Futura Extra Bold Shaded Fonts

Futura Extra Bold Shaded Font Info
Total Downloads 36347
Package : Futura BQ
Style : Regular
Version : 001.000
TAG's : Futura--Extra--Bold--Shaded
Author :
Size : 47.41 KB
Company :
Update : December 5, 2016, 10:54 pm
@font-face
Copyright
Explanation
Trademark
License
#1 Add to the head section of web page.
<link href="//db.onlinewebfonts.com/c/48d1850d6584afdb811c10506dca533b?family=Futura+BQ" rel="stylesheet" type="text/css"/>
#2 Using @import CSS directive, put the following line in add to your css file.(http | https)
@import url(//db.onlinewebfonts.com/c/48d1850d6584afdb811c10506dca533b?family=Futura+BQ);
#3 Use font-face declaration Fonts.(http | https)
@font-face {font-family: "Futura BQ";
    src: url("//db.onlinewebfonts.com/t/48d1850d6584afdb811c10506dca533b.eot");
    src: url("//db.onlinewebfonts.com/t/48d1850d6584afdb811c10506dca533b.eot?#iefix") format("embedded-opentype"),
    url("//db.onlinewebfonts.com/t/48d1850d6584afdb811c10506dca533b.woff2") format("woff2"),
    url("//db.onlinewebfonts.com/t/48d1850d6584afdb811c10506dca533b.woff") format("woff"),
    url("//db.onlinewebfonts.com/t/48d1850d6584afdb811c10506dca533b.ttf") format("truetype"),
    url("//db.onlinewebfonts.com/t/48d1850d6584afdb811c10506dca533b.svg#Futura BQ") format("svg");
}

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    Style

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    Version

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    Company

    Andriy Konstantynov

    Author

    Andriy Konstantynov

    Copyright

    Copyright (c) 2013 by Andriy Konstantynov. All rights reserved.

    Description

    Copyright (c) 2013 by Andriy Konstantynov. All rights reserved.

  • Vialog LT Com Bold Italic Vialog LT Com Bold Italic
    Style : Bold Italic
    Packages

    Vialog LT Com

    Style

    Bold Italic

    Version

    1.20; 2006

    Company

    Linotype GmbH

    Author

    Werner Schneider

    Trademark

    Vialog is a trademark of Heidelberger Druckmaschinen AG which may be registered in certain jurisdictions, exclusively licensed through Linotype GmbH.

    Copyright

    Copyright (c) 2002-2006 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH. Vialog is a trademark of Heidelberger Druckmaschinen AG which may be registered in certain jurisdictions, exclusively licensed through Linotype GmbH. This typeface is original artwork of Werner Schneider. The design may be protected in certain jurisdictions.

    Description

    Vialog is a large and versatile sans serif family consisting of four weights of roman with corresponding italics, each with small caps and oldstyle figures, released by Linotype Library in 2002. Designers Werner Schneider and Helmut Ness based the concept for Vialog on the forms in Euro Type, an unpublished type designed by Schneider in 1988 for the German Federal Transportation Ministry. For Vialog, Schneider made comprehensive legibility studies of the existing European transportation fonts, and combined and adapted the best features to make a new information system font family. He fine-tuned Vialog's characters and spacing with a special regard to the legibility problems of transportation settings, such as viewing type at distances and while moving. For example: cap I, J and lowercase i, j are common legibility problems in sans serif fonts, so in Vialog, these characters have serifs. In addition to its usefulness to the transportation industry, the Vialog family confidently meets the needs of corporate design and branding systems with its space-saving attributes for text settings, as well as the large number of weights and styles.

    License

    NOTIFICATION OF LICENSE AGREEMENTYou have obtained this typeface software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this software is limited to your workstation for your own use. You may not copy or distribute this software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informacin concernant la contrat d'utilisation du logiciel de polices, veuillez consultez notre site www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418

  • Aviano Sans Layers W01 Primary Aviano Sans Layers W01 Primary
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    Version

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    Author

    www.insignedesign.com

    Trademark

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    Copyright

    Copyright (c) 2009 by Jeremy Dooley. All rights reserved.

