Bid Roman Bold Fonts

Bid Roman Bold Font Info
Total Downloads 32123
Package : Bid Roman
Style : Bold
Version : 1.0 Tue Jul 27 22:32:12 1993
TAG's : Roman--Bold
Author :
Size : 65.12 KB
Company :
Update : May 18, 2018, 4:27 pm
@font-face
Copyright
Explanation
Trademark
License
#1 Add to the head section of web page.
<link href="//db.onlinewebfonts.com/c/58bfa6962eec74d5d06a2c85e6565785?family=Bid+Roman" rel="stylesheet" type="text/css"/>
#2 Using @import CSS directive, put the following line in add to your css file.(http | https)
@import url(//db.onlinewebfonts.com/c/58bfa6962eec74d5d06a2c85e6565785?family=Bid+Roman);
#3 Use font-face declaration Fonts.(http | https)
@font-face {font-family: "Bid Roman";
    src: url("//db.onlinewebfonts.com/t/58bfa6962eec74d5d06a2c85e6565785.eot");
    src: url("//db.onlinewebfonts.com/t/58bfa6962eec74d5d06a2c85e6565785.eot?#iefix") format("embedded-opentype"),
    url("//db.onlinewebfonts.com/t/58bfa6962eec74d5d06a2c85e6565785.woff2") format("woff2"),
    url("//db.onlinewebfonts.com/t/58bfa6962eec74d5d06a2c85e6565785.woff") format("woff"),
    url("//db.onlinewebfonts.com/t/58bfa6962eec74d5d06a2c85e6565785.ttf") format("truetype"),
    url("//db.onlinewebfonts.com/t/58bfa6962eec74d5d06a2c85e6565785.svg#Bid Roman") format("svg");
}

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    License

    NOTIFICATION OF LICENSE AGREEMENT This typeface is the property of International Typeface Corporation (ITC) and its use by you is covered under the terms of a license agreement. You have obtained this typeface software either directly from ITC or together with software distributed by one of the licencees of ITC. This software is a valuable asset of ITC. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to use on up to five (5) workstation for your own publishing use. You may not copy or distribute this software. If you have any questions concerning your rights you should review the license agreement you received with the software or contact ITC for a copy of the license agreement. General information:www.itcfonts.comFor license terms and usage rights, please visit our web site at:www.itcfonts.com/license

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  • elle ami elle ami
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    License

    This font is free for non-commercial, i. e. non-profit purposes. Commercial licenses available on request.If you do something sensible with it, I'd interested to learn about it; an email about your work with a link maybe is always appreciated. Also if you have any suggestions concerning this font.You can pass on this font as long as you keep this readme file with it.I suggest you use the ZIP archive that it comes with.You may change or convert it to another format for your personal use only. If you think there is something to improve, contact me before you circulate your modifications. I always listen to user suggestions but like to have the deciding vote on what form my fonts are available in public.If you want to put this font on your homepage please ask before you do. If you want to put it on a Font or software CD, feel free as long as you send me a specimen copy. Of course, font and readme file have to be kept together on homepages and CDs, too.

  • Beton W02 Bold Beton W02 Bold
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    The Bauer Typefoundry first released the Beton family of types in 1936. Created by the German type designer Heinrich Jost, the present digital version of the Beton family consists of six slab serif typefaces. First developed during the early 1800s, by the 1930s slab serif faces had become one of many stock styles of type developed by foundries all over the world. Because of their distance from pen-drawn forms and their industrial appearance, they were seen as modern typefaces (their serifs kept them from being too modern). Faces like Beton were interesting contemporary competitors with more thoroughly modern experiments like Basic Commercial and Futura. The first slab serif typefaces, like Adrian Frutiger's revival Egyptienne F were outgrowths of didone style text faces (e.g., Walbaum). As newspapers and advertising grew in importance in the western world (especially in Wild West America), type founders and printers began to create bigger, bolder typefaces, which would set large headlines apart from text, and each other. Through display tactics, businesses and industry could begin to visually differentiate their products from one another. This craze eventually led to the development of monster sized wood type, among other things. By the 20th Century, the typographic establishment had begun to tame, categorize, and codify 19th Century type styles. It was in the wake of this environment that Jost developed Beton. Jost, one of Bauer's in-house designers, was also the creator of the prolific Bauer Bodoni, which is widely regarded as one of the best Bodoni revivals ever cast. The Beton family is a type family in a pre-1950s sense of the word. Although six styles of type are available, only four of them fit in logical progression with each other (Beton Light, Beton Demi Bold, Beton Bold, and Beton Extra Bold). The other two members of the family, Beton Bold Condensed and Beton Bold Compressed, are more like distant cousins. They function better as single headlines to text set in Beton Light or Beton Demi Bold, of as companions to totally separate typefaces. Beton Light and Beton Demi Bold are well suited for setting book text, and other running text applications that require sizes under 12 point. Beton Bold and Beton Bold Condensed may be used for shorter lengths of texts at 12 point or above, as well as for headlines. Beton Extra Bold and Beton Bold Compressed are best left to headlines and display purposes alone, although they could make a mean logo in the right hands. Beton is very similar to another 1930s German slab serif family, Memphis.

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