DistrictProW01-Thin

Regular

1.00

Dylan Smith & Kienan Smith

Dylan Smith & Kienan Smith

District is a trademark of Dylan Smith & Kienan Smith. Published by GarageFonts USA - - www.garagefonts.com.

Copyright (c) 2002 by Dylan Smith & Kienan Smith. Published by GarageFonts USA 301-879-9222 - - www.garagefonts.com. All rights reserved.

Copyright (c) 2002 by Dylan Smith & Kienan Smith. Published by GarageFonts USA - - www.garagefonts.com. All rights reserved.

Phils Fonts/GarageFonts End User License AgreementSoftware means the computer program contained in this package (which may include digitally en- coded, machine readable, scalable outline font data as encoded in special format), together with all codes, techniques, software tools, formats, designs, concepts, methods and ideas associated with the computer program and all documentation related thereto.Phils Fonts, Inc./GarageFonts (Phils), hereby grants you, and you agree to accept a non-exclusive, non-transferable, limited license (the License) to use the Software solely for your own customary business or personal purposes. Under the terms of this License Agreement, you have the right to use the software on up to five (5) CPUs.If you need to have access to the Software on more than five (5) CPUs, you must pay Phils the ap- plicable fees for typefaces used in a multi-system environment. 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GraffCaps

Regular

1.00 August 12, 2012, initial release

Xerographer Fonts

Max Infeld

Typeface (your company). 2012. All Rights Reserved

This font was created using FontCreator 6.0 from High-Logic.com

mailto:maxinfeld@gmail.com

VerbW01-SemiBdIt

Regular

1.1

Ryan Martinson

Ryan Martinson

Verb Semibold Italic is a trademark of Yellow Design Studio.

Copyright (c) 2013 by Yellow Design Studio. All rights reserved.

Copyright (c) 2013 by Yellow Design Studio. All rights reserved.

Lara Prints Bold

Regular

1.00 October 9, 2012, initial release

Made with Scanahand. Copyright FontPanda.com 2012. All Rights Reserved.

This font was created using Scanahand from High-Logic.com

Christian Crosses

Regular

1.0 10/14/97

UnAuthorized Type

Ben McGehee

http://www.latech.edu/~bmcgehee/untype/index.htm

Freeware from UnAuthorized Type

When I was studying in Rome, I saw lots of churches. So I saw lots of crosses, too. I got really interested in the variety of crosses that churches had -- from very ornate to plain and simple. But I had never made a dingbat font, so I didn't want to try. Then I saw in the newsgroups that someone was looking for one, and no one had a good one. So I went ahead with it.Crosses mean a lot to me. It symbolizes when Jesus died for our sins. No one knows what the real cross really looked like (even though I saw the real cross in a church in Rome). So there are many adaptations. But they all hold the same meaning. Please only use this font in a way that is glorifying to God.In this font, I have included a wide variety of crosses. Some traditional and some not. I have included some Celtic crosses, an Assisi cross (a Greek Tau), some crosses that were cut out of wood, and some that I just thought looked neat.I would like to find more crosses, and make another font with those. If you know of any that I didn't include, but are cool, tell me about them. My e-mail is included.

You use this font in any way that you see fit. If you distribute it, I would like for the readme text file to accompany it. (That's just so they know who made it.) You may distribute it on CD, disk, or any other medium, but you may not sell it.

BetonW01-DemiBold

Regular

1.00

Linotype GmbH

Heinrich Jost

Beton is a trademark of Bauer Types, S.A.

Copyright 2006 Linotype GmbH, www.linotype.com. All rights reserved. This font software may not be reproduced, modified, disclosed or transferred without the express written approval of Linotype GmbH.

The Bauer Typefoundry first released the Beton family of types in 1936. Created by the German type designer Heinrich Jost, the present digital version of the Beton family consists of six slab serif typefaces. First developed during the early 1800s, by the 1930s slab serif faces had become one of many stock styles of type developed by foundries all over the world. Because of their distance from pen-drawn forms and their industrial appearance, they were seen as modern typefaces (their serifs kept them from being too modern). Faces like Beton were interesting contemporary competitors with more thoroughly modern experiments like Basic Commercial and Futura. The first slab serif typefaces, like Adrian Frutiger's revival Egyptienne F were outgrowths of didone style text faces (e.g., Walbaum). As newspapers and advertising grew in importance in the western world (especially in Wild West America), type founders and printers began to create bigger, bolder typefaces, which would set large headlines apart from text, and each other. Through display tactics, businesses and industry could begin to visually differentiate their products from one another. This craze eventually led to the development of monster sized wood type, among other things. By the 20th Century, the typographic establishment had begun to tame, categorize, and codify 19th Century type styles. It was in the wake of this environment that Jost developed Beton. Jost, one of Bauer's in-house designers, was also the creator of the prolific Bauer Bodoni, which is widely regarded as one of the best Bodoni revivals ever cast. The Beton family is a type family in a pre-1950s sense of the word. Although six styles of type are available, only four of them fit in logical progression with each other (Beton Light, Beton Demi Bold, Beton Bold, and Beton Extra Bold). The other two members of the family, Beton Bold Condensed and Beton Bold Compressed, are more like distant cousins. They function better as single headlines to text set in Beton Light or Beton Demi Bold, of as companions to totally separate typefaces. Beton Light and Beton Demi Bold are well suited for setting book text, and other running text applications that require sizes under 12 point. Beton Bold and Beton Bold Condensed may be used for shorter lengths of texts at 12 point or above, as well as for headlines. Beton Extra Bold and Beton Bold Compressed are best left to headlines and display purposes alone, although they could make a mean logo in the right hands. Beton is very similar to another 1930s German slab serif family, Memphis.

NOTIFICATION OF LICENSE AGREEMENTYou have obtained this font software either directly from Linotype GmbH or together with software distributed by one of Linotype's licensees.This font software is a valuable asset of Linotype GmbH. Unless you have entered into a specific license agreement granting you additional rights, your use of this font software is limited to your workstation for your own use. You may not copy or distribute this font software. If you have any questions regarding your license terms, please review the license agreement you received with the software.General license terms and usage rights can be viewed at www.linotype.com/license.Generelle Lizenzbedingungen und Nutzungsrechte finden Sie unter www.linotype.com/license.Pour plus d'informations concernant le contrat d'utilisation du logiciel de polices, veuillez consulter notre site web www.linotype.com/license.Linotype GmbH can be contacted at:Tel.: +49(0)6172 484-418

Mutter Krause Halbfett

Bold

Peter Wiegel

Mutter Krause is a trademark of Peter Wiegel.

Copyright (c) 2012 by Peter Wiegel. All rights reserved.

Copyright (c) 2012 by Peter Wiegel. All rights reserved.

Skwirl

Regular

1.00 May 26, 2012, initial release, www.yourfonts.com

Copyright 2012 ChickenBilly.com. All rights reserved.

Copyright 2012 ChickenBilly.com. All rights reserved.

Skwirl is a trademark of ChickenBilly.com

Copyright 2012 ChickenBilly.com. All rights reserved.

This font was created using the online font generation service from yourfonts.com