    Description

    Copyright (c) 2009 by Jeremy Dooley. All rights reserved.

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    Style : Regular
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    Style

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    Version

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    Copyright

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    Description

    This font was created using Font Creator 5.0 from High-Logic.com

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    Style : Regular
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    Version

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    Company

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    Author

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    Copyright

    Copyright (c) 2012 by Aviation Partners. All rights reserved.

    Description

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  • Ticketbook W01 Medium Ticketbook W01 Medium
    Style : Regular
    Packages

    TicketbookW01-Medium

    Style

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    Version

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    Company

    Suomi Type Foundry, Suomi Finland

    Author

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    Trademark

    Ticketbook-Medium is a trademark of Suomi Type Foundry, Suomi Finland.

    Copyright

    Copyright (c) 2009 by Suomi Type Foundry, Suomi Finland. All rights reserved.

    Description

    Copyright (c) 2009 by Suomi Type Foundry, Suomi Finland. All rights reserved.

  • Bleeding Trough Bleeding Trough
    Style : Regular
    Packages

    Bleeding Trough

    Style

    Regular

    Version

    1.00 September 9, 2005, initial release

    Copyright

    Typeface (your company). 2005. All Rights Reserved

    Description

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  • ZookyZooky ZookyZooky
    Style : ZookyZooky
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    ZookyZooky

    Style

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    Company

    THOMAS CANALE

    Author

    THOMAS CANALE 2011

    Copyright

    THOMAS CANALE, CANALE STUDIO, INC.

    Description

    Setting type has been an occupation and a passion of mine over the last 30 years. After completing some schooling at Cooper School of Art in Downtown Cleveland I accepted a position at Peto's Type House. Back then, the Cleveland Press still set type with 'Hot' lead. I know, I know, this dates me, but the facts are the facts. PhotoType was in it's infancy with the Linotronic 5700 being top-of-the-line technology in Photo type setting. My job at Peto's was more modest, among other things, I was hired to set headline type on what was called a 'Typositor'. It was still photo type setting but for headlines only. Letters had to be set (exposed), one letter at a time. A single headline of lets say15 words or so could take an hour or two to completely finish for paste-up, that's right, I said paste-up. That should really date me!! By doing this day in and day out (for hours on end) I gained a close-up' appreciation for letterforms and spacing. Ernie Peto would also quiz me on identifying type by name. It was an interesting 18 months to say the least. There have been lasting effects on my appreciation of letterforms thanks to this experience. Over the years, there have been spin offs of wood type, Times Roman, Helvetica, etc. Seems to me like we are just going over the same ground over and over and over again. What interests me is not the 'sameness' in the letterforms or their 'invisibility' in the graphics world. Some fonts are used to be 'invisible'. What I mean by this is that they are merely a communication tool to deliver the authors' / writers' message. the artistry in the forms lies in their ability to stay invisible and be easy to read. But their 'uniqueness' and how that difference translates to the printed page. There are many ways of looking at letterforms. We can look at the beauty of the individual letters themselves. Commenting on the curves of a upper case 'A' or a lower case letterform. Or we can look at them as a 'unit' and how that translates within a block of written text. It is this uniqueness that I am looking for in the fonts I design. I do look at each individual letterform and revel in the beauty of the forms and lines. But I also want to create a Font that when written out will display some unusual and unexpected characteristics when in a large block of text. Look for different line weights and forms in my font glyphs. The idea here is to allow the printed page to display uniqueness in contrast.

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    Style

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    Version

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    Company

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    Author

    Kevin King

    Trademark

    King Wood is a trademark of Kevin King.

    Copyright

    Copyright (c) 2012 Kevin King. Published by Canada Type. All rights reserved.

    Description

    Copyright (c) 2012 Kevin King. Published by Canada Type. King Wood is a trademark of Kevin King. All rights reserved.