NaomiW00-Normal

Regular

1.00

Gert Wiescher, Autographis, Munich, Germany, www.autographis.com

Gert Wiescher

Naomi is a trademark of t Wiescher, Autographis, Munich, Germany, www.autographis.com, All rights reserved.

Copyright (c) 2008 by t Wiescher, Autographis, Munich, Germany, www.autographis.com, All rights reserved.

Copyright (c) 2008 by t Wiescher, Autographis, Munich, Germany, www.autographis.com, All rights reserved.

AUTOGRAPHIS Standard LicenseBy buying this font you are agreeing to be bound by the terms of this Agreement. This Agreement, in conjunction with the receipt that accompanies each purchase from Autographis, constitutes the complete agreement between you and Autographis.1. Allowed usesYou may use the licensed fonts to create images on any surface such as computer screens, paper, web pages, photographs, movie credits, printed material, T-shirts, and other surfaces where the image is a fixed size.You may use the licensed fonts to create EPS files or other scalable drawings provided that such files are only used by the household or company licensing the font.2. Number of usersThe maximum number of simultaneous users is specified in the applicable receipt. All users must belong to the same company or household purchasing the font.3. Third partiesYou may provide the font to a graphic designer, printer or other service bureau that is working on your behalf only if they agree to use the font exclusively for your work, agree to the terms of this license, and retain no copies of the font on completion of the work.You may not provide the font or make it accessible to any other third parties.4. EmbeddingYou may embed the licensed fonts into any document you send to third parties provided such embedding is restricted to viewing and printing that document.You may not embed the licensed fonts into software or hardware products in which the fonts will be used by the purchasers of such products. Such use requires a different license (OEM). Please contact g@autographis.com for information on OEM licenses.5. ModificationsYou may import characters from the font as graphical objects into a drawing program and modify such graphical objects.You may not modify, adapt, translate, reverse engineer, decompile, disassemble, or create derivative works based on the licensed font itself without Autographis' prior written consent.6. CopyrightThe font and the accompanying materials are copyrighted and contain proprietary information and trade secrets belonging to the foundry owning the font. Unauthorized copying of the Product even if modified, merged, or included with other software, or of the written materials, is expressly forbidden. You may be held legally responsible for any infringement of the foundrys intellectual property rights that is caused or encouraged by your failure to abide by the terms of this Agreement.7. TerminationThis Agreement is effective until terminated. This Agreement will terminate automatically without notice from Autographis if you fail to comply with any provision contained herein. Upon termination, you must destroy the written materials, the Product, and all copies of them, in part and in whole, including modified copies, if any.8. Product UpgradesAutographis may, from time to time, update the Product. Product upgrade pricing may apply.9. Disclaimer and Limited WarrantyAutographis warrants the Product to be free from defects in materials and workmanship under normal use for a period of twenty one (21) days from the date of delivery as shown on your receipt. Autographis' entire liability and your exclusive remedy as to a defective product shall be, at Autographis' option, either return of purchase price or replacement of any such product that is returned to Autographis with a copy of the invoice. Autographis shall have no responsibility to replace the product or refund the purchase price if failure results from accident, abuse or misapplication, or if any product is lost or damaged due to theft, fire, or negligence. Any replacement product will be warranted for twenty one (21) days. This warranty gives you specific legal rights. You may have other rights, which vary from state to state.EXCEPT AS EXPRESSLY PROVIDED ABOVE, THE PRODUCT, IS PROVIDED AS IS. AUTOGRAPHIS DOES NOT MAKE ANY WARRANTY OF ANY KIND, EITHER EXPRESSED OR IMPLIED, INCLUDING, BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE.The entire risk as to the quality and performance of the Product rests upon you. Autographis does not warrant that the functions contained in the Product will meet your requirements or that the operation of the software will be uninterrupted or error free.AUTOGRAPHIS SHALL NOT BE LIABLE FOR ANY DIRECT, INDIRECT, CONSEQUENTIAL, OR INCIDENTAL DAMAGES (INCLUDING DAMAGES FROM LOSS OF BUSINESS PROFITS, BUSINESS INTERRUPTION, LOSS OF BUSINESS INFORMATION, AND THE LIKE) ARISING OUT OF THE USE OF OR INABILITY TO USE THE PRODUCT EVEN IF AUTOGRAPHIS HAS BEEN ADVISED OF THE POSSIBILITY OF SUCH DAMAGES.Because some states do not allow the exclusion or limitation of liability for consequential or incidental damages, the above limitation may not apply to you.10. Governing LawThis agreement is governed by the laws of Germany.

