applyto any document created using the fonts or their derivatives.DEFINITIONSFont Software refers to the set of files released by the CopyrightHolder(s) under this license and clearly marked as such. This mayinclude source files, build scripts and documentation.Reserved Font Name refers to any names specified as such after thecopyright statement(s).Original Version refers to the collection of Font Software components asdistributed by the Copyright Holder(s).Modified Version refers to any derivative made by adding to, deleting,or substituting -- in part or in whole -- any of the components of theOriginal Version, by changing formats or by porting the Font Software to anew environment.Author refers to any designer, engineer, programmer, technicalwriter or other person who contributed to the Font Software.PERMISSION & CONDITIONSPermission is hereby granted, free of charge, to any person obtaininga copy of the Font Software, to use, study, copy, merge, embed, modify,redistribute, and sell modified and unmodified copies of the FontSoftware, subject to the following conditions:1) Neither the Font Software nor any of its individual components,in Original or Modified Versions, may be sold by itself.2) Original or Modified Versions of the Font Software may be bundled,redistributed and/or sold with any software, provided that each copycontains the above copyright notice and this license. These can beincluded either as stand-alone text files, human-readable headers orin the appropriate machine-readable metadata fields within text orbinary files as long as those fields can be easily viewed by the user.3) No Modified Version of the Font Software may use the Reserved FontName(s) unless explicit written permission is granted by the correspondingCopyright Holder. This restriction only applies to the primary font name aspresented to the users.4) The name(s) of the Copyright Holder(s) or the Author(s) of the FontSoftware shall not be used to promote, endorse or advertise anyModified Version, except to acknowledge the contribution(s) of theCopyright Holder(s) and the Author(s) or with their explicit writtenpermission.5) The Font Software, modified or unmodified, in part or in whole,must be distributed entirely under this license, and must not bedistributed under any other license. The requirement for fonts toremain under this license does not apply to any document createdusing the Font Software.TERMINATIONThis license becomes null and void if any of the above conditions arenot met.DISCLAIMERTHE FONT SOFTWARE IS PROVIDED AS IS, WITHOUT WARRANTY OF ANY KIND,EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO ANY WARRANTIES OFMERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND NONINFRINGEMENTOF COPYRIGHT, PATENT, TRADEMARK, OR OTHER RIGHT. IN NO EVENT SHALL THECOPYRIGHT HOLDER BE LIABLE FOR ANY CLAIM, DAMAGES OR OTHER LIABILITY,INCLUDING ANY GENERAL, SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIALDAMAGES, WHETHER IN AN ACTION OF CONTRACT, TORT OR OTHERWISE, ARISINGFROM, OUT OF THE USE OR INABILITY TO USE THE FONT SOFTWARE OR FROMOTHER DEALINGS IN THE FONT SOFTWARE.

  • Emphasis Std Emphasis Std
    Style : Regular
    Packages

    Emphasis Std

    Style

    Regular

    Version

    1.000;PS 1.0;hotconv 1.0.38

    Author

    Martin Wait

    Trademark

    Emphasis is a trademark of International Typeface Corporation and may be registered in certain jurisdictions.

    Copyright

    Copyright 1997 International Typeface Corporation. All rights reserved.

    Description

    Please review the description of this font at http://www.itcfonts.com.

  • ZookyZooky ZookyZooky
    Style : ZookyZooky
    Packages

    ZookyZooky

    Style

    ZookyZooky

    Company

    THOMAS CANALE

    Author

    THOMAS CANALE 2011

    Copyright

    THOMAS CANALE, CANALE STUDIO, INC.

    Description

    Setting type has been an occupation and a passion of mine over the last 30 years. After completing some schooling at Cooper School of Art in Downtown Cleveland I accepted a position at Peto's Type House. Back then, the Cleveland Press still set type with 'Hot' lead. I know, I know, this dates me, but the facts are the facts. PhotoType was in it's infancy with the Linotronic 5700 being top-of-the-line technology in Photo type setting. My job at Peto's was more modest, among other things, I was hired to set headline type on what was called a 'Typositor'. It was still photo type setting but for headlines only. Letters had to be set (exposed), one letter at a time. A single headline of lets say15 words or so could take an hour or two to completely finish for paste-up, that's right, I said paste-up. That should really date me!! By doing this day in and day out (for hours on end) I gained a close-up' appreciation for letterforms and spacing. Ernie Peto would also quiz me on identifying type by name. It was an interesting 18 months to say the least. There have been lasting effects on my appreciation of letterforms thanks to this experience. Over the years, there have been spin offs of wood type, Times Roman, Helvetica, etc. Seems to me like we are just going over the same ground over and over and over again. What interests me is not the 'sameness' in the letterforms or their 'invisibility' in the graphics world. Some fonts are used to be 'invisible'. What I mean by this is that they are merely a communication tool to deliver the authors' / writers' message. the artistry in the forms lies in their ability to stay invisible and be easy to read. But their 'uniqueness' and how that difference translates to the printed page. There are many ways of looking at letterforms. We can look at the beauty of the individual letters themselves. Commenting on the curves of a upper case 'A' or a lower case letterform. Or we can look at them as a 'unit' and how that translates within a block of written text. It is this uniqueness that I am looking for in the fonts I design. I do look at each individual letterform and revel in the beauty of the forms and lines. But I also want to create a Font that when written out will display some unusual and unexpected characteristics when in a large block of text. Look for different line weights and forms in my font glyphs. The idea here is to allow the printed page to display uniqueness in contrast.

