Echelon

Regular

2.000 2004

Ray Larabie

Ray Larabie

1999 Ray Larabie. This font is freeware. Read attached text file for details. Info & updates visit www.larabiefonts.com. Donations gratefully accepted at www.larabiefonts.com/donation.html. Also visit my commercial type foundry at www.typodermic.com. This font was updated in 2004.

Larabie Fonts is able to offer unique free fonts through the generous support of visitors to the site. Making fonts is my full-time job and every donation, in any amount, enables me to continue running the site and creating new fonts. If you would like to support Larabie Fonts visit www.larabiefonts.com for details.

Amazing Symphony

Regular

1.00 August 3, 2012, initial release

www.dafont.com wino-s-kadir.d2209

weknow Trademark of (http://www.dafont.com/wino-s-kadir.d2209).

weknow (weknow.deviantart.com). 2012. All Rights Reserved

This font was created using FontCreator 5.5 from High-Logic.com

JD Sketched

Regular

001.000

Jecko Development

Jecko Development

Jecko Development

2015 Jecko Development - http://www.jeckodevelopment.com

JD Sketched by Jecko Development

El&Font

Regular

1.00 February 9, 2006, initial release

Typeface (your company). 2006. All Rights Reserved

This font was created using Font Creator 5.0 from High-Logic.com

LTZootype Alternate

Regular

1.00

Zootype is a Trademark of Heidelberger Druckmaschinen AG, which may be registered in certain jurisdictions, exclusively licensed through Linotype Library GmbH, a wholly owned subsidiary of Heidelberger Druckmaschinen AG.

The digitally encoded machine readable software for producing the Typefaces licensed to you is copyrighted (c) 2000 Linotype Library GmbH or its affiliated Linotype-Hell companies. All rights reserved. This software is now the property of Heidelberger Druckmaschinen AG and its licensors and may not be reproduced, used, displayed, modified, disclosed or transferred without the express written approval of Heidelberger Druckmaschinen AG.

The digitally encoded machine readable software for producing the Typefaces licensed to you is copyrighted (c) 0000, 0000, Linotype Library GmbH or its affiliated Linotype-Hell companies. All rights reserved. This software is now the property of Heidelberger Druckmaschinen AG and its licensors and may not be reproduced, used, displayed, modified, disclosed or transferred without the express written approval of Heidelberger Druckmaschinen AG.

Arabic Typesetting

Regular

5.01

Mamoun Sakkal, Paul C. Nelson and John Hudson

2006 Microsoft Corporation. All Rights Reserved.

Arabic Typesetting is a new design in the Naskh style, particularly well suited for traditional book typography, an area neglected by digital type. The font provides fine typographic control by marrying the latest OpenType technology to traditional calligraphic and typographic models. It achieves maximum readability by opening bowls and counters, balancing the proportions of stroke and white space in letters that typically cause problems at small sizes, and by contextually differentiating similar forms. The font contains over 2,100 glyphs, including contextual alternates, ligatures, and language-specific forms.Great care was taken in the design and digitization of all outlines. The graceful curves, the dynamic of blunt and rounded terminals, and the contrast between thick and thin strokes are consistent and lively throughout the typeface. In addition to providing all the correct shapes for quality Arabic typesetting, the same care and consistency has been applied in glyphs used for the many other languages, such as Farsi, Urdu, Sindhi, etc., that are written in variants of the Arabic script. This means that documents incorporating several language will have a harmonious appearance.The Arabic glyphs are accompanied by Latin letters designed to achieve a balance of color, weight and proportion between the two scripts. Typically, the trend in co-ordinating Arabic and Latin types has been to unhappily force the Arabic to match the proportions of the Latin. In this font, likely for the first time, the Latin has been adjusted to harmonize with the Arabic: the ascenders and descenders have been lengthened to echo the proportions of the Arabic extenders, and the usual impact of capital letters has been reduced by making them a similar weight to the lowercase.

You may use this font to display and print content as permitted by the license terms for the product in which this font is included. You may only (i) embed this font in content as permitted by the embedding restrictions included in this font; and (ii) temporarily download this font to a printer or other output device to help print content.

P22UndergndW15-HeavyPCp

Regular

1.00

Edward Johnston, Richard Kegler, Paul Hunt

P22 Underground is a trademark of P22 type foundry.

2007 by P22 type foundry. All rights reserved.

Originally commissioned in 1916 for use in the London Transport system, Edward Johnston's typeface immediately became an icon in graphic design and typography. Commissioned by first Chief Executive of London Transport Frank Pick to create a typeface belonging unmistakably to the twentieth century, Johnston's design was intended to be distinctly legible and, most importantly, functional. The true testament to Johnston's legacy of design is its continued modern usage and the scores of imitations which developed from Johnston's work. Johnston's original typeface became the model and inspiration for such modern sans-serif typefaces as Futura and Gill Sans. P22 Underground Pro expands on the historical design by Edward Johnston, licensed exclusively to P22 from the London Transport Museum.

Statix

Regular

1.00 September 19, 2011, initial release

Typeface (your company). 2011. All Rights Reserved

This font was created using FontCreator 6.0 from High-Logic.com

ByteShades

Regular

1.00 June 23, 2013, initial release

Xerographer Fonts

Xerographer Fonts Max Infeld

Typeface (your company). 2013. All Rights Reserved

This font was created using FontCreator 6.0 from High-Logic.com

maxinfeld@hotmail.com