Hearthy

Regular

1.00 November 11, 2011, initial release

Heather T. (Heather Taylor)

Typeface (your company). 2011. All Rights Reserved

This font was created using FontCreator 6.5 from High-Logic.com

Free for commercial and personal use. Redistribution only with TOU, for free.

NoSense

NoSense

THOMAS CANALE

THOMAS CANALE

THOMAS CANALE, CANALE STUDIO, INC.

Setting type has been an occupation and a passion of mine over the last 30 years. After completing some schooling at Cooper School of Art in Downtown Cleveland I accepted a position at Peto's Type House. Back then, the Cleveland Press still set type with 'Hot' lead. I know, I know, this dates me, but the facts are the facts. PhotoType was in it's infancy with the Linotronic 5700 being top-of-the-line technology in Photo type setting. My job at Peto's was more modest, among other things, I was hired to set headline type on what was called a 'Typositor'. It was still photo type setting but for headlines only. Letters had to be set (exposed), one letter at a time. A single headline of lets say15 words or so could take an hour or two to completely finish for paste-up, that's right, I said paste-up. That should really date me!! By doing this day in and day out (for hours on end) I gained a close-up' appreciation for letterforms and spacing. Ernie Peto would also quiz me on identifying type by name. It was an interesting 18 months to say the least. There have been lasting effects on my appreciation of letterforms thanks to this experience. Over the years, there have been spin offs of wood type, Times Roman, Helvetica, etc. Seems to me like we are just going over the same ground over and over and over again. What interests me is not the 'sameness' in the letterforms or their 'invisibility' in the graphics world. Some fonts are used to be 'invisible'. What I mean by this is that they are merely a communication tool to deliver the authors' / writers' message. the artistry in the forms lies in their ability to stay invisible and be easy to read. But their 'uniqueness' and how that difference translates to the printed page. There are many ways of looking at letterforms. We can look at the beauty of the individual letters themselves. Commenting on the curves of a upper case 'A' or a lower case letterform. Or we can look at them as a 'unit' and how that translates within a block of written text. It is this uniqueness that I am looking for in the fonts I design. I do look at each individual letterform and revel in the beauty of the forms and lines. But I also want to create a Font that when written out will display some unusual and unexpected characteristics when in a large block of text. Look for different line weights and forms in my font glyphs. The idea here is to allow the printed page to display uniqueness in contrast.

Credit Valley

Bold Italic

2.000 2004

Ray Larabie

Ray Larabie

2000 Ray Larabie. This font is freeware. Read attached text file for details. Info & updates visit www.larabiefonts.com. Donations gratefully accepted at www.larabiefonts.com/donation.html. Also visit my commercial type foundry at www.typodermic.com. This font was updated in 2004.

If you would like to help support Larabie Fonts please consider making a donation. It costs a lot to keep the site running and free from irritating pop-up or banner ads. Any amount is appreciated and goes right back into making maintaining the site and developing more free fonts. Visit www.larabiefonts.com for details.

UhBee Miwan

Regular

1.00 February 28, 2012, initial release

Made with Scanahand. Copyright UhBee.com 2012. All Rights Reserved.

This font was created using Scanahand from High-Logic.com

FasterStronger

Regular

1.00 August 12, 2012, initial release

Xerographer Fonts

Max Infeld

Typeface (your company). 2012. All Rights Reserved

This font was created using FontCreator 6.0 from High-Logic.com

mailto:maxinfeld@gmail.com

Kimono

Italic

1.0;

Keya Kirpatrick & Apostrophe

Keya Kirkpatrick & Apostrophic Laboratories. All rights reserved. apostrofe@mail.com

Keya Kirkpatrick & Apostrophic Laboratories. All rights reserved. apostrofe@mail.com

GridlockerW00-One

Regular

2.00

Rian Hughes / Device Fonts

Rian Hughes

Gridlocker One is a trademark of Rian Hughes / Device Fonts.

Copyright (c) 2005 by Rian Hughes / Device Fonts. All rights reserved.

http://devicefonts.co.uk