ZookyZooky

ZookyZooky

THOMAS CANALE

THOMAS CANALE 2011

THOMAS CANALE, CANALE STUDIO, INC.

Setting type has been an occupation and a passion of mine over the last 30 years. After completing some schooling at Cooper School of Art in Downtown Cleveland I accepted a position at Peto's Type House. Back then, the Cleveland Press still set type with 'Hot' lead. I know, I know, this dates me, but the facts are the facts. PhotoType was in it's infancy with the Linotronic 5700 being top-of-the-line technology in Photo type setting. My job at Peto's was more modest, among other things, I was hired to set headline type on what was called a 'Typositor'. It was still photo type setting but for headlines only. Letters had to be set (exposed), one letter at a time. A single headline of lets say15 words or so could take an hour or two to completely finish for paste-up, that's right, I said paste-up. That should really date me!! By doing this day in and day out (for hours on end) I gained a close-up' appreciation for letterforms and spacing. Ernie Peto would also quiz me on identifying type by name. It was an interesting 18 months to say the least. There have been lasting effects on my appreciation of letterforms thanks to this experience. Over the years, there have been spin offs of wood type, Times Roman, Helvetica, etc. Seems to me like we are just going over the same ground over and over and over again. What interests me is not the 'sameness' in the letterforms or their 'invisibility' in the graphics world. Some fonts are used to be 'invisible'. What I mean by this is that they are merely a communication tool to deliver the authors' / writers' message. the artistry in the forms lies in their ability to stay invisible and be easy to read. But their 'uniqueness' and how that difference translates to the printed page. There are many ways of looking at letterforms. We can look at the beauty of the individual letters themselves. Commenting on the curves of a upper case 'A' or a lower case letterform. Or we can look at them as a 'unit' and how that translates within a block of written text. It is this uniqueness that I am looking for in the fonts I design. I do look at each individual letterform and revel in the beauty of the forms and lines. But I also want to create a Font that when written out will display some unusual and unexpected characteristics when in a large block of text. Look for different line weights and forms in my font glyphs. The idea here is to allow the printed page to display uniqueness in contrast.

Oki

Regular

1.00 May 30, 2014, initial release

http://www.myfonts.com/foundry/Q-BO/

Carlos Matteoli a.k.a. Qbotype

Qbotype

Oki (By Carlos Matteoli a.k.a Qbotype). 2014. All Rights Reserved

This font was created using FontCreator 6.0 from High-Logic.com

NOT allow commercial use of this typography. Only buying the full version. By downloading this source, you may only use personally. For information on purchase or use licenses, refer to: carlosmatteoli@gmail.com or qbotype@gmail.comThank you very much.NO se permite el uso comercial de esta tipografa. Slamente comprando la versin completa. Al descargar esta fuente, usted podra usarla de forma personal unicamente. Para cualquier informacin sobre compra o licencias de uso, consulte a: carlosmatteoli@gmail.com o qbotype@gmail.comMuchas gracias.

NewWGL4Font

Regular

1.02; January 29, 2000

Livin It Network

Livin It - Jeff

NewWGL4Font is a registered trademark of High-Logic.

Typeface High-Logic. 1999, 2000. All Rights Reserved

Livin It

Raslens Szayel Abedossen

Regular

1.00 July 7, 2009, initial release

Raslani ABDOU OUSSENI

Raslens Szayel Abedossen Trademark of Raslani.

Typeface (your company). 2009. All Rights Reserved

This font was created using FontCreator 5.6 from High-Logic.com

UniversalFreaky

Regular

1.00 August 8, 2013, initial release

Xerographer Fonts

Xerographer Fonts Max Infeld

Typeface (your company). 2013. All Rights Reserved

This font was created using FontCreator 6.0 from High-Logic.com

maxinfeld@hotmail.com

ITCFontoonW01-Regular

Regular

1.1

Linotype GmbH

Galpagos Design Group

Fontoon is a trademark of International Typeface Corporation.

Part of this font software is copyrighted 2006 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Copyright Esselte Letraset Ltd., 1995.

ITC Fontoon was designed by the Galpagos Design Group in 1995. Along with ITC Fontoonies and ITC Gargoonies from the same designers, it is the perfect text font for cartoons and comics. Slight irregularities in stroke contrast and basic forms distinguish ITC Fontoon and make it look like printed handwriting. It has an individual and consciously naive character and its high x-height makes it legible even in smaller point sizes. ITC Fontoon is best used for short texts and headlines.

NOTIFICATION OF LICENSE AGREEMENTYou have obtained this font software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This font software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this font software is limited to your workstation for your own use. You may not copy or distribute this font software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informations concernant le contrat d'utilisation du logiciel de polices, veuillez consulter notre site web www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418

CentreForwardW00-RegularIt

Regular

1.00

Jonathan Hill

Jonathan Hill

CentreForward Regular Italic is a trademark of Jonathan Hill.

Copyright (c) Jonathan Hill, 2008. All rights reserved.

By Installing any of The Northern Block fonts on your computer, you agree to the terms of use set forth by The Northern Block. Details can can be found at: http://www.thenorthernblock.co.uk/fonts_faq.htm. Use of this font software by unlicensed parties is expressly prohibited.

Pycuafodi

Regular

1.00 December 8, 2012, initial release

kaiserzharkhan

truefonts.blogspot.com (kaiserzharkhan). 2012. All Rights Reserved

http://truefonts.blogspot.com (kaiserzharkhan). 2012. All Rights Reserved free for personal use

only for distribute in dafont.com and truefonts.blogspot.com

free for personal use

Labrat

Regular

1.0; 2000; initial release

Apostrophe (')

Apostrophic Laboratories. All rights reserved. Distribute freely. apostrofe@mail.com

Apostrophic Laboratories. All rights reserved. Distribute freely. apostrofe@mail.com