  • Marydale Insp W01 Bold Marydale Insp W01 Bold
    Style : Regular
    Packages

    MarydaleInspW01-Bold

    Style

    Regular

    Version

    1.00

    Company

    Three Islands Press

    Author

    Brian Willson

    Trademark

    Marydale Inspired is a trademark of Brian Willson.

    Copyright

    Copyright (c) 1993, 2002, 2006-09 by Brian Willson. All rights reserved worldwide.

    Description

    Marydale Inspired Bold was designed by Brian Willson in 2006.

    License

    THREE ISLANDS PRESS END USER LICENSE AGREEMENTThis is a legal agreement between Three Islands Press (3IP) and any purchaser (The Licensee) of any 3IP font(s) regarding use of the associated digital type outlines (The Software).Upon full payment of the agreed-upon fee, 3IP grants The Licensee a non-exclusive license for use of The Software, provided The Licensee agrees to these terms:1. The Licensee may install and use The Software on up to five (5) CPUs (e.g., computers) at one location; installation on more than five such devices, or in more than one location, will require an additional license fee or fees.2. For an additional fee, The Licensee may use @font-face or similar embedding technologies to make The Software accessible to third parties, so long as The Software may only be viewed and printed by those third parties??i.e., not edited. Furthermore, 3IP would ask that a link to www.3ipfonts.com be included on The Licensee's website's credits page, as well as a notice in The Licensee's CSS file (near the code specifying The Software), e.g.: Lamar Pen font by Brian Willson, 3IP (www.3ipfonts.com).3. The Licensee agrees not to redistribute The Software by any means except to its printers, output bureaus, design agencies, and the like, so long as The Software is reserved only and expressly for The Licensee's own use.4. The Licensee agrees to advise in writing its printers, output bureaus, design agencies, and the like, of the limitation described in 2., above, and to direct these agencies to 3IP for independent licensing of The Software for any other use; furthermore, The Licensee agrees to undertake any and all necessary steps to prevent unauthorized use of or access to The Software except as described in this agreement.5. The Licensee, its agents, and/or partners may not disassemble or modify The Software in any way, nor convert The Software for use on another platform, except by express permission of 3IP.6. The Licensee, its agents, and/or partners may not embed The Software in any materials not intended for The Licensee's own use, except where such materials permit only viewing and printing??not editing, altering, enhancing, modifying, or extracting The Software for subsequent use.7. The Licensee, its agents, and/or partners may not sub-license The Software.8. The Software is owned by and is the intellectual property of 3IP, and its worldwide trademarks belong to 3IP; furthermore, The Licensee agrees to credit 3IP as the trademark and copyright owner of The Software wherever and whenever design, production, and/or other credits are shown or listed, e.g.: Lamar Pen? Copyright Three Islands Press (www.3ip.com).9. In no way is 3IP liable for any computer trouble, property damage, personal injury, or loss of income or profits as a result of the use of The Software.10. This agreement is governed by the laws of the State of Maine, U.S.A., and any other governing authority.11. This agreement ends upon violation of any of these terms.12. In the event of termination of this agreement, The Licensee agrees to destroy all copies of The Software at any and all of the locations described above.For a multiple-license quote, call us toll-free at 877 496 6768, email us at info@3ipfonts.com, or contact us at:Three Islands PressP.O. Box 442Rockland ME 04841-0442207 596 6768

  • Lintel W00 Thin Italic Lintel W00 Thin Italic
    Style : Regular
    Packages

    LintelW00-ThinItalic

    Style

    Regular

    Version

    1.00

    Company

    Jonathan Hill

    Author

    Jonathan Hill

    Trademark

    Lintel Thin Italic is a trademark of Jonathan Hill.

    Copyright

    Copyright (c) 2010 by Jonathan Hill. All rights reserved.

    License

    By Installing any of The Northern Block fonts on your computer, you agree to the terms of use set forth by The Northern Block. Details can can be found at: http://www.thenorthernblock.co.uk/fonts_faq.htm. Use of this font software by unlicensed parties is expressly prohibited.

  • Alegreya SC Bold Alegreya SC Bold
    Style : Bold
    Packages

    Alegreya SC

    Style

    Bold

    Version

    1.003

    Company

    Juan Pablo del Peral

    Author

    Juan Pablo del Peral

    Trademark

    Alegreya is a trademark of Juan Pablo del Peral

    Copyright

    Copyright (c) 2011, Juan Pablo del Peral (juan@huertatipografica.com.ar), with Reserved Font Names Alegreya Alegreya SC

    License

    This Font Software is licensed under the SIL Open Font License, Version 1.1. This license is available with a FAQ at: http://scripts.sil.org/OFL

  • GreatSplunk GreatSplunk
    Style : Regular
    Packages

    GreatSplunk

    Style

    Regular

    Version

    1.00 October 12, 2012, initial release

    Company

    Xerographer Fonts

    Author

    Max Infeld

    Copyright

    Typeface (your company). 2012. All Rights Reserved

    Description

    This font was created using FontCreator 6.0 from High-Logic.com

    License

    maxinfeld@gmail.com

  • vtks chalk 79 vtks chalk 79
    Style : Regular
    Packages

    vtks chalk 79

    Style

    Regular

    Version

    1.00 January 11, 2012, initial release

    Company

    douglas vitkauskas

    Author

    douglas vitkauskas

    Trademark

    vtks chalk 79 is a trademark of douglas vitkauskas.

    Copyright

    Copyright (c) 2012 by douglas vitkauskas. All rights reserved.

    Description

    Copyright (c) 2012 by douglas vitkauskas. All rights reserved.

    License

    commercial license available at www.vtksdesign.com